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Volume 1 - Electric Scotland

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100 WILLIAM BLACKWOOD.<br />

to allow his fine fancy of a Magazine, as powerful and<br />

as vivacious as the ' Edinburgh Review/ and in every-<br />

thing strongly opposed to that great Liberal organ,<br />

to sink into insignificance, or to put up with the<br />

meek and mild miscellany of which he now found<br />

himself the publisher. By the month of July he<br />

had discovered that he had enough of Mr Pringle and<br />

Mr Cleghorn, or at least of the latter, and when the<br />

third number was ready he gave the three months'<br />

notice which was necessary, according to the agree-<br />

ment, for breaking the partnership. For this there<br />

were many very evident reasons. In the first place,<br />

Blackwood was and always remained a high Tory,<br />

holding the ' Edinburgh Beview ' and all its works in<br />

abhorrence ;<br />

whereas the publication issued under the<br />

cover of his name found nothing more expedient than<br />

to fill its first number with a panegyric on Francis<br />

Horner, one of Jeffrey's most pragmatical lieutenants,<br />

and to applaud the wisdom and skill of that periodical<br />

; and, secondly, the publication altogether was<br />

a weak and washy production, little likely to do<br />

either publisher or writers much credit. There was<br />

no doubt another reason, not apparent, which was<br />

quite as effectual as either of these.<br />

Like the other publishers of the age, it had been<br />

Blackwood's desire from the beginning to make his<br />

place of business a centre of literary society, a sort<br />

of literary club where men of letters might find a<br />

meeting - place. Murray in London employed the<br />

drawing-rooms of his house, which was in those<br />

days over the shop—an honest word, which nobody<br />

shirked— for this purpose. But Blackwood's house<br />

was at some distance, and the large rooms at Princes

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