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Milgrim nodded, looking around at the pedestrian traffic, which tended to interest him<br />
in Soho.<br />
“They’re waiting,” said Rausch.<br />
Milgrim followed him into Blue Ant, Rausch holding a security badge over a metal<br />
plate to unlock the door, a single sheet of greenish two-inch-thick glass.<br />
The lobby here suggested some combination of extremely expensive private art school<br />
and government defense establishment, though when he thought about it, he’d never been<br />
in either. There was a massive central chandelier, constructed from thousands of pairs of<br />
discarded prescription eyeglasses, that contributed very handsomely to the art school part,<br />
but the Pentagon part (or would it be Whitehall?) was harder to pin down. Half a dozen<br />
large plasma screens constantly showed the latest house product, mostly European and<br />
Japanese automobile commercials with production budgets dwarfing those of many<br />
feature films, while beneath these moved people wearing badges like the one Rausch had<br />
used to open the door. These were worn around the neck, on lanyards in various shades,<br />
some bearing the repeated logos of various brands or projects. There was a smell of<br />
exceptionally good coffee.<br />
Milgrim looked obediently at a large red plus sign, on the wall behind the security<br />
counter, while an automated camera moved lazily behind a small square window, like<br />
something in a very technical reptile house. He was shortly presented with a large square<br />
photograph of himself, very low in resolution, on a hideous chartreuse lanyard minus any<br />
branding. As always, he suspected that this was at least partially intended to serve as a<br />
high-visibility target, should the need arise. He put it on. “Coffee,” he said.<br />
“No,” said Rausch, “they’re waiting,” but Milgrim was already on his way to the lobby’s<br />
cappuccino station, the source of that fine aroma.<br />
“Piccolo, please,” said Milgrim to the blond barista, her hair only slightly longer than<br />
Rausch’s.<br />
“He’s waiting,” said Rausch, beside him, tensely stressing the first syllable of “waiting.”<br />
“He’ll expect me to be able to talk,” said Milgrim, watching the girl expertly draw the<br />
shot. She foamed milk, then poured an elaborate Valentine’s heart into the waiting shot in<br />
Milgrim’s white cup. “Thank you,” he said.<br />
Rausch fumed silently in the elevator to the fourth floor, while Milgrim was mainly<br />
concerned with keeping his cup and saucer level and undisturbed.<br />
The doors slid aside, revealing Pamela Mainwaring. Looking, Milgrim thought, like<br />
some very tasteful pornographer’s idea of “mature,” her blond hair magnificently banged.<br />
“Welcome back,” she said, ignoring Rausch. “How was South Carolina?”<br />
“Fine,” said Milgrim, who held the red cardboard tube in his right hand, the piccolo in<br />
his left. He raised the tube slightly. “Got it.”<br />
“Very good,” she said. “Come in.”<br />
Milgrim followed her into a longish room with a long central table. Bigend was seated<br />
at the table’s far end, a window behind him. He looked like something that had gone