Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
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ALLAN RAMSAY 125<br />
poems, however, occur intimations that the incongruity<br />
was perceived by the author, but that, as yet, he did not<br />
see any means <strong>of</strong> remedying the uniform monotony<br />
<strong>of</strong> the conventional form. The leaven was at work<br />
in <strong>Ramsay</strong>'s mind, but so far it only succeeded in<br />
injfluencing but the smallest moiety <strong>of</strong> the lump.<br />
In the Masque^ written in celebration <strong>of</strong> the marriage<br />
<strong>of</strong> the Duke <strong>of</strong> Hamilton, the sentiments expressed are<br />
wholly different. Written subsequently to The Gentle<br />
Shepherd^ <strong>Ramsay</strong> exhibited in it his increased technical<br />
deftness, and how much he had pr<strong>of</strong>itted by the experience<br />
gained in producing his great pastoral. The<br />
Masque^ albeit pr<strong>of</strong>essedly a dramatic pastoral, entirely<br />
abjures the lackadaisical shepherds and shepherdesses <strong>of</strong><br />
conventional pastoral, and, as a poem <strong>of</strong> pure imagination,<br />
reverts to the ancient mythology for the dramatis personce.<br />
All these pieces, however, though they exhibit a facility<br />
in composition, a fecundity <strong>of</strong> imagination, a skilful<br />
adaptation <strong>of</strong> theme to specific metrical form, a rare<br />
human sympathy, and a depth <strong>of</strong> pathos as natural in<br />
expression as it was genuine in its essence, are only, so<br />
to speak, the preludes to The Gentle Shepherd. In the<br />
latter, <strong>Ramsay</strong>'s matured principles <strong>of</strong> pastoral composi-<br />
tion are to be viewed where best their relative importance<br />
can be estimated, namely, when put into practice.<br />
By competent critics. The Gentle Shepherd is generally<br />
conceded to be the noblest pastoral in the English<br />
language. Dr. Hugh Blair, in his lectures on Rhetoric<br />
and Belles Lettres, styled it ' a pastoral drama which will<br />
bear being brought into comparison with any composition<br />
<strong>of</strong> this kind in any language. ... It is full <strong>of</strong> so much<br />
natural description and tender sentiment as would do