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Volume 1 - Electric Scotland

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Ambrose's a fiction. 261<br />

the ease and simplicity of the admission to his wife<br />

of " I fear I did not go to bed sober," with the facts<br />

of a life of great domestic regularity and propriety<br />

but it was not so difficult in those days, when men's<br />

peccadilloes were regarded with an indulgent eye so<br />

long as their principles were sound and their demeanour<br />

what it ought to be. We remember that, among<br />

the grave objections made to Wilson during the contest,<br />

the singing of a certain song in the lingering and<br />

diminished party which carried on its revels into the<br />

small hours after some public dinner, from which the<br />

sober seniors had gone home hours before, was dis-<br />

cussed before the respectable bailies, making their hair<br />

stand on end. It is needless to add that the immense<br />

potations of Ambrose's were at all times fictitious : this<br />

will be already apparent from the fact, which the<br />

reader has seen, that the famous ' Noctes ' came from<br />

the study at Chiefswood, in the supreme silence of<br />

the country, as often, at least at first, as from any<br />

jovial centre where they might have been otherwise<br />

inspired.<br />

We labour under the same difficulty in respect to<br />

Wilson's correspondence with Mr Blackwood as we have<br />

already experienced in that of Lockhart—a complete<br />

absence of dates, reducing us in many cases to the<br />

difficult process of putting together a number of scraps,<br />

not so much for any Importance in themselves, as to<br />

illustrate—which is our chief object—the nature of<br />

the intercourse between him and Blackwood. There<br />

are, however, at the beginning of the correspondence a<br />

few letters which we can place in their proper position,<br />

and which show how early the connection was formed,<br />

with what enthusiasm on one side and eager response<br />

;

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