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Zero History

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He held the door for her.<br />

“Welcome,” said a small Japanese man with round gold-framed glasses. There was no<br />

one else in the shop.<br />

“We’ll be in back,” said Bigend, leading Hollis past him.<br />

“Of course. I’ll see that you aren’t disturbed.”<br />

Hollis smiled at the man, nodded. He bowed to her. He wore a tweed hacking jacket<br />

with sleeves made partially of waxed cotton.<br />

The back office in Tanky & Tojo was tidier, less shabby than she expected spaces like<br />

this to be. There was no evidence of employees attempting to alleviate boredom, no stabs<br />

at humor, no wistful pockets of nonwork affect. The walls were freshly painted gray.<br />

Cheap white shelving was piled with plastic-wrapped stock, shoe boxes, books of fabric<br />

samples.<br />

“Milgrim and Sleight were in South Carolina,” said Bigend, seating himself behind the<br />

small white Ikea desk. One of its corners, facing her, was chipped, revealing some core<br />

material that resembled compacted granola. She sat on a very Eighties-looking vanity<br />

stool, pale violet velour, bulbous, possibly the last survivor of some previous business<br />

here. “Sleight had arranged for us to have a look at a garment prototype. We’d picked up<br />

interesting industry buzz about it, though when we got the photos and tracings, really, we<br />

couldn’t see why. Our best analyst thinks it’s not a tactical design. Something for mall<br />

ninjas.”<br />

“For what?”<br />

“The new Mitty demographic.”<br />

“I’m lost.”<br />

“Young men who dress to feel they’ll be mistaken for having special capability. A<br />

species of cosplay, really. Endemic. Lots of boys are playing soldier now. The men who<br />

run the world aren’t, and neither are the boys most effectively bent on running it next. Or<br />

the ones who’re actually having to be soldiers, of course. But many of the rest have gone<br />

gear-queer, to one extent or another.”<br />

“ ‘Gear-queer’?”<br />

Bigend’s teeth showed. “We had a team of cultural anthropologists interview American<br />

soldiers returning from Iraq. That’s where we first heard it. It’s not wholly derogatory,<br />

mind you. There are actual professionals who genuinely require these things—some of<br />

them, anyway. Though they generally seem to be far less fascinated with them. But it’s<br />

that fascination that interests us, of course.”<br />

“It is?”<br />

“It’s an obsession with the idea not just of the right stuff, but of the special stuff.<br />

Equipment fetishism. The costume and semiotics of achingly elite police and military<br />

units. Intense desire to possess same, of course, and in turn to be associated with that<br />

world. With its competence, its cocksure exclusivity.”<br />

“Sounds like fashion, to me.”

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