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Volume 1 - Electric Scotland

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106 WILLIAM BLACKWOOD.<br />

of that wonderful flow and eloquence which personal<br />

controversy gives. The editors could have nothing to<br />

say against Mr Blackwood's resolution, for it had been<br />

fully provided for in the original agreement ;<br />

but they<br />

kept up a lengthened wrangle over the edition to be<br />

published of the last remaining numbers, arguing that<br />

there should be only a sufficient number printed to<br />

supply the subscribers, and suggesting that the pub-<br />

lisher might, if left unfettered, print 20,000 as easily<br />

as 2000, and so swamp their possible profits alto-<br />

gether. Of these profits, as is unfortunately so often<br />

the case with writers, they had apparently formed<br />

a quite unfounded idea. The Magazine had never<br />

reached the paying point. But this was a thought<br />

which did not easily penetrate the intelligence of a<br />

time in which the one periodical of which everybody<br />

thought as a model paid largely, and the profits of<br />

literature were supposed by the ignorant— demoral-<br />

ised by the reports of fabulous sums paid to Scott<br />

and Byron, and even Moore—to be immense. John<br />

Murray's pocket-book with the thousand-pound note<br />

in it cast a glamour over the productions of the<br />

humblest author, and why Messrs Cleghorn and<br />

Pringle should not be as worthy of recompense as<br />

Francis Jeffrey and Henry Brougham was a fact hid<br />

from these gentlemen's eyes. I quote the following<br />

letter chiefly as showing the first visible introduction<br />

into Mr Blackwood's arrangements of a figure destined<br />

hereafter to take so much place in them :<br />

W. Blackwood to Messrs Pringle and Cleghorn.<br />

As you have now an interest directly opposite to mine, I<br />

hope you will not think it unreasonable that I should be made<br />

acquainted with the materials which you intend for this<br />

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