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Digital Camera - Ken Gilbert

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114 kitzone<br />

hYbrid review<br />

> tALe of tHe tApe The Specs<br />

Sensor 12.1Mp, 17.3x 13mm<br />

(in 4:3 aspect ratio)<br />

focal length<br />

conversion 2x<br />

memory sd/sdhc/sdXc<br />

Viewfinder electronic<br />

Video resolution 1280x720 pixels<br />

iSo range 100 to 6400 (expanded)<br />

Autofocus points 23<br />

focusmodes Face detection, aF<br />

tracking, 23-area focusing,<br />

touch focusing<br />

Self timer 2 sec, 10 sec, 10 sec/3 shots<br />

LCD screen size 3 inches<br />

Shutterspeed 1/4000sec to 60sec, bulb<br />

exposure modes Program ae, aperture<br />

Priority ae, shutter Priority<br />

ae, Manual<br />

Aspect ratio 4:3,3:2, 16:9, 1:1<br />

image quality raw, raw+Fine,<br />

raw+standard,<br />

Fine, standard<br />

Lens mount Micro Four thirds mount<br />

flash sync 1/160 sec<br />

Burstspeed 3.2fps (2.6fps in live view)<br />

Connections usb 2.0, minihdMi<br />

Weight 380g (body only)<br />

Software Photofunstudio 5.0<br />

hdedition / silkypix®<br />

developer studio 3.1 se/<br />

QuicktimetM / usb driver<br />

ack in 2008, the<br />

B<br />

Panasonic G1 rewrote<br />

the digital camera<br />

rulebook. Before then,<br />

serious cameras were<br />

large and clunky, and kept faith with<br />

an age-old optical design that had<br />

scarcely changed in 70 years. Fun<br />

pocket cameras, on the other hand,<br />

often disappointed more creative<br />

userswith their fixed lenses,small<br />

sensors and lack of user control.<br />

The G1 and itsMicroFour Thirds<br />

system brokethe mould, and found<br />

ahappyground in the middle of the<br />

twocamps. It enabled youtochange<br />

lensestosuit your subject, and<br />

offered good old-fashioned controls<br />

overfocusing and exposure, but<br />

managed to do this in amuch smaller<br />

shell than any SLR. And this<br />

beautifullydesigned newbreed of<br />

camera was full of fun – not least<br />

because it was made in a choice of<br />

three colours. Now, it’s time for its<br />

successor – the G2 – to take centre<br />

stage, and to carryonthe good work<br />

of converting casual point-and-shoot<br />

userstomoreserious, interchangeable<br />

lens photography.<br />

Again, the new model is available<br />

in blue,red or black –and in truth it’s<br />

the similarities between the G1 and<br />

the G2 that are the key attractions.<br />

However, with the G2, Panasonic has<br />

<strong>Digital</strong><strong>Camera</strong> July2010<br />

miCRo fouR tHiRDS HyBRiD Panasonic Lumix G2 > £599 > www.panasonic.co.uk<br />

Atouchof<br />

greatness?<br />

take the best-selling G1, fit a touchscreen<br />

and you get the panasonicLumix g2.<br />

chris George puts it through its paces<br />

transformed an enticing-if-expensive<br />

cameraintosomething thathas real<br />

mass-market appeal.<br />

The first significant improvement<br />

is the addition of video shooting<br />

– offering High-Definition moviemaking<br />

with a fair amount of creative<br />

control. It shootsat720-line 30fps<br />

(framesper second) HDTV resolution<br />

–not quitethe 1080-line<br />

performance of some D-SLRs (or its<br />

older brother,the top-of-the-range<br />

Panasonic GH1) but, with the<br />

provision for an external microphone<br />

and aperturecontrol, it still has appeal<br />

to the serious film student.<br />

The next advance is in the screen.<br />

Again it’s a three-inch fold-out affair,<br />

which canbeturned through 180° and<br />

rotatedthrough 270° for adventurous<br />

cameraangles, but the innovation<br />

is touch control –this is the first<br />

time this has ever been seen on an<br />

interchangeable lens camera.<br />

Atouchscreen interfacemay<br />

seem like a gimmick, but it’s not.

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