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The Girl on the Boat - Penn State University

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where she had been switching off <strong>the</strong> orchestri<strong>on</strong>.<br />

“Let us talk all that over cosily to-morrow,” she said.<br />

“<str<strong>on</strong>g>The</str<strong>on</strong>g> point now is that <strong>the</strong>re are burglars in <strong>the</strong> house.”<br />

“Burglars!” cried Mr. Bennett aghast. “I thought it<br />

was you playing that infernal instrument, Mortimer.”<br />

“What <strong>on</strong> earth should I play it for at this time of<br />

night?” said Mr. Mortimer irritably.<br />

“It woke me up,” said Mr. Bennett complainingly.<br />

“And I had had great difficulty in dropping off to sleep.<br />

I was in c<strong>on</strong>siderable pain. I believe I’ve caught <strong>the</strong><br />

mumps from young Hignett.”<br />

“N<strong>on</strong>sense! You’re always imagining yourself ill,”<br />

snapped Mr. Mortimer.<br />

“My face hurts,” persisted Mr. Bennett.<br />

“You can’t expect a face like that not to hurt,” said<br />

Mr. Mortimer.<br />

It appeared <strong>on</strong>ly too evident that <strong>the</strong> two old friends<br />

were again <strong>on</strong> <strong>the</strong> verge of <strong>on</strong>e of <strong>the</strong>ir distressing<br />

fallings-out; but Jane Hubbard intervened <strong>on</strong>ce more.<br />

This practical-minded girl disliked <strong>the</strong> introducing of<br />

side-issues into <strong>the</strong> c<strong>on</strong>versati<strong>on</strong>. She was <strong>the</strong>re to talk<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> <str<strong>on</strong>g>Girl</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Boat</strong><br />

190<br />

about burglars, and she intended to do so.<br />

“For goodness sake stop it!” she said, almost petulantly<br />

for <strong>on</strong>e usually so superior to emoti<strong>on</strong>. “<str<strong>on</strong>g>The</str<strong>on</strong>g>re’ll<br />

be lots of time for quarrelling to-morrow. Just now we’ve<br />

got to catch <strong>the</strong>se ….”<br />

“I’m not quarrelling,” said Mr. Bennett.<br />

“Yes, you are,” said Mr. Mortimer.<br />

“I’m not!”<br />

“You are!”<br />

“D<strong>on</strong>’t argue!”<br />

“I’m not arguing!”<br />

“You are!”<br />

“I’m not!”<br />

Jane Hubbard had practically every noble quality<br />

which a woman can possess with <strong>the</strong> excepti<strong>on</strong> of patience.<br />

A patient woman would have stood by, shrinking<br />

from interrupting <strong>the</strong> dialogue. Jane Hubbard’s<br />

robuster course was to raise <strong>the</strong> elephant-gun, point it<br />

at <strong>the</strong> fr<strong>on</strong>t door, and pull <strong>the</strong> trigger.<br />

“I thought that would stop you,” she said complacently,<br />

as <strong>the</strong> echoes died away and Mr. Bennett had

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