Digital Camera - Ken Gilbert
Digital Camera - Ken Gilbert
Digital Camera - Ken Gilbert
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114 kitzone<br />
hYbrid review<br />
> tALe of tHe tApe The Specs<br />
Sensor 12.1Mp, 17.3x 13mm<br />
(in 4:3 aspect ratio)<br />
focal length<br />
conversion 2x<br />
memory sd/sdhc/sdXc<br />
Viewfinder electronic<br />
Video resolution 1280x720 pixels<br />
iSo range 100 to 6400 (expanded)<br />
Autofocus points 23<br />
focusmodes Face detection, aF<br />
tracking, 23-area focusing,<br />
touch focusing<br />
Self timer 2 sec, 10 sec, 10 sec/3 shots<br />
LCD screen size 3 inches<br />
Shutterspeed 1/4000sec to 60sec, bulb<br />
exposure modes Program ae, aperture<br />
Priority ae, shutter Priority<br />
ae, Manual<br />
Aspect ratio 4:3,3:2, 16:9, 1:1<br />
image quality raw, raw+Fine,<br />
raw+standard,<br />
Fine, standard<br />
Lens mount Micro Four thirds mount<br />
flash sync 1/160 sec<br />
Burstspeed 3.2fps (2.6fps in live view)<br />
Connections usb 2.0, minihdMi<br />
Weight 380g (body only)<br />
Software Photofunstudio 5.0<br />
hdedition / silkypix®<br />
developer studio 3.1 se/<br />
QuicktimetM / usb driver<br />
ack in 2008, the<br />
B<br />
Panasonic G1 rewrote<br />
the digital camera<br />
rulebook. Before then,<br />
serious cameras were<br />
large and clunky, and kept faith with<br />
an age-old optical design that had<br />
scarcely changed in 70 years. Fun<br />
pocket cameras, on the other hand,<br />
often disappointed more creative<br />
userswith their fixed lenses,small<br />
sensors and lack of user control.<br />
The G1 and itsMicroFour Thirds<br />
system brokethe mould, and found<br />
ahappyground in the middle of the<br />
twocamps. It enabled youtochange<br />
lensestosuit your subject, and<br />
offered good old-fashioned controls<br />
overfocusing and exposure, but<br />
managed to do this in amuch smaller<br />
shell than any SLR. And this<br />
beautifullydesigned newbreed of<br />
camera was full of fun – not least<br />
because it was made in a choice of<br />
three colours. Now, it’s time for its<br />
successor – the G2 – to take centre<br />
stage, and to carryonthe good work<br />
of converting casual point-and-shoot<br />
userstomoreserious, interchangeable<br />
lens photography.<br />
Again, the new model is available<br />
in blue,red or black –and in truth it’s<br />
the similarities between the G1 and<br />
the G2 that are the key attractions.<br />
However, with the G2, Panasonic has<br />
<strong>Digital</strong><strong>Camera</strong> July2010<br />
miCRo fouR tHiRDS HyBRiD Panasonic Lumix G2 > £599 > www.panasonic.co.uk<br />
Atouchof<br />
greatness?<br />
take the best-selling G1, fit a touchscreen<br />
and you get the panasonicLumix g2.<br />
chris George puts it through its paces<br />
transformed an enticing-if-expensive<br />
cameraintosomething thathas real<br />
mass-market appeal.<br />
The first significant improvement<br />
is the addition of video shooting<br />
– offering High-Definition moviemaking<br />
with a fair amount of creative<br />
control. It shootsat720-line 30fps<br />
(framesper second) HDTV resolution<br />
–not quitethe 1080-line<br />
performance of some D-SLRs (or its<br />
older brother,the top-of-the-range<br />
Panasonic GH1) but, with the<br />
provision for an external microphone<br />
and aperturecontrol, it still has appeal<br />
to the serious film student.<br />
The next advance is in the screen.<br />
Again it’s a three-inch fold-out affair,<br />
which canbeturned through 180° and<br />
rotatedthrough 270° for adventurous<br />
cameraangles, but the innovation<br />
is touch control –this is the first<br />
time this has ever been seen on an<br />
interchangeable lens camera.<br />
Atouchscreen interfacemay<br />
seem like a gimmick, but it’s not.