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Zero History

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come back, if I can’t get out of this fucking truck.”<br />

“Somewhere to go now,” Hollis said.<br />

“Not yet,” Garreth said to someone, “but she’s airborne.” Then he said something in a<br />

language Hollis didn’t recognize at all, and fell silent.<br />

“What language was that?” she asked, as the van made another turn.<br />

“Catalan,” he said.<br />

“Didn’t know you spoke it.”<br />

“I can only say very rude things about his mother.” He sat up straighter. “Pardon.” He<br />

fell silent again. “Fully operative,” he said, finally. “Optimal so far.” He was quiet again.<br />

“I appreciate that, but no. You’ll have to keep them back. Well out of the area. I have a<br />

lot on the ground. Too many moving parts to have anyone of yours in the mix. Not<br />

negotiable, no.” She saw his hand come down on the switchbox. “Bugger.”<br />

“What?”<br />

“Bastard’s got a private ambulance on the prowl, so he says. Specialists sitting up late in<br />

Harley Street, in case Chombo should be damaged.”<br />

“I hadn’t thought of that.”<br />

“I had. We’ve medical backup ourselves. Big End’s ambulance won’t just have medics<br />

in it. Snatch squad for Milgrim, that would be.”<br />

“Does he know where it is?”<br />

“They call him first.”<br />

“How bad is that?”<br />

“No telling,” he said. He took his hand off the box, and immediately smiled. “Darling,”<br />

he said. “Brilliant. Above it? Give me the fix. Four? Moving away from it? Pull back,<br />

drop. Approach about two feet off the ground, car between you. Need the number, make,<br />

model. Then make sure no one’s inside it. But no IR, in case it flares off the glass and<br />

they see it.”<br />

“Infrared,” said Heidi.<br />

The uppermost of the two screens mounted on black pipe came on, a washed-out<br />

oscilloscope green. He dialed the lighting down.<br />

Hollis and Heidi edged forward on the foam, peering up at the screen. Image from a<br />

moving camera, abstract, unreadable. Then Hollis saw a big British license plate, as if<br />

recorded by some robot on the bottom of the sea.<br />

“Good girl,” Garreth said. “Now raise it a bit and give us a look inside. Then follow<br />

them. The one with the parcel: that’s Gracie. Get on him and stay on him.” He touched the<br />

box again, turned. “We don’t like a parcel,” he said to Fiona, then back to the green<br />

screen.

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