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with a fresh card, Blue Ant having kept the one he’d used in Myrtle Beach. They always<br />
did. He checked the batteries, then put the camera in his jacket pocket. He put Hollis’s<br />
laptop in his bag and zipped it shut. Leaving a few small coins on the zinc counter, he left<br />
the shop and headed back to the Salon du Vintage, walking quickly again.<br />
Was he still angry? he wondered. He was calmer now, he decided. He knew he<br />
wouldn’t be telling Bigend about Winnie. Not if he could help it, anyway.<br />
It was warmer, the cloud burning away. Paris seemed slightly unreal, the way London<br />
always did when he first arrived. How peculiar, that these places had always existed backto-back,<br />
as close together and as separate as the two sides of a coin, yet wormholed now<br />
by a fast train and twenty-some miles of tunnel.<br />
At the Salon du Vintage, after paying five euros admission, he checked his bag,<br />
something he never liked doing. He’d stolen enough checked luggage himself to know<br />
this arrangement as easy pickings. On the other hand, he’d be more mobile without it. He<br />
smiled at the Japanese girl, pocketed his bag check, and entered.<br />
He was more at home in the world of objects, his therapist said, than the world of<br />
people. The Salon du Vintage, he assured himself, was about objects. Wishing to become<br />
the person the Salon du Vintage would want him to be, hence somehow less visible, he<br />
climbed a handsomely renovated stairway to the second floor.<br />
The first thing he saw there was that poster of a younger Hollis, looking at once nervy<br />
and naughty. This was not the actual poster, he judged, but an amateurish reproduction,<br />
oversized and lacking in detail. He wondered what it would be like for her, seeing that.<br />
He had left relatively few images himself over the past decade or so, and probably<br />
Winnie had seen most of those. Had them ready, perhaps, to e-mail to someone she<br />
wanted to be able to recognize him. Most of those had been taken by the police, and he<br />
wondered whether he’d recognize them himself. He’d certainly recognize the one she’d<br />
taken in the Caffè Nero in Seven Dials, and that would be the one she’d use.<br />
The young man in the forage cap and foliage green pants, his black jacket still zipped,<br />
emerged from a side aisle of racks, his attention captured by a darting shoal of young<br />
Japanese girls. He’d removed his mirrored wraparound sunglasses. Milgrim stepped<br />
sideways, behind a mannequin in a delirious photo-print dress, keeping his man in sight<br />
over its massively padded shoulder, and wondered what he should do. If Foley didn’t<br />
already know he was here, and saw him, he’d be recognized from Selfridges. If not, he<br />
supposed, from South Carolina. Winnie had been there, watching him, and someone,<br />
he’d assumed Sleight, had photographed her there. Should he tell her about that? He<br />
flagged it for consideration. Foley was walking away now, toward the rear of the<br />
building. Milgrim remembered the man with the mullet, in the mothballed restaurant.<br />
Foley didn’t have that, Milgrim decided, whatever that had been, and it was a very good<br />
thing. He stepped from behind the Gaultier and followed, ready to simply keep walking if<br />
he was discovered. If Foley didn’t notice him, that would be a plus, but the main thing<br />
was for Milgrim not to be thought to be following him. His hand in his jacket pocket, on