Peak 4 User's Guide - zZounds.com

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Rice, Brad Sarno, Arne Schulze, Seva, Eli Shauriki, Ronen Shloush, Craig Snoke, Stefan Sozomenu, Alex Stahl, M. Stevens, Morten Stjernholm, Mark Tinley, David Torn, David Tremblay, Rudy Trubitt, Tsvika, Earl Vickers, Charles Wiltgen, Michael Winter, Doug Wright, and Tsuyoshi Yasukawa. vi Peak User’s Guide
BIAS Product Support: Unlimited Complimentary Self Help Options If you have questions about installing or using your BIAS products, please check the manual or user guide first, you will find answers to most of your questions there. If you need further assistance, please check: http://www.bias-inc.com/support.html for frequently asked questions, an extensive database of related articles, troubleshooting tips, and more. Limited Complimentary Technical Assistance Ninety days of technical support assistance for up to three incidents is available with the initial purchase of Type 1 BIAS products (Peak and Deck). Ninety days of technical support assistance for a single incident is available with the initial purchase of Type 2 BIAS products (Peak DV, Peak LE, Deck LE, Vbox, SuperFreq, SoundSoap). Type 3 products (OEM versions) are excluded. Thirty days of technical support assistance for a single incident is available with the purchase of paid upgrades to Type 1 and Type 2 BIAS products. The support period begins when the product authorization code (PAC) is initially issued following the product registration. To receive e-mail or telephone technical support, you will need a valid serial number and must be registered for a current BIAS product. Please keep your original product serial number and PAC in a safe place as it will be required for support. For customers preferring email assistance, please use the email form available on our web site at: http://www.bias-inc.com/support.html Or, email: support@bias-inc.com For customers preferring telephone assistance, (connect and toll charges apply), please have your computer running and close by the phone and call us at: +1-707-782-1865 9AM-5PM Monday-Friday PST – excluding BIAS holidays Fee-based Technical Support Options Fee-based Support is available for those customers whose support period has expired or for Type 3 (OEM version) customers. Please call: +1-707-782-1865 9AM-5PM Monday-Friday PST – excluding BIAS holidays For customers living outside of North America, please contact your local BIAS distributor, or contact BIAS directly. A list of BIAS distributors may be found at: http://www.bias-inc.com/distributors.html Product Support Options vii
Page 1 and 2: Peak TM Version 4.1 Software User
Page 3 and 4: Software Copyright and Warranty Thi
Page 5: Computer Software clause at 252.227
Page 9 and 10: Chapter 1: Introducing Peak Content
Page 11 and 12: Audio Info dialog..................
Page 13 and 14: Threshold..........................
Page 15 and 16: DSP Preferences....................
Page 17 and 18: Change Pitch.......................
Page 19 and 20: Chapter 1 Introducing Peak
Page 21 and 22: Chapter 1: Introducing Peak BIAS Pe
Page 23 and 24: • Mac OS X v.10.2 or later • 25
Page 25 and 26: • Meters Dialog • QuickTime mov
Page 27 and 28: Chapter 2 Installing & Configuring
Page 29 and 30: Chapter 2: Installing and Configuri
Page 31 and 32: • a stereo receiver line output (
Page 33 and 34: 5. Connect the outputs of your audi
Page 35 and 36: Chapter 3 Peak Basics
Page 37 and 38: Chapter 3: Peak Basics Introduction
Page 39 and 40: nificant amount of storage. This is
Page 41 and 42: Digidesign’s Pro Tools, do not di
Page 43 and 44: 2. Select a file format from the po
Page 45 and 46: Peak Audio Document Window Peak Aud
Page 47 and 48: A “minus” (-) sign will appear
Page 49 and 50: these features off. LE DV Progress
Page 51 and 52: Playback Master Volume Peak provide
Page 53 and 54: abrupt transitions between waveform
Page 55 and 56: 2. From the submenu, choose the tim
Page 57 and 58:
DV User-defined Keyboard Shortcuts
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Conclusion You now know how to crea
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Chapter 4 Playback & Recording
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Chapter 4: Playback & Recording In
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venient way of triggering playback
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useful if you want to use a noise r
Page 69 and 70:
Proper Levels for Recording To obta
Page 71 and 72:
If iTunes is installed and you are
Page 73 and 74:
Source The Sound dialog: Source Sel
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Chapter 5 Editing
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Chapter 5: Editing This chapter int
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To hide the Audio Waveform Overview
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the pitch and duration of the audio
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To use dynamic “Shuttle-type” s
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To use the Edits command to return
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Convolve, Mix, Modulate, and Impuls
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New Document from Selection The New
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To set blending parameters: 1. Choo
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The Fade Envelope Editor (a Fade In
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a specific time location in an audi
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Regions Regions are portions of an
Page 99 and 100:
etween the two loop markers, and th
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To use Loop Surfer based on a music
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click Loop-It to automatically plac
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Output Format area Choose the file
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Chapter 6 Playlists & CD Burning
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Chapter 6: Playlists and CD Burning
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To define a new Region and have it
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Previous Track Stop Play Next Track
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operation will, of course, decrease
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• Dragging the scroll indicator m
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Applying VST Plug-Ins to the Playli
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audio document that correspond to e
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Regions and the JAM Image file form
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Chapter 7 DSP
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Chapter 7: DSP Introduction Peak al
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DV Bit Usage Amplitude Fit is not a
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If you wish to double the volume of
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trum of the impulse contained in th
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pler’s key is released) or “loo
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The Harmonic Rotate dialog 3. Click
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The waveform display in the Loop Tu
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the amount of the copied signal tha
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Phase Vocoder The Phase Vocoder is
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The Repair Clicks operation works b
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Reverse Boomerang The Reverse Boome
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LE DV Conclusion Threshold is not a
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Chapter 8 Plug-Ins
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Chapter 8: Plug-Ins Introduction Pe
Page 155 and 156:
Using Peak with Vbox SE To open Vbo
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Each folder you create inside the V
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Creating Parallel Effects Chains Us
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24 dB stereo input and output meter
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5. Enter the VST delay compensation
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4. Choose any other processes you w
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Chapter 9 Batch File Processor & Ap
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Chapter 9: Batch File Processor and
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You may also specify which part of
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LE Batch File Processing is not ava
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2. Close any open digital audio win
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Chapter 10 Samplers
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Chapter 10: Samplers Introduction P
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Send To send the front-most Peak au
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you will find detailed descriptions
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Chapter 11 Peak Menus
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Chapter 11: Peak Menus This chapter
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It can be toggled on or off by choo
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put volume to the level that you de
Page 193 and 194:
ate a Playlist document or a new au
Page 195 and 196:
into a different file format. Savin
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to any number of audio files. To us
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Cut The Cut command (-X) cuts selec
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(-Left Arrow) to jump back to the p
Page 203 and 204:
The Edit Marker dialog Markers from
Page 205 and 206:
The Go To Location submenu Loop Sur
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The Notepad feature in the Record D
Page 209 and 210:
utton. The actual third-party dialo
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examine. 2. Choose Bit Usage from t
Page 213 and 214:
Loop dialog to select the length of
Page 215 and 216:
DV Invert ImpulseVerb is not availa
Page 217 and 218:
The Modulator dialog LE DV Normaliz
Page 219 and 220:
The Repair Clicks operation works b
Page 221 and 222:
Threshold The Threshold command all
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trols for each plug-in to mute, sol
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Move Waveform During Playback The M
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to accept the changes, or Cancel to
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ment and make it the active window.
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Appendix 1 Keyboard Shortcuts
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Appendix 1: Keyboard Shortcuts Keyb
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Keyboard Shortcut Equivalent Menu C
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Appendix 2 Peak Actions
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Appendix 2: Peak Actions This secti
Page 241 and 242:
To move a marker to a zero-crossing
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Appendix 3 Troubleshooting
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Appendix 3: Troubleshooting - Befor
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version. 3. Delete the “ACA Prefe
Page 249 and 250:
your drive. • Is Peak’s playbac
Page 251 and 252:
Glossary
Page 253 and 254:
Glossary AAC Advanced Audio Coding
Page 255 and 256:
decibels. Bit resolution determines
Page 257 and 258:
QuickTime This is an audio format d
Page 259 and 260:
plug-in standard created by Steinbe
Page 261 and 262:
Index
Page 263 and 264:
Symbols -10 dBV 31 +4 dBu 31 .au 42
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Disk-based Recording 38 dithering 4
Page 267 and 268:
Make Loop button 101 Mark of the Un
Page 269 and 270:
while recording 68 Remove DC Offset
Page 271 and 272:
W WAVE 42, 170, 193, 194, 253, 259
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