Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
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84<br />
FAMOUS SCOTS<br />
many <strong>of</strong> the errors and alterations appearing in <strong>Ramsay</strong>'s<br />
specimens <strong>of</strong> our early Scots literary remains, have not<br />
been corrected even to this day.<br />
But though <strong>Ramsay</strong>, in the estimation <strong>of</strong> stern literary<br />
antiquarians, has been guilty <strong>of</strong> an <strong>of</strong>fence so heinous,<br />
an <strong>of</strong>fence vitiating both the Tea-Tahle Miscellany and<br />
the Evergreejty— on the other hand, from the point <strong>of</strong><br />
view <strong>of</strong> the popular reader, his action in modernising<br />
the language, at least, was not only meritorious but<br />
necessary, if the pieces were to be intelligible to the<br />
great mass <strong>of</strong> the people. Remembered, too, it must<br />
be, that <strong>Ramsay</strong> lived before the development <strong>of</strong> what<br />
may be styled the antiquarian 'conscience,' in whose<br />
code <strong>of</strong> literary morality one <strong>of</strong> the cardinal command-<br />
ments is, 'Thou shalt in no wise alter an ancient MS.,<br />
that thy reputation and good faith may be unimpugned<br />
in the land wherein thou livest, and that thou mayest<br />
not bring a nest <strong>of</strong> critical hornets about thine ears.'<br />
In his Reminiscences <strong>of</strong> Old Edinburgh, Dr. Daniel<br />
Wilson thus succinctly states the case :<br />
—<br />
' <strong>Ramsay</strong> had<br />
much more <strong>of</strong> the poet than the antiquary in his com-<br />
position ; and had, moreover, a poet's idea <strong>of</strong> valuing<br />
verse less on account <strong>of</strong> its age than its merit. He<br />
lived in an era <strong>of</strong> literary masquerading and spurious<br />
antiques, and had little compunction in patching and<br />
eking an old poem to suit the taste <strong>of</strong> his Edinburgh<br />
customers.' He was no Ritson,—and, after all, even<br />
Plautus had, for three hundred years after the revival<br />
<strong>of</strong> learning, to await his Ritschl<br />
!