Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ALLAN RAMSAY 147<br />
<strong>of</strong> his age. Like Rabelais, he was a humorist, not a<br />
wit, and his satires suffered accordingly. Perhaps the<br />
best <strong>of</strong> his satires is The Last Speech <strong>of</strong> a Wretched<br />
Miser, wherein his humour becomes bitingly sardonic.<br />
The wretch's address to his pelf is very powerful<br />
* O dool ! and am I forced to dee,<br />
And nae mair my dear siller see,<br />
That glanced sae sweetly in my e'e<br />
It breaks my heart !<br />
My gold ! my bonds ! alackanie<br />
That we should part.<br />
Like Tantalus, I lang have stood,<br />
Chin-deep into a siller flood ;<br />
Yet ne'er was able for my blood,<br />
But pain and strife,<br />
To ware ae drap on claiths or food,<br />
To cherish life.'<br />
Different, indeed, is the case when we come to consider<br />
<strong>Ramsay</strong> as a song -writer and a lyrist. To him<br />
the former title rather than the latter is best applicable.<br />
This is not the place to note the resemblances and the<br />
differences between the French chanson, the German<br />
lied, the Italian canzone, and the English song or lyric.<br />
But as indicating a distinction between the two last<br />
terms, Mr. F. T. Palgrave, in the introduction to his<br />
invaluable Golden Treasury <strong>of</strong> Songs and Lyrics, regards<br />
a 'lyric' as a poem turning on 'some single thought,<br />
feeling, or situation ' ; Mr. H. M. Posnett, in his<br />
thoughtful volume on Comparative Literature, remarks<br />
that the lyric has varied from sacred or magical hymns<br />
and odes <strong>of</strong> priest bards, only fulfilling their purpose<br />
when sung, and perhaps never consigned to writing at<br />
all, down to written expressions <strong>of</strong> individual feeling<br />
from which all accompaniments <strong>of</strong> dance or music have<br />
!<br />
—