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Volume 1 - Electric Scotland

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FIRE AND BRIMSTONE. 73<br />

description what it was. There is no reason to sup-<br />

pose this was not true enough. One of Blackwood's<br />

principles, always clearly acknowledged, was his habit<br />

of " taking an interest in the literary department of<br />

my business"—so there can be little doubt that he<br />

would say his say with vigour and precision. To the<br />

letter containing these suggestions James Ballantyne<br />

replies on the 4th October 1816 with a different version<br />

of Scott's angry note :<br />

—<br />

J. Ballantyne to W. Blackwood.<br />

Our application to the author of ' Tales of my Landlord ' has<br />

been anything but successful, and in order to explain to you the<br />

reason why I must decline to address him in this way in future,<br />

I shall copy his reply verbatim<br />

:<br />

—<br />

" My respects to our friends the Booksellers. I belong to the<br />

Death -head Hussars of Literature, who neither take nor give<br />

criticism. I am extremely sorry they showed my work to<br />

Gifford, nor would I cancel a leaf to please all the critics of<br />

Edinburgh and London ; and so let that be as it is. They are<br />

mistaken if they think I don't know when I am writing ill, as<br />

well as Gifford can tell me. I beg there may be no more com-<br />

munications with critics."<br />

Observe—that I shall at all times be ready to convey any-<br />

thing from you to the author in a written form, but I do not<br />

feel warranted to interfere further.<br />

The reader may believe that this was how Signor<br />

Aldiborontophoscophornio "translated" Scott's note<br />

" into a dialect " that could be submitted to Blackwood<br />

but I think for my own part that there is more<br />

in it—that it was probably an amalgam of two notes,<br />

and that the reference to Gifford was genuine, and not<br />

the invention of the smooth - tongued James. The<br />

intrusion of the London critic no doubt changed the<br />

;

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