22.03.2013 Views

MCI Project Summaries 2008 - Smithsonian Institution

MCI Project Summaries 2008 - Smithsonian Institution

MCI Project Summaries 2008 - Smithsonian Institution

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>MCI</strong> 6100.2 Technology of Pre-Columbian Gold in Panama: A Study of<br />

Fabrication and Compositional Analysis—<strong>Smithsonian</strong> collections<br />

<strong>MCI</strong> Staff: Harriet (Rae) F. Beaubien, Ainslie Harrison, R. Jeff Speakman, Nicole C. Little, Judy<br />

Watson, Ron H. Cunningham<br />

Pre-Columbian gold artifacts have long been appreciated for their complex technologies<br />

and impressive craftsmanship. Yet, Panama’s contribution to this rich heritage is not well<br />

understood, despite its apparent role in the dispersal of goldworking technology from northern<br />

South America, where it first emerged, eventually spreading to Mesoamerican and central<br />

Mexican regions. By about 200 CE, the technology had reached the Isthmus, and the early<br />

goldwork found in Panama shows a close connection to that of metalworking centers in<br />

Colombia. Over time, however, a splendid local style developed, epitomized by the impressive<br />

gold adornments of high-status males buried at the Sitio Conte cemetery, dating from between<br />

700 and 1000 CE; many centuries later, ornaments similar to these were described by the<br />

Spaniards related to a chieftain’s burial.<br />

While metalworking production in neighboring centers of Central and South America has<br />

received considerable attention, no systematic study has been carried out with a focus on its long<br />

history in Panama. To bridge this gap, the <strong>Smithsonian</strong>’s Museum Conservation Institute (<strong>MCI</strong>)<br />

initiated a broad investigation of Pre-Columbian Panamanian goldworking from a technological<br />

perspective, bringing together the perspectives and skills of the conservator, conservation<br />

scientist, and archaeologist. In partnership with colleagues from participating institutions, over<br />

1000 gold objects have been studied to date in collections belonging to the Museo Antropológico<br />

Reina Torres de Araúz in Panama City, the country’s premier museum of its kind (during the<br />

first research phase in 2007); the <strong>Smithsonian</strong>’s National Museum of Natural History and<br />

National Museum of the American Indian, in Washington, DC; and the <strong>Smithsonian</strong> Tropical<br />

Research Institute in Panama City, which is curating finds from several recent excavations in<br />

Panama.<br />

New data about alloy composition, forming and finishing techniques are being generated<br />

using non-destructive analytical techniques, including optical microscopy, portable x-ray<br />

fluorescence spectroscopy, digital radiography, and energy dispersive x-ray analysis coupled<br />

with scanning electron microscopy. These data are expected to lend significant support, along<br />

with iconographic, archaeological and ethnohistoric lines of evidence, to the development and<br />

testing of hypotheses about the origins, development and regional relationships of goldworking<br />

in Panama.<br />

65

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!