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Vol.I - The Coptic Orthodox Church

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62 Ancient <strong>Coptic</strong> <strong>Church</strong>es, [CH. n.<br />

disused, and lies in pitch darkness ; it contains a few<br />

decaying and worm-eaten paintings.<br />

From the south end of the choir a door leads into<br />

a long vaulted passage running east and west. At<br />

the east end of the passage is a baptistery, with a<br />

small font arranged in the usual fashion,<br />

round cauldron-like stone basin sunk in a bench<br />

i. e. a<br />

of masonry. <strong>The</strong> whole passage is vaulted, but<br />

the baptistery is lighted by a small, oblong, open<br />

shaft of brickwork, quite thirty feet high. Three<br />

old pictures, a small aumbry in the wall for oil<br />

and incense, a bronze cross, and a gospel-stand, are<br />

the only ornaments of this curious dim little recess.<br />

<strong>The</strong> gospel -stand is a sort of high, four-legged,<br />

oblong table ; it upon in the centre a small frame<br />

is nailed, making a lidless box, in which the silver<br />

gospel rests during the baptismal service ;<br />

and round<br />

the outer edge is another frame, set with prickets for<br />

tapers to give light at the ceremony. Details vary<br />

a little, but the gospel-stand as here described is as<br />

much an appanage of the baptistery as the lectern<br />

is of the choir in <strong>Coptic</strong> churches.<br />

Outside the baptistery in the passage one may<br />

notice a rather curious picture of St. John greeting<br />

the child Christ, and then pass on into the light<br />

to the church of the martyr Mari Banai, which lies<br />

to the south of this passage, and is divided by it<br />

from the main building. <strong>The</strong> arrangement is rather<br />

like that of the chapels of St. John and St. James at<br />

Abu-'s-Sifain : for there are really two chapels side<br />

by side, each chapel consisting of three parts west,<br />

middle, and east or haikal. Each of the west parts is<br />

railed off for the women, and the two are divided<br />

by an open screen ; the haikals are of course shut

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