Peak 4 User's Guide - zZounds.com

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To bring up the Contextual Menu: • Control-shift-click in the audio waveform. The Contents Palette To edit a region, marker or loop in the Contents Palette: • Option-double-click on its name in the Contents Palette or Contents Drawer. The Movie Window To change the size of the Movie Window: • Click on the QuickTime movie’s “grow button” (at the upper left corner of the Movie window) to double the size of the movie window. • Control-Option-click on the QuickTime movie’s “grow button” (at the upper left corner of the Movie window) to halve the size of the movie window. • Select the desired size (original, half, or double) under the Options menu>Movie... 242 <strong>Peak</strong> User’s <strong>Guide</strong>
Appendix 3 Troubleshooting
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Peak TM Version 4.1 Software User
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Software Copyright and Warranty Thi
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Computer Software clause at 252.227
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BIAS Product Support: Unlimited Com
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Chapter 1: Introducing Peak Content
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Audio Info dialog..................
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Threshold..........................
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DSP Preferences....................
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Change Pitch.......................
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Chapter 1 Introducing Peak
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Chapter 1: Introducing Peak BIAS Pe
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• Mac OS X v.10.2 or later • 25
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• Meters Dialog • QuickTime mov
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Chapter 2 Installing & Configuring
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Chapter 2: Installing and Configuri
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• a stereo receiver line output (
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5. Connect the outputs of your audi
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Chapter 3 Peak Basics
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Chapter 3: Peak Basics Introduction
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nificant amount of storage. This is
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Digidesign’s Pro Tools, do not di
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2. Select a file format from the po
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Peak Audio Document Window Peak Aud
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A “minus” (-) sign will appear
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these features off. LE DV Progress
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Playback Master Volume Peak provide
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abrupt transitions between waveform
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2. From the submenu, choose the tim
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DV User-defined Keyboard Shortcuts
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Conclusion You now know how to crea
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Chapter 4 Playback & Recording
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Chapter 4: Playback & Recording In
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venient way of triggering playback
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useful if you want to use a noise r
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Proper Levels for Recording To obta
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If iTunes is installed and you are
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Source The Sound dialog: Source Sel
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Chapter 5 Editing
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Chapter 5: Editing This chapter int
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To hide the Audio Waveform Overview
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the pitch and duration of the audio
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To use dynamic “Shuttle-type” s
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To use the Edits command to return
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Convolve, Mix, Modulate, and Impuls
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New Document from Selection The New
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To set blending parameters: 1. Choo
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The Fade Envelope Editor (a Fade In
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a specific time location in an audi
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Regions Regions are portions of an
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etween the two loop markers, and th
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To use Loop Surfer based on a music
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click Loop-It to automatically plac
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Output Format area Choose the file
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Chapter 6 Playlists & CD Burning
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Chapter 6: Playlists and CD Burning
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To define a new Region and have it
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Previous Track Stop Play Next Track
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operation will, of course, decrease
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• Dragging the scroll indicator m
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Applying VST Plug-Ins to the Playli
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audio document that correspond to e
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Regions and the JAM Image file form
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Chapter 7 DSP
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Chapter 7: DSP Introduction Peak al
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DV Bit Usage Amplitude Fit is not a
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If you wish to double the volume of
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trum of the impulse contained in th
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pler’s key is released) or “loo
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The Harmonic Rotate dialog 3. Click
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The waveform display in the Loop Tu
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the amount of the copied signal tha
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Phase Vocoder The Phase Vocoder is
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The Repair Clicks operation works b
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Reverse Boomerang The Reverse Boome
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LE DV Conclusion Threshold is not a
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Chapter 8 Plug-Ins
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Chapter 8: Plug-Ins Introduction Pe
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Using Peak with Vbox SE To open Vbo
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Each folder you create inside the V
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Creating Parallel Effects Chains Us
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24 dB stereo input and output meter
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5. Enter the VST delay compensation
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4. Choose any other processes you w
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Chapter 9 Batch File Processor & Ap
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Chapter 9: Batch File Processor and
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You may also specify which part of
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LE Batch File Processing is not ava
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2. Close any open digital audio win
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Chapter 10 Samplers
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Chapter 10: Samplers Introduction P
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Send To send the front-most Peak au
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you will find detailed descriptions
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Chapter 11 Peak Menus
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Chapter 11: Peak Menus This chapter
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It can be toggled on or off by choo
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Page 193 and 194: ate a Playlist document or a new au
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Page 197 and 198: to any number of audio files. To us
Page 199 and 200: Cut The Cut command (-X) cuts selec
Page 201 and 202: (-Left Arrow) to jump back to the p
Page 203 and 204: The Edit Marker dialog Markers from
Page 205 and 206: The Go To Location submenu Loop Sur
Page 207 and 208: The Notepad feature in the Record D
Page 209 and 210: utton. The actual third-party dialo
Page 211 and 212: examine. 2. Choose Bit Usage from t
Page 213 and 214: Loop dialog to select the length of
Page 215 and 216: DV Invert ImpulseVerb is not availa
Page 217 and 218: The Modulator dialog LE DV Normaliz
Page 219 and 220: The Repair Clicks operation works b
Page 221 and 222: Threshold The Threshold command all
Page 223 and 224: trols for each plug-in to mute, sol
Page 225 and 226: Move Waveform During Playback The M
Page 227 and 228: to accept the changes, or Cancel to
Page 229 and 230: ment and make it the active window.
Page 231 and 232: Appendix 1 Keyboard Shortcuts
Page 233 and 234: Appendix 1: Keyboard Shortcuts Keyb
Page 235 and 236: Keyboard Shortcut Equivalent Menu C
Page 237 and 238: Appendix 2 Peak Actions
Page 239 and 240: Appendix 2: Peak Actions This secti
Page 241: To move a marker to a zero-crossing
Page 245 and 246: Appendix 3: Troubleshooting - Befor
Page 247 and 248: version. 3. Delete the “ACA Prefe
Page 249 and 250: your drive. • Is Peak’s playbac
Page 251 and 252: Glossary
Page 253 and 254: Glossary AAC Advanced Audio Coding
Page 255 and 256: decibels. Bit resolution determines
Page 257 and 258: QuickTime This is an audio format d
Page 259 and 260: plug-in standard created by Steinbe
Page 261 and 262: Index
Page 263 and 264: Symbols -10 dBV 31 +4 dBu 31 .au 42
Page 265 and 266: Disk-based Recording 38 dithering 4
Page 267 and 268: Make Loop button 101 Mark of the Un
Page 269 and 270: while recording 68 Remove DC Offset
Page 271 and 272: W WAVE 42, 170, 193, 194, 253, 259
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