Marketing Animals - Antennae The Journal of Nature in Visual Culture

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Punch Boutique Pumch, 1960 Punch 130
Télévision Ducastel Satisfaction réelle, 1955 Télévision Ducastel 131
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Antennae Issue 23 - Winter 2012 ISS
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EDITORIAL ANTENNAE ISSUE 23 T his i
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83 Jumbo: A Capitalist Creation Sto
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actually ethical, juridical and pol
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A merican popular culture has quiet
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animals represent to the audience?
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Fig. 1. including sources such as t
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This lack of human/penguin interact
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gorillas were associated directly w
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References Anderson, John R. (1990)
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Regione Lombardia L’Agricoltura C
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Concern about the impact of livesto
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Ed Edwards and Dave Masterman The G
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translates into context for the bov
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T here seems to be some confusion r
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P revious academic research looking
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Leo Burnett France 500 Black Jack,
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DDB Berlin The Golf GTI Edition 30,
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David&Goliath Fast and Fuel Efficie
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Kessanlv Bovril by Electrocution fr
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progress and humanitarianism. It wa
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Fig 1. VCCP Muller “Thank You Cow
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Fig. 3 TBWA/Chiat/Day New York Sad
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(Lerner and Kalof 1999), the four a
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I often wonder what the meetings at
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Representations of animals in adver
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In the second section of the Wester
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number of animal species, because i
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2006. Image showing advertisement f
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Morrisjones & Company Unique Partne
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he same issue of the monthly magazi
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alleged Nazi dietary habits. The ma
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Fig.2. Stonyfield yogurt carton fro
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Fig. 4. & 5. The Miracle of Milk an
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Fig. 6. Down to Earth, Stonyfield F
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Fig. 8. Michael Mercil The Virtual
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Fig. 10. Michael Mercil The Virtual
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Fig. 12. Michael Mercil Michael Mer
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farming, the animals have disappear
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Page 81 and 82: Brooke’s Soap Monkey Brand Wont W
Page 83 and 84: It is tempting to take for granted
Page 85 and 86: Fig. 1. The iconic Jumbo broadside,
Page 87 and 88: Fig. 2. Funny Folks, 1882. McCaddon
Page 89 and 90: Fig. 3. Clark’s O.N.T. Spool Cott
Page 91 and 92: and claw” movies and other cultur
Page 93 and 94: (and thus all the more persuasive b
Page 95 and 96: T his ad for Armstrong tires depict
Page 97 and 98: Referring to real rhinos might have
Page 99 and 100: perpetuation of the self image of t
Page 101 and 102: The Human Portrait Portraiture is d
Page 103 and 104: Fig. 7. Joe Zammit-Lucia Hunted, ph
Page 105 and 106: Fig. 9. Animal Portraiture Exhibit
Page 107 and 108: Fig. 10. Animal farmed for his fur
Page 109 and 110: particularly highly disturbing imag
Page 111 and 112: Pope-Hennessy, John. 1979. The Port
Page 113 and 114: Thinkbox Harvey, 2010 Thinkbox ent
Page 115 and 116: Y&R Chicago Welcome to the Saddest
Page 117 and 118: Y&R Chicago Welcome to the Saddest
Page 119 and 120: Jeremy Smallwood and Pam Mufson hav
Page 121 and 122: Campagne Per Gli Animali Buona Pasq
Page 123 and 124: A lready very early on in the histo
Page 125 and 126: Schwarzer Kater Garantie für gute
Page 127 and 128: Laboratories Ed. Mottier Colle M El
Page 129: PKZ Burgher, Kehl & Co, 1913 PKZ L
Page 133 and 134: WPA Brookfield Zoo WPA ads edit ou
Page 135 and 136: displays as a modern entertainment
Page 137 and 138: into the home pest removal also con
Page 139 and 140: Fig.2 Advertisement for Mortein Plu
Page 145 and 146: centre of a large social media camp
Page 147 and 148: construct subject positions that co
Page 149: Antennae.org.uk Issue twenty-four w
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