Fig. 4. different? How do Joe's mean<strong>in</strong>gs, as an animal, compare to the mean<strong>in</strong>gs <strong>of</strong> the human Marlboro cowboy? <strong>The</strong> mean<strong>in</strong>gs <strong>of</strong> many exist<strong>in</strong>g animal characters could be explored us<strong>in</strong>g these methods. <strong>The</strong> use <strong>of</strong> the word association method has applications beyond trade character research. McCracken (1989, p. 319) calls for the creation <strong>of</strong> an <strong>in</strong>strument to "detect and survey" the cultural mean<strong>in</strong>gs that are present <strong>in</strong> celebrity endorsers. Scott (1994) states more generally that an exploration <strong>of</strong> how symbolic advertis<strong>in</strong>g images are <strong>in</strong>terpreted <strong>in</strong> consumer culture is needed to advance consumer behavior research. 18 Given its success <strong>in</strong> elicit<strong>in</strong>g the cultural mean<strong>in</strong>g <strong>of</strong> animals, the word association method seems suited to explore the cultural mean<strong>in</strong>gs <strong>of</strong> celebrities and symbolic images <strong>in</strong> advertis<strong>in</strong>g as well. In conclusion, this study has shown that consumers associate shared cultural mean<strong>in</strong>gs with animal characters. <strong>The</strong>se mean<strong>in</strong>gs can be elicited through the word association method, and conta<strong>in</strong> common themes that can be used to further advertis<strong>in</strong>g theory and practice.
References Anderson, John R. (1990), Cognitive Psychology and Its Implications, Third Edition, New York, NY: W.H. Freeman and Company, 123-135. Berger, Asa (1984), Signs <strong>in</strong> Contemporary <strong>Culture</strong>: An Introduction to Semiotics, New York: Longman. Callcott, Margaret F. and Wei-Na Lee (1994), "A Content Analysis <strong>of</strong> Animation and Animated Spokes-Characters <strong>in</strong> Television Commercials," <strong>Journal</strong> <strong>of</strong> Advertis<strong>in</strong>g, 23(4): 1-12. Coleman, Laurence J. (1992), "<strong>The</strong> Cognitive Map <strong>of</strong> a Master Teacher Conduct<strong>in</strong>g Discussions with Gifted Students," Exceptionality, 3: 1-16. Elliott, Stewart (1992), "Lonel<strong>in</strong>ess <strong>in</strong> a Long-Last<strong>in</strong>g Pitch," <strong>The</strong> New York Times, May 15, C1. Friedmann, Roberto (1986), "Psychological Mean<strong>in</strong>g <strong>of</strong> Products: Identification and <strong>Market<strong>in</strong>g</strong> Applications," Psychology and <strong>Market<strong>in</strong>g</strong>, 3: 1-15. Kapnick, Sharon (1992), "Commercial Success: <strong>The</strong>se advertis<strong>in</strong>g figures have become American icons," <strong>The</strong> Aust<strong>in</strong> American-Statesman, April 25, D1. Kle<strong>in</strong>e, Robert E. and Jerome B. Kernan (1991), "Contextual Influences on the Mean<strong>in</strong>gs Ascribed to Ord<strong>in</strong>ary Consumption Objects," <strong>Journal</strong> <strong>of</strong> Consumer Research, 18: 311-323. Kleppner, Otto (1966), Advertis<strong>in</strong>g Procedure, 5th edition, Englewood Cliffs, NJ: Prentice Hall, Inc. McCracken, Grant (1986), "<strong>Culture</strong> and Consumption: A <strong>The</strong>oretical Account <strong>of</strong> the Structure and Movement <strong>of</strong> the Cultural Mean<strong>in</strong>g <strong>of</strong> Consumer Goods," <strong>Journal</strong> <strong>of</strong> Consumer Research, 13: 71-84. McCracken, Grant (1989), "Who Is the Celebrity Endorser? Cultural Foundations <strong>of</strong> the Endorsement Process," <strong>Journal</strong> <strong>of</strong> Consumer Research, 16(December): 310-321. Neal, Arthur G. (1985), "Animism and Totemism <strong>in</strong> Popular <strong>Culture</strong>," <strong>Journal</strong> <strong>of</strong> Popular <strong>Culture</strong>, 19(2): 15-24. Phillips, Barbara J. (1996), "Def<strong>in</strong><strong>in</strong>g Trade Characters and <strong>The</strong>ir Role <strong>in</strong> American Popular <strong>Culture</strong>," <strong>Journal</strong> <strong>of</strong> Popular <strong>Culture</strong>, 29(4): forthcom<strong>in</strong>g. PR Newswire (1990), "Oh Boy! Pillsbury Doughboy Turns 25!" September 20. Rob<strong>in</strong>, P. Ansell (1932), Animal Lore <strong>in</strong> English Literature, London: John Murray. Sax, Boria (1988), "Anthromorphism <strong>in</strong> Animal Encyclopedias <strong>of</strong> N<strong>in</strong>eteenth Century America," New York Folklore, 14(1-2): 107-122. Scott, L<strong>in</strong>da M. (1994), "Images <strong>in</strong> Advertis<strong>in</strong>g: <strong>The</strong> Need for a <strong>The</strong>ory <strong>of</strong> <strong>Visual</strong> Rhetoric," <strong>Journal</strong> <strong>of</strong> Consumer Research, 21(September): 252-273. 19 Stewart, David W. and David H. Furse (1986), Effective Television Advertis<strong>in</strong>g: A Study <strong>of</strong> 1000 Commercials, Lex<strong>in</strong>gton, MA: Lex<strong>in</strong>gton Books. Strauss, Anselm and Juliet Corb<strong>in</strong> (1990), Basics <strong>of</strong> Qualitative Research: Grounded <strong>The</strong>ory Procedures and Techniques, Newbury Park, CA: Sage Publications, Inc. Szalay, Lorand B. and James Deese (1978), Subjective Mean<strong>in</strong>g and <strong>Culture</strong>: An Assessment Through Word Associations, Hillsdale, NJ: Lawrence Erlbaum Associates. Zacher, Robert V<strong>in</strong>cent (1967), Advertis<strong>in</strong>g Techniques and Management, Homewood, IL: Richard D. Irw<strong>in</strong>, Inc. Barbara Phillips is Pr<strong>of</strong>essor <strong>of</strong> <strong>Market<strong>in</strong>g</strong> at the University <strong>of</strong> Saskatchewan, where she teaches brand<strong>in</strong>g and advertis<strong>in</strong>g courses. She received her MA and PhD <strong>in</strong> Advertis<strong>in</strong>g from the University <strong>of</strong> Texas at Aust<strong>in</strong>; her undergraduate degree <strong>in</strong> <strong>Market<strong>in</strong>g</strong> is from the University <strong>of</strong> Manitoba. Dr. Phillips’ research program focuses on visual images <strong>in</strong> advertis<strong>in</strong>g and their <strong>in</strong>fluence on consumer response. She has won several teach<strong>in</strong>g awards and has published <strong>in</strong> peer-reviewed journals, books, and conference proceed<strong>in</strong>gs, such as the <strong>Journal</strong> <strong>of</strong> Consumer Research, <strong>Journal</strong> <strong>of</strong> Advertis<strong>in</strong>g and <strong>Market<strong>in</strong>g</strong> <strong>The</strong>ory. Along with Dr. Edward McQuarrie, she has received the "Best Article" award <strong>in</strong> the <strong>Journal</strong> <strong>of</strong> Advertis<strong>in</strong>g and the Dunn Award from the University <strong>of</strong> Ill<strong>in</strong>ois for "excellence <strong>in</strong> advertis<strong>in</strong>g research." Barbara J. Phillips (1996), "ADVERTISING AND THE CULTURAL MEANING OF ANIMALS," was orig<strong>in</strong>ally published <strong>in</strong> ‘Advances <strong>in</strong> Consumer Research’ Volume 23, eds. Kim P. Corfman and John G. Lynch Jr., Provo, UT : Association for Consumer Research, Pages: 354-360. <strong>The</strong> text is here repr<strong>in</strong>ted with k<strong>in</strong>d permission <strong>of</strong> the author and with many thanks to the ASSOCIATION FOR CONSUMER RESEARCH, Duluth, MN.
- Page 1 and 2: Antennae Issue 23 - Winter 2012 ISS
- Page 3 and 4: EDITORIAL ANTENNAE ISSUE 23 T his i
- Page 5 and 6: 83 Jumbo: A Capitalist Creation Sto
- Page 7 and 8: actually ethical, juridical and pol
- Page 9 and 10: A merican popular culture has quiet
- Page 11 and 12: animals represent to the audience?
- Page 13 and 14: Fig. 1. including sources such as t
- Page 15 and 16: This lack of human/penguin interact
- Page 17: gorillas were associated directly w
- Page 21 and 22: Regione Lombardia L’Agricoltura C
- Page 23 and 24: Concern about the impact of livesto
- Page 25 and 26: Ed Edwards and Dave Masterman The G
- Page 27 and 28: translates into context for the bov
- Page 29 and 30: T here seems to be some confusion r
- Page 31 and 32: P revious academic research looking
- Page 33 and 34: Leo Burnett France 500 Black Jack,
- Page 35 and 36: DDB Berlin The Golf GTI Edition 30,
- Page 37 and 38: David&Goliath Fast and Fuel Efficie
- Page 39 and 40: Kessanlv Bovril by Electrocution fr
- Page 41 and 42: progress and humanitarianism. It wa
- Page 43 and 44: Fig 1. VCCP Muller “Thank You Cow
- Page 45 and 46: Fig. 3 TBWA/Chiat/Day New York Sad
- Page 47 and 48: (Lerner and Kalof 1999), the four a
- Page 49 and 50: I often wonder what the meetings at
- Page 51 and 52: Representations of animals in adver
- Page 53 and 54: In the second section of the Wester
- Page 55 and 56: number of animal species, because i
- Page 57 and 58: 2006. Image showing advertisement f
- Page 59 and 60: Morrisjones & Company Unique Partne
- Page 61 and 62: he same issue of the monthly magazi
- Page 63 and 64: alleged Nazi dietary habits. The ma
- Page 65 and 66: Fig.2. Stonyfield yogurt carton fro
- Page 67 and 68: Fig. 4. & 5. The Miracle of Milk an
- Page 69 and 70:
Fig. 6. Down to Earth, Stonyfield F
- Page 71 and 72:
Fig. 8. Michael Mercil The Virtual
- Page 73 and 74:
Fig. 10. Michael Mercil The Virtual
- Page 75 and 76:
Fig. 12. Michael Mercil Michael Mer
- Page 77 and 78:
farming, the animals have disappear
- Page 79 and 80:
incorporated subsumption of Stonyfi
- Page 81 and 82:
Brooke’s Soap Monkey Brand Wont W
- Page 83 and 84:
It is tempting to take for granted
- Page 85 and 86:
Fig. 1. The iconic Jumbo broadside,
- Page 87 and 88:
Fig. 2. Funny Folks, 1882. McCaddon
- Page 89 and 90:
Fig. 3. Clark’s O.N.T. Spool Cott
- Page 91 and 92:
and claw” movies and other cultur
- Page 93 and 94:
(and thus all the more persuasive b
- Page 95 and 96:
T his ad for Armstrong tires depict
- Page 97 and 98:
Referring to real rhinos might have
- Page 99 and 100:
perpetuation of the self image of t
- Page 101 and 102:
The Human Portrait Portraiture is d
- Page 103 and 104:
Fig. 7. Joe Zammit-Lucia Hunted, ph
- Page 105 and 106:
Fig. 9. Animal Portraiture Exhibit
- Page 107 and 108:
Fig. 10. Animal farmed for his fur
- Page 109 and 110:
particularly highly disturbing imag
- Page 111 and 112:
Pope-Hennessy, John. 1979. The Port
- Page 113 and 114:
Thinkbox Harvey, 2010 Thinkbox ent
- Page 115 and 116:
Y&R Chicago Welcome to the Saddest
- Page 117 and 118:
Y&R Chicago Welcome to the Saddest
- Page 119 and 120:
Jeremy Smallwood and Pam Mufson hav
- Page 121 and 122:
Campagne Per Gli Animali Buona Pasq
- Page 123 and 124:
A lready very early on in the histo
- Page 125 and 126:
Schwarzer Kater Garantie für gute
- Page 127 and 128:
Laboratories Ed. Mottier Colle M El
- Page 129 and 130:
PKZ Burgher, Kehl & Co, 1913 PKZ L
- Page 131 and 132:
Télévision Ducastel Satisfaction
- Page 133 and 134:
WPA Brookfield Zoo WPA ads edit ou
- Page 135 and 136:
displays as a modern entertainment
- Page 137 and 138:
into the home pest removal also con
- Page 139 and 140:
Fig.2 Advertisement for Mortein Plu
- Page 141 and 142:
Fig.3 Advertisement for Mortein Plu
- Page 143 and 144:
Fig.5 Advertisement for Mortein Plu
- Page 145 and 146:
centre of a large social media camp
- Page 147 and 148:
construct subject positions that co
- Page 149:
Antennae.org.uk Issue twenty-four w