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Volume 1 - Electric Scotland

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12 WILLIAM BLACKWOOD.<br />

tween the two, by some fantastic rule of selection<br />

which never has been fathomed by any man but a<br />

heaven-born publisher. When the young man had<br />

become independent and at liberty to follow his own<br />

instincts, public taste was safeguarded by the un-<br />

questionable reign of Scott, which nobody could gain-<br />

say, and against which criticism was of as little avail<br />

as the spray against a rock. But the very greatness<br />

of Scott, and the romance of his sudden development<br />

and his great semi-transparent secret, produced a<br />

general vividness of expectation in the mind of the<br />

age of other triumphs that might be to come. And<br />

the gift of discernment was never more wanted than at<br />

a time when new codes were forming, and there were<br />

audacious critics who did not fear to crack a joke<br />

upon the Man of Feeling, or even doubt the infalli-<br />

bility of Alison on Taste.<br />

As soon as he had finished his apprenticeship, which<br />

was in 1797, young Blackwood was engaged by Messrs<br />

Mundell & Co.—a publishing firm in Edinburgh, which<br />

has not attained general fame, though we hear that<br />

its after-failure created almost a panic in " the Trade,"<br />

and brought down several smaller houses — as the<br />

agent and manager of a branch establishment which it<br />

proposed to set up in Glasgow. It does not seem to<br />

have attained much success in what was at that time<br />

by no means a literary city ; but one of its transac-<br />

tions is recorded, in which we should be glad to think<br />

our young agent had been directly employed. Mundell<br />

& Co. were the publishers who bought from<br />

Thomas Campbell the poem which first brought him<br />

into notice, the " Pleasures of Hope "—the price given,<br />

it is said, being "fifty printed copies" of the work,

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