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Volume 1 - Electric Scotland

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LITERARY RECOMPENSE. 99<br />

literary provision for the periodical, while he took the<br />

risk and expense of the printing and publishing. The<br />

profits were then to be divided between them. Who<br />

was to pay the contributors, or if they were content<br />

to remain without remuneration, we are not told. In<br />

those days it was considered right at all events to say,<br />

and if possible to believe, that literature was superior<br />

to payment, and that to imagine a man of genius as<br />

capable of being stirred up to composition by any<br />

thought of pecuniary reward was an insulting and<br />

degrading suggestion — an idea in which a fanciful<br />

spectator would fain take refuge once more, in face of<br />

a generation which weighs out its thousand words<br />

across the counter, with the affectation of finding in<br />

sale and barter its only motive. It is stated in one of<br />

the letters that the expectation of the editors was to<br />

receive jointly a sum of about £50 monthly when the<br />

sale of the Magazine reached 2000 copies,—matters<br />

being much simplified, as the reader will perceive,<br />

by this high generosity on the part of the con-<br />

tributors ; but the demand for the Magazine does<br />

not seem ever to have risen above 2500 copies, a<br />

sale which would hardly content any publisher now-<br />

adays.<br />

The Magazine, however, did not last long enough<br />

to have time for development. The editors already<br />

had begun to complain piteously of the publisher's<br />

interference in the second number. He who had<br />

incurred the loss of the greatest of literary labourers<br />

by his habit of stating his opinion,—who had freely<br />

criticised Scott, besides braving the anger of two such<br />

important authorities in Edinburgh as Henry Mac-<br />

kenzie and Charles Kirkpatrick Sharpe,—was not likely

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