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Vol.I - The Coptic Orthodox Church

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130 Ancient <strong>Coptic</strong> <strong>Church</strong>es. [CH. m.<br />

very pretty well with a windlass above, and pitchers<br />

and other water-vessels scattered about in charming<br />

disorder. To the left is the small but beautiful<br />

courtyard of the convent overshadowed by<br />

a fine<br />

tall nabuk or zizyphus tree, which rises near the<br />

well and mounts in a sweeping curve into the midst<br />

of the court : higher up its branches spread out,<br />

and their graceful leaves brush against the upper<br />

windows. <strong>The</strong> east face of the court is formed<br />

by a large open screen of woodwork, with two<br />

circular steps leading up to an open doorway with<br />

tall folding doors in the centre. Inside is a long<br />

shallow room, 15 ft. by 7, with a kuramani carpet<br />

and some cushions or pillows against the wall. Here<br />

the nuns recline at their ease, and on feast days their<br />

friends are regaled with such good things as the<br />

convent provides. It is in fact the mandarah or<br />

reception-room. It opens to the north by a high<br />

pierced wooden screen into a tiny oratory, TO ft. by<br />

6, which has a low niche eastward containing a<br />

picture of the Virgin, and a shelf running round the<br />

wall with several other paintings. <strong>The</strong>re is also a<br />

curious wooden candlestick in the form of a cross<br />

with an iron pricket on each of the three branches.<br />

Of the pictures two or three are noticeable. <strong>The</strong>re<br />

in which<br />

is an old picture of the Virgin and Child,<br />

the Child is seated on the Virgin's right arm, and is<br />

clasping he<br />

her neck :<br />

wears a golden dress, and the<br />

background of the painting is gold. <strong>The</strong>re is also<br />

a curious sixteenth-century picture with a background<br />

the lower half of which is pale green, the upper half<br />

gold (as in the series at Sitt Mariam).<br />

It shows two<br />

figures, who wear glories edged with a red margin :<br />

leftward St. Anthony robed as a priest, with staff and

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