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MCI Project Summaries 2008 - Smithsonian Institution

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<strong>MCI</strong> 6039.2 Technical Study of the Remains of Painted Organic Objects from the<br />

site of El Perú-Waka′, Petén, Guatemala<br />

<strong>MCI</strong> Staff: Harriet (Rae) F. Beaubien, Colleen Snyder, Judy Watson, Lynn B. Brostoff, Mel J.<br />

Wachowiak, Fabien Pottier<br />

While objects made of painted wood, gourd and other organic materials were assumed to<br />

have been produced and used in ancient Mesoamerica, information about them has largely relied<br />

on much later ethnohistorical records dating from the time of European contact and beyond.<br />

Archaeologically, these types of objects are rather rare, with find spots almost exclusively in<br />

burials where the deposits have been relatively undisturbed. The substrate materials are<br />

presumed to have been organic materials because of the totality of their degradation, a condition<br />

not surprising in a subtropical environment. When found, these objects survive only as<br />

concentrations of paint flakes.<br />

<strong>MCI</strong> conservation assistance with lifting several painted organic objects from a burial at<br />

the ancient Maya site of El Perú-Waka′ (Petén, Guatemala) led to a technical study at <strong>MCI</strong> of<br />

selected paint flakes from these objects, along with three others from a second burial. Optical<br />

microscopy, SEM-EDS and XRD analyses were carried out on small whole flakes, small<br />

samples mounted in cross-section, and scrapings of color to investigate the composition of the<br />

various paints, the paint application process, and texture on the back sides that might provide<br />

evidence of the disintegrated organic substrate.<br />

Analyses showed the use of stucco (lime plaster composed of calcium carbonate) as the<br />

basis for the preparation layer and pigmented paints. Colors included cinnabar (mercuric sulfide)<br />

and to a much lesser extent hematite (iron oxide) for reds, malachite (basic copper carbonate) for<br />

green, goethite (iron oxy-hydroxide) for yellow and Maya blue (a lake pigment composed of<br />

indigo and palygorskite clay); bone black or charcoal was used for black outlines. A variety of<br />

ground or preparation layer types were identified, including white, cream, orange-ish and brown,<br />

in both smooth and coarse textures. Some of the ground layer variation may reflect qualities<br />

suitable for particular organic substrates, as well as differences in texture found in a single type<br />

of substrate, such as the inner and outer surfaces of a gourd.<br />

61

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