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she offered Lila a rare necklace, if only she would let her spend one night with<br />
Chanesar. In a fit of weakness for a rare piece of jewellery --- and hoping that<br />
Chanesar in his cups would not be able to distinguish Kounroo from Lila --- Lila<br />
agreed. But Chanesar found it out, rejected Lila for good, and married Kounroo.<br />
The story highlights women’s weakness for gold --- and for gadgets of all kinds.<br />
It also empha- sizes that the Lord --- whether he be temporal or spiritual --- can<br />
not be trifled with.<br />
Shah in his Sur Lila-Chanesar tells Lila: “What you thought was a necklace,<br />
became a stone round your neck.” Lila says: “Oh God, one should never be too<br />
smart; the smart ones come to grief.” Shah ends with this advice to Lila: “Oh Lila,<br />
weep no more; get up and sweep your yard, and go and sacrifice your own self,<br />
your father and your grandfather at the altar of your Lord.”<br />
However, the Sindhi epic of the period par excellence is the Umar Marui. Marui<br />
is a village belle, engaged to her kinsman, Khetsen. When the Soomra ruler Umar<br />
of Umarkot or Amarkot comes to know of her beauty, he abducts her, confines<br />
her in his fort, and invites her to marry him. Marui declines. She refuses to take<br />
any rich foods or wear any finery. She would not even oil or comb her hair. She<br />
is afraid her kinsfolk have given her up, thinking she may not like to give up the<br />
palace for the sand-dunes of the Thar desert. However, she manages to send<br />
word to her people. She then tells Umar she would like to go out for a stroll. That<br />
makes Umar think she is relaxing and relenting in her rejection of him. She then<br />
goes out and is rescued and taken home among joyous scenes.<br />
Marui reminds us of Sita in her confinement in Lanka. Interestingly enough, both<br />
Ravana and Umar, old villians, were gentlemen enough; they did not force their<br />
will on their captive beauties.<br />
Marui is very emphatic that she is a poor girl, in love with her desert land; that<br />
she is already engaged and will not marry any other man --- for love or money or<br />
both. Her love of her poor land and poor people almost makes us wish to go and<br />
live in a blooming desert. Her pining for her desert-home has elicited some of the<br />
most patriotic poetry in Sindhi literature.<br />
Says Shah’s Marui: “I wish I had not been born; or if I were born, l wish I had<br />
died there and then, rather than face this ignominy.... Oh Umar, don’t make a<br />
laughing stock of me by making this poor girl wear those silks of yours. We are<br />
poor but we don’t change our life-partners for gold. O Umar, when I die, send<br />
my body to my land [watan], where it will then come back to life....”<br />
The Sindh Story; Copyright © www.panhwar.com<br />
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