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Volume 1 - Electric Scotland

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318 WILLIAM BLACKWOOD.<br />

gave him a fictitious importance in that brilliant re-<br />

cord, putting the most beautiful speeches into his<br />

mouth, though sometimes, it must be added, holding<br />

him up on the keen spear of ridicule for the amusement<br />

of the world. But he gained much more than<br />

he lost, and the Shepherd is perhaps the personage<br />

who best survives through the mists which have<br />

closed over that laughing company, half fictitious,<br />

half genuine, a truly characteristic and individual<br />

figure, with his head often among the stars, though<br />

his feet are the devious heavy feet of a son of the soil.<br />

His appearances amid the mass of papers which have<br />

been collected respecting the origin and early history<br />

of the Magazine are manifold : in letters innumerable,<br />

but rendered of little use from the fact that they are<br />

very often about money, and the shifts and scrapes of<br />

his not very fortunate career ;<br />

in songs, all, I presume,<br />

published at the time, but sunk into deepest oblivion<br />

now ;<br />

in scraps of proofs, of manuscripts,—a chiffonier's<br />

heap of rubbish, in which survive a few relics which<br />

retain a likeness of the man. There is no want of in-<br />

formation respecting James Hogg, for he himself pub-<br />

lished an Autobiography, the quite naive and simple<br />

vanity of which is more remarkable than the facts<br />

narrated. " I must apprise you," he says in a prefatory<br />

note addressed to Scott, " that whenever I have occa-<br />

sion to speak of myself and my performances, I find it<br />

impossible to divest myself of an inherent vanity."<br />

The confession is made very complacently, as from one<br />

who knows and feels that he has occasion to be vain,<br />

and it is fully carried out in the pages that follow.<br />

He had scarcely begun to rhyme when " I told my<br />

friend, the E,ev. James Nichol, that I had an inward

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