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Volume 1 - Electric Scotland

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A MOMENTARY PIQUE. 485<br />

they would not be acceptable, it is better both for you and me<br />

that they are suppressed.<br />

I am tired of the sight of " The Smuggler," and feel more than<br />

half disposed to put it in the fire. It was originally written under<br />

a severe fit of indisposition, and every time I see it the blessed<br />

recollection of that fit comes upon me. I return it, having for<br />

the last time still further ' shortened it, by which it will at least<br />

not suffer.<br />

You wish me to make my stories short. I have no more in<br />

hand except one, and that is full as long as the present. What<br />

is more, too, I cannot shorten it ; but if I do any more I shall<br />

attend to your hint.<br />

I had intended to send you a grave article this month, but I<br />

fear that I have lost the art of writing for ' Maga,' and therefore<br />

detain it. I like your number much. " The Cottager " is de-<br />

lightful—Wilson of course ;<br />

heavy ; and the rest all capital in their way.<br />

You have taken no notice of some verses which I sent you<br />

two months ago. They are not mine ; but if you mean to make<br />

no use of them, I should be glad to have them returned.<br />

On looking over your letter I perceive that one of your<br />

agriculture good, though somewhat<br />

objections to the paper returned originates in the idea that it<br />

supports Arminianism. Now, the truth is it pretends to do<br />

no such thing. It speaks in praise of the Confession of the<br />

Armenian Church, not because that Confession is opposed to<br />

Calvinism, but because in that Church no man, even when going<br />

into orders, is called upon to subscribe that Confession. The<br />

Confession consequently stands as a pattern merely, not as a<br />

thing obligatory on the consciences of the clergy ; on that<br />

account alone is the Armenian Confession lauded.<br />

This will show, even under the influence of a<br />

temporary pique, the universal character of the work,<br />

which, whatever it was, came " convenient " to the<br />

equally universal purveyor of literary matter, all good<br />

in its way—honest, useful, and often entertaining,<br />

though without any claim to permanence, or to special<br />

inspiration of any kind. Gleig's stories, except ' The

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