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Volume 1 - Electric Scotland

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138 WILLIAM BLACKWOOD.<br />

vealed to the world. To make it all the more wonderful,<br />

Murray was the publisher of the poem, in which<br />

Blackwood either had a share, or, as the agent of<br />

Murray, pushed and sold, much exhorted so to do by<br />

his friends in London.<br />

Finally, we believe Mr Leigh Hunt's injured feelings<br />

were calmed down, and that, with various answering<br />

bursts of abuse in his paper, the * Examiner,' the<br />

quarrel went on in an appropriate and legitimate way<br />

but it made a breach between Blackwood and the firm<br />

of Baldwin & Cradock, whose pious horror at being<br />

concerned in such a row, and anxiety that the world<br />

should be made aware how very little they had to do<br />

with it, are edifying beyond expression. Their name<br />

disappears from the November (1817) number of the<br />

Magazine ; but the articles on the Cockney School of<br />

poetry went on bravely, and the name stuck, if noth-<br />

ing else. Z's articles, however, in the succeeding<br />

numbers are in better, or at least in less bad taste,<br />

and consequently much more effective than that in the<br />

first, which, while exceedingly abusive, was not brilliant,<br />

though every supporter of the Magazine was<br />

ready to go to the stake for its talent at least, if<br />

nothing else. It is most curious to find the light<br />

rhymes and trivial strains of the ' Story of Bimini<br />

solemnly treated, as if it might upset the morals of<br />

the world, with accusations which are not less than<br />

horrible attached to its insignificant details. But the<br />

eyesight of contemporaries is so curiously out of focus<br />

that it is impossible to overestimate its strange tendency<br />

to confuse all perspective. In one portion of<br />

these strictures, coming from so capable a critic, who<br />

; '

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