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The Girl on the Boat - Penn State University

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<str<strong>on</strong>g>The</str<strong>on</strong>g>re was a pause, during which Billie allowed her<br />

gaze to travel casually about <strong>the</strong> room. Sam occupied<br />

<strong>the</strong> intermissi<strong>on</strong> by staring furtively at her profile. He<br />

was by now in a thoroughly overwrought c<strong>on</strong>diti<strong>on</strong>,<br />

and <strong>the</strong> thumping of his heart sounded to him as if<br />

workmen were mending <strong>the</strong> street outside. How beautiful<br />

she looked, with that red hair peeping out beneath<br />

her hat and …. However!<br />

“Is <strong>the</strong>re anything I can do for you?” he asked in <strong>the</strong><br />

sort of voice Widgery might have used. Sam always<br />

pictured Widgery as a small man with bushy eyebrows,<br />

a thin face, and a voice like a rusty file.<br />

“Well, I really wanted to see Sir Mallaby.”<br />

“My fa<strong>the</strong>r has been called away <strong>on</strong> important business<br />

to Walt<strong>on</strong> Heath. Cannot I act as his substitute?”<br />

“Do you know anything about <strong>the</strong> law?”<br />

“Do I know anything about <strong>the</strong> law!” echoed Sam,<br />

amazed. “Do I know—! Why, I was reading my Widgery<br />

<strong>on</strong> Nisi Prius Evidence when you came in.”<br />

“Oh, were you?” said Billie, interested. “Do you always<br />

read <strong>on</strong> <strong>the</strong> floor?”<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> <str<strong>on</strong>g>Girl</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Boat</strong><br />

130<br />

“I told you I dropped my pen,” said Sam coldly.<br />

“And of course you couldn’t read without that! Well,<br />

as a matter of fact, this has nothing to do with Nisi—<br />

what you said.”<br />

“I have not specialised exclusively <strong>on</strong> Nisi Prius Evidence.<br />

I know <strong>the</strong> law in all its branches.”<br />

“<str<strong>on</strong>g>The</str<strong>on</strong>g>n what would you do if a man insisted <strong>on</strong> playing<br />

<strong>the</strong> orchestri<strong>on</strong> when you wanted to get to sleep?”<br />

“<str<strong>on</strong>g>The</str<strong>on</strong>g> orchestri<strong>on</strong>?”<br />

“Yes.”<br />

“<str<strong>on</strong>g>The</str<strong>on</strong>g> orchestri<strong>on</strong>, eh? Ah! H’m!” said Sam.<br />

“You still haven’t made it quite clear,” said Billie.<br />

“I was thinking.”<br />

“Oh, if you want to think!”<br />

“Tell me <strong>the</strong> facts,” said Sam.<br />

“Well, Mr. Mortimer and my fa<strong>the</strong>r have taken a<br />

house toge<strong>the</strong>r in <strong>the</strong> country ….”<br />

“I knew that.”<br />

“What a memory you have!” said Billie kindly. “Well, for<br />

some reas<strong>on</strong> or o<strong>the</strong>r <strong>the</strong>y have quarrelled, and now Mr.<br />

Mortimer is doing everything he can to make fa<strong>the</strong>r un-

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