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Zero History

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23. MEREDITH<br />

Maybe Milgrim was the one who was hallucinating here, she thought, as she climbed the<br />

Scandinavian stairway again, a tall paper cup of quadruple-shot Americain held gingerly<br />

in either hand. The coffee was steaming hot; if Milgrim’s possibly imaginary stalker<br />

suddenly manifested, she thought, she could hurl the contents of both cups.<br />

Whatever that had been, down in the deserted blue-lit disco, if it had been anything at<br />

all, it now seemed like some random frame-splice from someone else’s movie: Milgrim’s,<br />

Bigend’s, anyone but hers. But she’d avoid that elevator, just in case, and she were still on<br />

the lookout for vaguely Nazi caps.<br />

Milgrim had issues, clearly. Was in fact deeply peculiar. She scarcely knew him. He<br />

might well be seeing things. He looked, pretty much constantly, as though he were seeing<br />

things.<br />

She carefully kept the blow-up of the Corbijn portrait out of her field of vision as she<br />

reached the second floor and the Salon du Vintage. Keeping her mind off the basement as<br />

well, she wondered exactly when coffee had gone walkabout in France. When she’d first<br />

been here, drinking coffee hadn’t been a pedestrian activity. One either sat to do it, in<br />

cafés or restaurants, or stood, at bars or on railway platforms, and drank from sturdy<br />

vessels, china or glass, themselves made in France. Had Starbucks brought the takeaway<br />

cup? she wondered. She doubted it. They hadn’t really had the time. More likely<br />

McDonald’s.<br />

Her antique denim dealer, intense and ponytailed, was busy with a customer, laying out<br />

a pair of ancient dungarees that seemed to have more holes than fabric. He looked as<br />

though he should have supplemental lenses hinged to the edges of his rimless rectangular<br />

spectacles. He didn’t see her pass.<br />

And here, past the inflatable orange furniture, came a funeral, and Olduvai George<br />

marching jauntily along beside it, smiling.<br />

Four Japanese men in dark suits, unsmiling, a black coffin or body bag slung between<br />

them.<br />

They passed her, but not George. Delighted, he took one of the coffees. “Thank you<br />

very much.”<br />

“Sugar?”<br />

“No, thank you.” He sipped hungrily.<br />

“Who were they?” Looking over her shoulder as the four bore their somber burden out<br />

of sight, down the stairs.<br />

He lowered the cup, wiped his mouth with the back of his startlingly furred hand.<br />

“Mere’s buyer’s minders. The Chanel’s in that bag, all of it, packed with archival tissue.<br />

And there’s Mere,” he added, “with the buyer.”

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