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Milgrim’s, Hollis saw, was blank, or rather, dimly Turneresque, faintest pink behind<br />

steel gray, the greenish hue gone now. But Fiona’s was very busy. Figures climbing into<br />

the black car.<br />

“Go,” said Garreth to the car on the screen, with a little chivying gesture. “Please go.”<br />

The car drove out of frame.<br />

“I’m going to have to ask you all to step outside for a moment,” Garreth said.<br />

“Why?” asked Heidi’s disembodied head.<br />

“Because I need to do something very dirty,” he said, producing a phone like the one<br />

he’d used to take the American agent’s call, “and because I don’t want him”—with a nod<br />

in Chombo’s direction—“weeping in the background. Gives the wrong impression.”<br />

Hollis knelt beside Chombo. “Bobby? Hollis Henry. We met in Los Angeles. Do you<br />

remember?”<br />

Chombo flinched, his eyes screwed shut.<br />

She sang the opening line of “Hard to Be One,” probably for the first time in a decade.<br />

Then sang it again, getting it right, or in any case closer.<br />

He fell silent, shuddered, opened his eyes. “Do you happen to have anything like a<br />

fucking cigarette?” he asked Hollis.<br />

“I’m sorry,” she said “I—”<br />

“I do,” said Heidi. “Outside.”<br />

“I’m not going anywhere with you.”<br />

“I’ll go with you,” said Hollis.<br />

“You can have the pack,” said Heidi, spreading the black fly with her white, blacknailed<br />

hands.<br />

Chombo was already on his feet, tugging his thin knit coat around him. He glared at<br />

Hollis, then stepped gingerly through the zip-toothed vertical gap.<br />

She followed him.

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