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miya-english-hausa dictionary - UCLA Department of Linguistics

miya-english-hausa dictionary - UCLA Department of Linguistics

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Citation tone<br />

(Lexical tone)<br />

‘Nile monitor’ gz”m (L)<br />

[ _ _ ]<br />

‘castrated goat‘ m” (H)<br />

[ _ _ ]<br />

‘jackal’ lh” (T)<br />

[ – – ]<br />

Following high pitch<br />

ákyar ‘back (<strong>of</strong> …)’<br />

kyar gz”m<br />

[ – – _ _ ]<br />

kyar m”<br />

[ – – – – ]<br />

kyar lh”<br />

[ – – – – ]<br />

v<br />

Following low pitch<br />

vna ‘mouth (<strong>of</strong> …)’<br />

vna guz”m<br />

[ _ _ _ _ ]<br />

vna m”<br />

[ _ _ – – ]<br />

vna lh”<br />

[ _ _ _ _ ]<br />

Lexical tone indications: Every entry is followed by its lexical tones in parentheses,<br />

as in the second column from the left in the table above. Note that although the words<br />

have two syllables each, there is only one tone marking. Miya very strictly follows what<br />

linguists call (for better or worse), the OBLIGATORY CONTOUR PRINCIPLE (OCP). This<br />

principle says that a single tone is associated with the entire domain that bears the same<br />

pitch. 3 In the table above the domains for the tones <strong>of</strong> the respective citation forms are<br />

two syllables, but it is possible for a single tone to be associated with fewer or more<br />

syllables, e.g. the monosyllabic word ’íy (T) ‘dog’ and the trisyllabic word lábadi (T)<br />

‘basket’, like lh” (T) ‘jackal’, are marked simply as T (“toneless”) because in contexts<br />

like those above, they would continue the preceding tone throughout. Paralleling the<br />

single tone indication in parentheses, head words are tone marked only on the first<br />

syllable or when there is a change in pitch. Tone marking uses the standard diacritics for<br />

African languages: grave accent (à) = L tone, acute accent (á) = H tone. Only the first<br />

syllable <strong>of</strong> a domain is marked for tone; a new tone mark indicates a change in pitch.<br />

Here are some examples <strong>of</strong> entries with more than one tone:<br />

gwágúm (TH) [ – –] ‘dove’: initial T syllable has high pitch, H is downstepped<br />

g˙r (TL) [ – _ ] ‘kola’: initial T syllable has high pitch, L has low pitch<br />

ttelw (TH) [ – – –] ‘corstalk flute’<br />

srth” (TH) [ – – –] ‘lake’<br />

bl”nky (TL) [ – – _ ] ‘hyena’<br />

tkusm (THL) [ – – – _] ‘hedgehog’<br />

vìyayúw (HH) [ _ _ – ] ‘fireplace’: initial H syllable has low pitch, second H raised<br />

Note that no words other than those that have low pitch throughout, e.g. gz”m (L)<br />

‘Nile monitor’, begin with L. All words like vìyayúw (HH) ‘fireplace’ that are cited with<br />

initial low pitch and rise later in the word, begin on lexical H tone (cf. nákn víyayúw<br />

[ – – – – _ ] ‘this fireplace’ with downstepped H on víya- following H). There are also<br />

no lexical HL words, which is understandable. Initial /H/ would be cited on low pitch,<br />

and the L would also be on low pitch. A putative “HL” word would thus be cited with<br />

low pitch throughout and thus be indistinguishable from simple L and H words!<br />

TONES ARE NOT MARKED ON HEADWORDS OF VERBAL ENTRIES SINCE VERBAL TONES<br />

ARE DETERMINED BY CONTEXT. THERE IS NO “CITATION” TONE.<br />

3 The OCP was first formulated in William R. Leben (1973), Suprasegmental Phonology, PhD dissertation,<br />

MIT (distributed by Indiana University <strong>Linguistics</strong> Club). “Contour” in this context means “change in<br />

pitch”. For there to be a change in tone there must be a change in pitch. Otherwise, obligatorily, there is a<br />

single tone.

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