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Zero History

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wrong on a computer screen, but then Milgrim realized that that was the suit he was<br />

wearing, in a weirdly electric cobalt blue.<br />

“If you don’t mind,” Pamela said, taking the red cardboard tube and handing it on to<br />

Milgrim’s favorite in Bigend’s clothing design team, a French girl, today in a plaid kilt<br />

and cashmere pullover. “And the photographs?”<br />

“In my bag,” Milgrim said.<br />

While his bag was placed on the table and opened, motorized shades tracked silently<br />

shut across the window behind Bigend. Overhead, fixtures came on, illuminating the<br />

table, where Milgrim’s tracings were being carefully unfurled. He’d remembered to leave<br />

his camera atop his clothes, and now it was being passed from hand to hand, up the table.<br />

“Your medication,” said Pamela, handing him a fresh bubble-pack.<br />

“Now, then,” said Bigend, rising, “be seated.”<br />

Milgrim took the chair to the right of Pamela’s. They were extremely fine workstation<br />

chairs, either Swiss or Italian, and he had to restrain himself from fiddling with the<br />

various knobs and levers projecting from beneath the seat.<br />

“I see the Bundeswehr NATO pattern,” someone said. “The legs are pure 501.”<br />

“But not the box,” said the girl in kilt and cashmere. The box, he had learned, was<br />

everything, in a pair of jeans, above the top of the leg. “The two small pleats are absent,<br />

the rise lower.”<br />

“The photographs,” said Bigend, from behind her chair. A plasma screen, above the<br />

window he’d been sitting in front of, flared turquoise, around coppery coyote brown, the<br />

Formica counter in Edge City Family Restaurant making itself known in this darkened<br />

room in central London.<br />

“Knee pads,” said a young man, American. “Absent. No pockets for them.”<br />

“We hear they have a new pad-retention system,” said the French girl, with a surgeon’s<br />

seriousness. “But I don’t see that here.”<br />

They watched, then, silently, while Milgrim’s photographs cycled.<br />

“How tactical are they?” asked Bigend as the first photograph reappeared. “Are we<br />

looking at a prototype for a Department of Defense contract?”<br />

A silence. Then: “Streetwear.” The French girl, much more confident than the others.<br />

“If these are for the military, it isn’t the American military.”<br />

“He said they needed gussets,” said Milgrim.<br />

“What?” asked Bigend, softly.<br />

“He said they were too tight in the thighs. For rappelling.”<br />

“Really,” said Bigend. “That’s good. That’s very good.”<br />

Milgrim allowed himself a first careful sip of his coffee.

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