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Zero History

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21. MINUS ONE<br />

Foliage green,” she heard Milgrim say, flatly, as she paid the driver with euros she’d<br />

gotten from an ATM in the Gare du Nord.<br />

She turned. “What?”<br />

He was half out of the cab, clutching his bag. “That department store, Oxford Street,”<br />

he said. “Foliage green pants. Same man, just walked in. Where we’re going.” That sharp,<br />

nervy thing fully present now, the mildly confused semiconvalescent gone entirely. He<br />

looked as though he were sniffing the air.<br />

“Keep the change,” she said to the driver, shooing Milgrim out of the way and pulling<br />

her roll-aboard after her. She closed the door and the cab pulled away, leaving them on<br />

the sidewalk. “Are you sure?”<br />

“Someone’s watching us.”<br />

“Bigend?”<br />

“Don’t know. You go in.”<br />

“What will you do?”<br />

“I’ll see.”<br />

“Are you sure?”<br />

“Let me borrow me your computer.”<br />

Hollis bent, unzipped the side of her bag, and pulled out her Mac. He tucked it under<br />

his arm, like a clipboard. She saw that vagueness returning, the blinking mildness. He’s<br />

cloaking himself, she thought, then wondered what that meant.<br />

“You go in now,” he said, “please.”<br />

“Euros,” she said, passing him some bills.<br />

She turned and wheeled her bag across the pavement, into the crowd around the<br />

venue’s entrance. Was Milgrim imagining things? Possibly, though there was Bigend’s<br />

penchant for attracting the most unwanted forms of attention, then following whatever<br />

followers turned up. Exactly what Milgrim claimed to be about to do. She looked back,<br />

expecting to see him, but he was gone.<br />

She paid an entrance fee of five euros to a Japanese girl and was asked to check her<br />

bag.<br />

A cobbled courtyard was visible through arches. Young women there were smoking<br />

cigarettes, making it look at once natural and profoundly attractive.<br />

The Salon du Vintage itself was being held within the retrofitted seventeenth-century<br />

building to which the courtyard belonged, a previous decade’s idea of sleek modernity<br />

smoothly folded into its fabric.<br />

Every second or third person in her field of vision was Japanese, and many were<br />

moving in approximately one direction. She went with them, up a minimalist stairway of

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