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Allan Ramsay. [A biography.] - National Library of Scotland

Allan Ramsay. [A biography.] - National Library of Scotland

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ALLAN RAMSAY 125<br />

poems, however, occur intimations that the incongruity<br />

was perceived by the author, but that, as yet, he did not<br />

see any means <strong>of</strong> remedying the uniform monotony<br />

<strong>of</strong> the conventional form. The leaven was at work<br />

in <strong>Ramsay</strong>'s mind, but so far it only succeeded in<br />

injfluencing but the smallest moiety <strong>of</strong> the lump.<br />

In the Masque^ written in celebration <strong>of</strong> the marriage<br />

<strong>of</strong> the Duke <strong>of</strong> Hamilton, the sentiments expressed are<br />

wholly different. Written subsequently to The Gentle<br />

Shepherd^ <strong>Ramsay</strong> exhibited in it his increased technical<br />

deftness, and how much he had pr<strong>of</strong>itted by the experience<br />

gained in producing his great pastoral. The<br />

Masque^ albeit pr<strong>of</strong>essedly a dramatic pastoral, entirely<br />

abjures the lackadaisical shepherds and shepherdesses <strong>of</strong><br />

conventional pastoral, and, as a poem <strong>of</strong> pure imagination,<br />

reverts to the ancient mythology for the dramatis personce.<br />

All these pieces, however, though they exhibit a facility<br />

in composition, a fecundity <strong>of</strong> imagination, a skilful<br />

adaptation <strong>of</strong> theme to specific metrical form, a rare<br />

human sympathy, and a depth <strong>of</strong> pathos as natural in<br />

expression as it was genuine in its essence, are only, so<br />

to speak, the preludes to The Gentle Shepherd. In the<br />

latter, <strong>Ramsay</strong>'s matured principles <strong>of</strong> pastoral composi-<br />

tion are to be viewed where best their relative importance<br />

can be estimated, namely, when put into practice.<br />

By competent critics. The Gentle Shepherd is generally<br />

conceded to be the noblest pastoral in the English<br />

language. Dr. Hugh Blair, in his lectures on Rhetoric<br />

and Belles Lettres, styled it ' a pastoral drama which will<br />

bear being brought into comparison with any composition<br />

<strong>of</strong> this kind in any language. ... It is full <strong>of</strong> so much<br />

natural description and tender sentiment as would do

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