Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
Allan Ramsay. [A biography.] - National Library of Scotland
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54<br />
FAMOUS SCOTS<br />
Elegies^ one on John Cowper, the Kirk-Treasurer's-Man,<br />
whose <strong>of</strong>ficial oversight <strong>of</strong> the nymphes de pave furnished<br />
the poet with a roUickingly ludicrous theme, <strong>of</strong> which he<br />
made the most; the other, an Elegy on Lucky Wood,<br />
alewife in the Canongate, also gave <strong>Ramsay</strong> full scope<br />
for the exercise <strong>of</strong> that broad Rabelaisian humour, <strong>of</strong> his<br />
possession <strong>of</strong> which there was now no longer to be any<br />
doubt.<br />
Finally, in 1716, he achieved his great success, which<br />
stamped him as unquestionably one <strong>of</strong> the greatest<br />
delineators that had as yet appeared, <strong>of</strong> rural Scottish<br />
life amongst the humbler classes. As is well known,<br />
a fragment is in existence consisting <strong>of</strong> one canto <strong>of</strong> a<br />
poem entitled Chrisfs Kirk on the Green. Tradition<br />
and internal evidence alike point to King James I. as the<br />
author. The theme is the description <strong>of</strong> a brawl at a<br />
country wedding, which breaks out just as the dancing<br />
was commencing. 'The king,' says <strong>Ramsay</strong>, 'having<br />
painted the rustic squabble with an uncommon spirit, in<br />
a most ludicrous manner, in a stanza <strong>of</strong> verse, the most<br />
difficult to keep the sense complete, as he had done,<br />
without being forced to bring in words for crambo's sake<br />
where they return so frequently, I have presumed to<br />
imitate His Majesty in continuing the laughable scene.<br />
Ambitious to imitate so great an original, I put a stop to<br />
the war, called a congress, and made them sign a peace,<br />
that the world might have their picture in the more<br />
agreeable hours <strong>of</strong> drinking, dancing, and singing. The<br />
following cantos were written, the one in 17 15 (O.S.<br />
corresponding to January 17 16), the other in 17 18, about<br />
three hundred years after the first. Let no worthy poet<br />
despair <strong>of</strong> immortality,— good sense will always be the