Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
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ALLAN RAMSAY 95<br />
(great-grandson <strong>of</strong> the doctor), in his Life <strong>of</strong> <strong>Ramsay</strong>^<br />
states that the poet appeared to have been indebted to<br />
Dr. Pennecuik for the Story <strong>of</strong> the Knight^ but to have<br />
drawn the character from that <strong>of</strong> his friend Sir David<br />
Forbes.<br />
The issue <strong>of</strong> the successive editions <strong>of</strong> The Getitle<br />
Shepherd^ though occupying a large share <strong>of</strong> his time not<br />
engrossed by the cares <strong>of</strong> business, did not altogether<br />
preclude him from writing some fresh pieces when<br />
occasion arose. In 1727 appeared a 'Masque,' which<br />
was performed at the celebration <strong>of</strong> the nuptials <strong>of</strong><br />
James, Duke <strong>of</strong> Hamilton, and the Lady Ann Cochrane.<br />
In this form <strong>of</strong> poetry <strong>Ramsay</strong> revived a good old<br />
type very popular amongst the Elizabethan poets and<br />
dramatists, and even descending down to the days <strong>of</strong><br />
Milton, whose Masque <strong>of</strong> Comiis is the noblest specimen<br />
<strong>of</strong> this kind <strong>of</strong> composition in modern literature.<br />
<strong>Ramsay</strong>'s dramatis personce are rather a motley crew,<br />
but on the whole he succeeds in managing the dialogue<br />
<strong>of</strong> his gods, and goddesses very creditably, though any<br />
admirer <strong>of</strong> his genius can see it moves on stilts under<br />
such circumstances. The Pastoral Epithalamium upon<br />
the marriage <strong>of</strong> George Lord <strong>Ramsay</strong> and Lady Jean<br />
Maule is <strong>of</strong> a less ambitious cast, both as regards form<br />
and thought ; the consequence being, that the poet<br />
succeeds admirably in expressing the ideas proper to the<br />
occasion, when he was not bound by the fetters <strong>of</strong> an<br />
unfamiliar rhythm.<br />
<strong>Ramsay</strong>'s later poems had in turn attained, numerically<br />
speaking, to such bulk as fairly entitled him to consider<br />
the practicability <strong>of</strong> issuing a second quarto volume,<br />
containing all <strong>of</strong> value he had written between 1721 and