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Volume 1 - Electric Scotland

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444 WILLIAM BLACKWOOD.<br />

been pro tanto mutilations : as omitting something on the very<br />

same scale of importance as all that was retained. And one<br />

part which I had specially projected to strike out—viz., the<br />

sketch of the Ottoman power in its growth and its decay<br />

turned out to be too inconsiderable in extent to ofifer any com-<br />

pensating benefit for the injury which its removal would do to<br />

the completeness and orbicularity of the proportions : at all<br />

events this seemed the one sole section of the article which<br />

could be cancelled without absolutely dissolving the whole<br />

Paper. Except, therefore, as regards very numerous corrections,<br />

I confined my alterations to such completions and filling in of<br />

lacunae as the case demanded. It is true that the Paper will<br />

thus extend to 3 distinct articles ; but considering that it is a<br />

history of a Revolution now completed, and of a war incapable<br />

of renewal, I should presume that few readers would<br />

complain on that score ; whilst the constant references to Mr<br />

Gordon's opinions, and even to his very words, will necessarily<br />

have the eff'ect of keeping him and his book before the public.<br />

I have now to thank you for sending in advance a £5 note,<br />

and to set myself right upon a point in my last letter which<br />

you have misunderstood. I did not at all mean to say that it<br />

could make no difference to you what time you made any par-<br />

ticular pecuniary settlement with me, for I am aware that the<br />

most extensive concerns have their periods of depression and<br />

embarrassments; but that I presumed that an hour later or<br />

earlier might have been a matter of indifference to you, whilst<br />

from the peculiar circumstances I was then stating, even such<br />

a difference might to me happen to be a matter of importance.<br />

De Quincey, always an irregular contributor, ceased<br />

his connection with Blackwood several years before<br />

his death. But some of his finest pieces of composition<br />

appeared in the Magazine, and his genius and<br />

the beauty of his style were never more highly ap-<br />

preciated than by its conductors and supporters.<br />

It has always been a matter both of pleasure and<br />

pride to preserve his name in the roll of those whose<br />

tradition and legend are the glory of the house.<br />

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