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Volume 1 - Electric Scotland

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THOMAS DOUBLEDAY. 491<br />

seems to a cursory glance to afford so few centres of<br />

a better light.<br />

Doubleday speaks of the requirements of " the ship-<br />

ping season " as delaying his contributions, and of the<br />

attention he is called upon to bestow on the business<br />

of which his father is the head, with the air of a man<br />

actively engaged in these occupations ; but the stream<br />

of papers on every subject which flowed forth to Edin-<br />

burgh for many years would not have disgraced a writer<br />

whose implement was the pen alone, and who was<br />

bound to no other care. It may be remembered that<br />

Wilson and Lockhart both refer to his productions as<br />

sometimes too aggressive and sometimes too lengthy,<br />

on subjects of political economy and politics, but there<br />

is not a trace of divergence in point of political opinion.<br />

A great many letters are taken up with descriptions<br />

and reports of progress in his poem of 'Diocletian,'<br />

about which he wrote with great confidence to the<br />

publisher, who was (almost) always so much pleased<br />

with his articles—a confidence which came to sad and<br />

sudden downfall when the completed poem came back<br />

to him from these usually so kind and receptive hands,<br />

and the resigned, yet aggrieved, astonishment of the<br />

poet is almost too much for words. The following<br />

short extracts, though of no great importance in his<br />

correspondence, give a glimpse at once of his literary<br />

opinions and unceasing industry. It was still the<br />

Byronic period, when the air was full of the life and<br />

acts as well as the utterances of the noble poet who<br />

was so deeply interesting to his time. In a previous<br />

letter Doubleday had made an assault on Lady Byron,<br />

characterising her as one of Miss Edgeworth's heroines,<br />

too coldly good for sympathy, and fitted only to exas-

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