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Vol.I - The Coptic Orthodox Church

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242 Ancient <strong>Coptic</strong> <strong>Church</strong>es. [CH. iv.<br />

square is a symbol not uncommon in western Christendom<br />

but very rare in these <strong>Coptic</strong> churches two<br />

peacocks standing face to face on opposite edges of<br />

a flower-vase.<br />

<strong>The</strong> other carvings represent chiefly animals.<br />

Gazelles are frequently pourtrayed, one being torn<br />

by an eagle, another devoured by a leopard or lion,<br />

a third having its eyes plucked out by a vulture or<br />

roc. Hares and camels are well rendered in other<br />

panels, and there are two figures of four-legged<br />

winged griffins. Two curious little life-pictures deserve<br />

special notice : they represent two men in<br />

flowing drapery sitting cross-legged in eastern fashion<br />

on the ground, each waited upon by two standing<br />

slaves or ministers. <strong>The</strong> existence of this screen is<br />

quite unknown even to the few travellers or residents<br />

who have ever visited any church besides Abu<br />

I could not hear that any one had<br />

Sargah : and<br />

ever before been admitted to the triforium 1<br />

. But<br />

the extraordinary interest of these carvings alone<br />

will well repay the trouble of a visit a trouble the<br />

politeness of the priest will probably lighten. At<br />

1 Since I wrote the above, the screen has had a narrow escape<br />

of being removed and carried away to England. When it became<br />

clear that the priest could not be prevailed upon to sell it, he<br />

was threatened with the displeasure of the British Government (!) :<br />

and, the threat failing, an effort was made to frighten the patriarch<br />

into yielding up the screen. Fortunately all endeavours proved<br />

unsuccessful. <strong>The</strong>y were known, however, all over Cairo, and<br />

produced a great deal of natural ill-feeling among the Copts.<br />

I protest in the strongest manner possible against such attempts<br />

to rob the <strong>Coptic</strong> churches of their few remaining treasures : more<br />

particularly when the object in question has a structural importance,<br />

and loses its chief interest in being removed from its original<br />

position. In such a case museums may be gainers ; but the cause<br />

of art and archaeology suffers.

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