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Vol.I - The Coptic Orthodox Church

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io6 Ancient <strong>Coptic</strong> <strong>Church</strong>es. [CH. m.<br />

Her<br />

palm outwards, with a gesture of deprecation.<br />

face has been injured by some malicious person, who<br />

has picked out the eyes : but there is a look of<br />

sorrow and fear upon it, not of rejoicing. <strong>The</strong><br />

angel, too, has an almost pained expression of so-<br />

lemnity : the eyebrows are drawn together, and lips<br />

half open. <strong>The</strong> treatment, in point of expression,<br />

reminds one very curiously of Mr. Burne Jones'<br />

the scale is<br />

picture of the same subject, though<br />

much smaller. <strong>The</strong> angel's wings are a soft green<br />

with rich red underwings. A shaft of deep green<br />

light is slanting down on the Virgin's head. In<br />

the background is an arcade of Corinthian pillars<br />

supporting a Byzantine building. Here the draw-<br />

ing is rude and careless, although the figures are<br />

modelled and coloured with all the skill of a master's<br />

hand.<br />

2. <strong>The</strong> Nativity. <strong>The</strong> Virgin is lying on a couch<br />

in the centre ; below, a desert pastoral scene, amid<br />

which the Child is being washed in a large brass<br />

vessel. Higher up on the dexter side are the Magi<br />

bringing gifts; and above the Virgin, in another scene,<br />

the Child is lying in a manger. This is the conventional<br />

composition as found also in all the western<br />

<strong>Church</strong>es.<br />

3. Christ in Glory. This is the central picture<br />

of the upper row. <strong>The</strong> background in gold ; at<br />

the four corners are the apocalyptic symbols ;<br />

in the<br />

midst an orb of dark yet faint green colour, in which<br />

Christ is seated with outspread hands. <strong>The</strong> hair of the<br />

face is full, but short, and the type quite unusual.<br />

<strong>The</strong> expression is severe but powerful. <strong>The</strong> drapery,<br />

particularly the folds falling from the knees, is<br />

beautifully rendered.

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