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MCI Project Summaries 2008 - Smithsonian Institution

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March 24, 2009, and September 24, 2009<br />

Raman Spectroscopy: A Powerful Tool for the Art Conservator (Webinar)<br />

Odile Madden, <strong>Smithsonian</strong> <strong>Institution</strong>, Museum Conservation Institute, and Mark Wall,<br />

Molecular Spectroscopy Products, Thermo Fisher Scientific<br />

The field of art conservation has regularly turned to advanced analytical instruments to<br />

help them with questions of identification of materials to aide in authentication, to identify<br />

materials used for restoration purposes, and to understand the composition of artifacts to aide in<br />

determining how they should be cared for. Raman spectroscopy is one of the techniques showing<br />

up more and more often in art conservation centers.<br />

Raman spectroscopy is applicable to many organic and inorganic materials. It provides a means<br />

to: identify and characterize pigments in paintings, frescoes, rock art, and manuscripts;<br />

characterize binders and resins; characterize ceramics and glazes; identify and characterize<br />

synthetic and natural polymers; identify gemstones and inclusions within stones without<br />

damaging specimens; and, characterize bone, shell, and horn based materials.<br />

Recent advances in software and instrumentation have transformed Raman from a technique<br />

requiring considerable expertise to one that can be used effectively by the non-expert. Join us to<br />

learn about the powerful capabilities of Raman spectroscopy.<br />

Who should attend?<br />

If you have specimens that are proving difficult to characterize, have identification challenges, or<br />

if you have heard about Raman and want to learn more about what it might do for you, this is a<br />

presentation you should plan on attending.<br />

This live webinar was 30 minutes and was followed by 15 minutes for questions and answers.<br />

Join our Raman experts and explore the possibilities for this powerful technique in the field of art<br />

conservation. Presented twice.<br />

17

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