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Zero History

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as possible. Looking up at this unfamiliar building. “Where are we?”<br />

She removed the yellow helmet. “Cabinet. The rear.”<br />

They were in a cobble-paved garden drive, behind a stone wall. She dismounted,<br />

Milgrim intrigued as always by the smooth flexibility this demonstrated. He got off as<br />

well, with no particular demonstration of grace, and watched as she hauled thick,<br />

snakelike anchor chains from the Yahama’s panniers, to secure it.<br />

He followed her up the tidy cobbles to a porte cochere. Pinstripes was waiting, behind a<br />

very modern glass door. He admitted them without Fiona having to buzz.<br />

“This way, please,” he said, and led them to a brushed stainless elevator door. Milgrim<br />

found that the armored oversuit made him feel strangely solid, larger. In the elevator, he<br />

felt he took up more space. Stood up straighter, holding Mrs. Benny’s helmet in front of<br />

him with a certain formality.<br />

“Follow me, please.” Pinstripes leading them through one self-closing, very heavy door<br />

after another. Dark green walls, brief corridors, gloomy watercolor landscapes in ornate<br />

gilt frames. Until they reached one particular door, painted a darker green even than the<br />

walls, nearly black. A large, italic brass numeral 4, secured with two brass slot-head<br />

screws. Pinstripes used a brass knocker on the door frame: a woman’s hand, holding an<br />

oblate spheroid of brass. A single respectful tap.<br />

“Yes?” Hollis’s voice.<br />

“Robert, Miss Henry. They’re here.”<br />

Milgrim heard a chain rattle. Hollis opened the door. “Hello, Milgrim, Fiona. Come in.<br />

Thank you, Robert.”<br />

“You’re welcome, Miss Henry. Good night.”<br />

They stepped in, Fiona’s ungauntleted hand brushing his.<br />

Milgrim blinked. Hollis was chaining the door behind them. He’d never seen a hotel<br />

room like this, and Hollis wasn’t alone in it. There was a man on the bed (the very strange<br />

bed) with short but unkempt dark hair, and he was looking at Milgrim with a seriousness,<br />

a sort of quiet focus, that almost triggered the cop-sensing mechanisms Winnie had last<br />

touched off in Seven Dials. Almost.<br />

“You’re Milgrim, then. Been hearing a lot about you. I’m Garreth. Wilson. Forgive my<br />

not getting up. Leg’s buggered. Keeping it elevated.” He was propped against pillows and<br />

the wall, between what Milgrim at first took to be the tusks of a mammoth, twin<br />

weathered gray church-window parentheses. An open laptop beside him. One of his<br />

black-trousered legs up on three additional pillows. Above him, suspended, the largest<br />

birdcage Milgrim had ever seen, filled, it seemed, with stacked books and fairy<br />

floodlights.<br />

“This is Fiona, Garreth,” Hollis said. “She rescued me from the City.”<br />

“Good job,” said the man. “And our drone pilot as well.”<br />

Fiona smiled. “Hullo.”<br />

“I’ve just sent Voytek over to mod one of them.”

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