Digital Camera - Ken Gilbert
Digital Camera - Ken Gilbert
Digital Camera - Ken Gilbert
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96<br />
PhotoAdvisor<br />
your photos critiqued<br />
SpeeDy<br />
SoLutIonS<br />
dECISIONS dECISIONS<br />
Q Iwant<br />
to replacemyold<br />
digital SLR, but I’m torn<br />
between buying afull-frame<br />
camera or one with a smallersized<br />
sensor.<br />
Malcolm Peterson, via email<br />
aGeoff says: For portraiture,<br />
a full-frame camera offers<br />
the advantage of a narrower depth<br />
of field. For wildlife, sports and<br />
action, the crop factor of a d-sLr<br />
with a smaller, Aps-c sized sensor<br />
means youcan use relatively<br />
compact, lightweight lenses, and<br />
you’ll often get faster burst rates<br />
in continuous shooting mode.<br />
MEMORYCARdS<br />
Q Ineed<br />
to buysome extra<br />
memory cards, thanks to<br />
the RAW files generated by my<br />
newCanon 550D being nearly<br />
30Mb each. Should Ispend extra<br />
on faster cards or will cheaper,<br />
slower ones do the job?<br />
Kevin roberts, via email<br />
aAli says: you only really need<br />
super-fast memory cards if<br />
you shoot long sequences of rAW<br />
or top-quality JpeG images in<br />
continuous mode. on the 550d,<br />
however, you’ll definitely need fast<br />
sdhc cards of class 6 or above<br />
if youwanttouse the top-quality<br />
video setting of 1080p at 30<br />
frames per second.<br />
<strong>Digital</strong><strong>Camera</strong> July2010<br />
RAte My photo Pro<br />
Leaning Flower<br />
By Jeff harwell<br />
Canon eOS 450D/ tokina af 100mm f/2.8 at-X Pro D lens/ 0.7 secs at f/4, ISO100<br />
Jeff says: Itook this<br />
picture in my kitchen,<br />
with just available<br />
light. I attached some<br />
purple poster board to a box<br />
behind the flower because the<br />
walls are a yellowish-orange,<br />
then set a large aperture of f/4.<br />
there was a white spot on<br />
the right of the flower where a<br />
waterdrophad blown-out,so<br />
I cloned that out. I also added<br />
a vignette and cropped the<br />
flower to get rid of some of the<br />
dead space, then increased the<br />
contrast in Apple’s Aperture<br />
and boosted the vibrancy.<br />
rayCoxsays:this<br />
is a fairly typical<br />
but nicely executed<br />
close-up of a flower<br />
using a100mm macrolens.<br />
Rather than place the subject<br />
on a horizontal plane to shoot it<br />
“thisisafairly<br />
typicalbut nicely<br />
executed close-up<br />
of aflower”<br />
straight on,Jeffhas chosento<br />
lean the flower at an angle and<br />
it fills more of the frame. this<br />
effect has been taken further<br />
by cropping on screen to<br />
remove needless background.<br />
A shallow depth of field<br />
resulting from the use of the<br />
macrolens and close proximity<br />
to the subject has been<br />
deliberately exaggerated by<br />
Jeff’s choice of a wide aperture<br />
(f/4). decidingwhere to focus<br />
verdict<br />
ray's done well to angle the<br />
subject and the crop is strong<br />
the shallowdepth of field<br />
works and the focus is spot on<br />
Get<br />
critiqued!<br />
Email photosto<br />
digitalcamera@<br />
futurenet.com with<br />
the subject 'Rate<br />
My Photo Pro'<br />
when photographing plant<br />
portraits is not always easy,<br />
but Jeffhas got it about right.<br />
the choice of background<br />
colour is largely a matter of<br />
taste and it works OK, although<br />
I’mnot sure aboutthe image’s<br />
reddish-yellowcolour cast.<br />
Jeffsays he used "available<br />
light", but this cast might have<br />
resulted from using tungsten<br />
(electric) rather than natural<br />
window lighting. Changing the<br />
colour balance in Photoshop<br />
by increasing the greens and/or<br />
blues would improve what is<br />
a not particularly original but<br />
otherwise good effortat a<br />
plantportrait.<br />
the choice of lighting has<br />
resulted in a slight colour cast<br />
the shot is not overly original, so<br />
Jeff should keep experimenting