Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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Fig.4.37 Serpent and Reptilian Icons - Lintel 25 Yaxchilan, jaws of Vision Serpent - Uxmat, facade ornament - God K head on snake body,Codex Mødríd, gl (detail) Drawings as Fig. 21,:2, p.Z}g rn Prudence M. 1.999,'Reptiles T"? and Rulership: A Stylistic Analysis Peten Postclassic pottery," of in Word and Image .ín Møya Culture: ixplorøtions in Langtrøge, Writing, and Representation, eds. Hanks and i{i.", 1,ggg. Fig.4.37
. Fig.4.38 a. Eccentric flint Late Classic period, a.d. 600-800 Flint, 25x 41..1, x 2 crn. (Dallas Museum of Art. The Eugene and Margaret McDermott Fund, in honour of Mrs. Alex Spence), photograph by lustin Kerr, as plate 1,1,4, p.295, b. Personified eccentric flint, Tablet of the Slave, palenquä Drawing by Linda Schele, in Fig. ZJ, p.46. Photograph and drawing in Schele ãnd Miller,'J.996, The Blood of Kings: Dynasty ønd RítuøI in Maya Art. Fig.4.3s
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Altered Body Symbolism in Mesoameri
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499 List of lllustrations followed
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2.30 2.3t 2.32 2.33 2.34 2.35 2.36
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4.24 4.25 4.26 4.27 4.28 4.29 4.30
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8.1 8.2 8.3 8.4 8.5 8.6 505 Chapter
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9.23 9.24 9.25 9.26 9.27 9.28 9.29
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71,.1L Enema devices in a ritual sc
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12.38 Xipe Totec (or impersonator:
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t4.26 Rattlesnake presenting head i
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515 Barbachano Ponce, Manuel, 1978.
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577 Breen, John F. 1974. Encycloped
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519 . L972. "Olmec Jaguars and Olme
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521 Dickey, Thomas; vance Muse, and
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523 Freidel, David, Linda Schele an
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525 Halliday, Tim, and Kruig Adler,
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7991,. A Theory of Pørody: The Te
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529 Kristeva, Iu1ia. 1986. The Krí
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531 1976. Emblem and State ín the
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533 Moriarty, ]ames Robert. 1969. R
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535 Proskouriakoff, Tatiana. 1964,
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537 Robicsek, Francis, and Donald H
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539 7974. "Observations on the Cros
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541 Steirlin, Henri. 1981. The Art
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54:t Tebbs, _Margaret. 1989. "Guate
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l5 r9 I2æ 900 óoo 300 AD BC 300 L
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CHIAPAS "iI¡:ì I UU¡\IT\I\ ^ I p
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Fig.2.2 Fig. 2.2 a and b a.Þottery
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Fig.2.4 Acrobat Tlatilco Redware, 1
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Fig.2.6 Female figurines symbolizin
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Fig.2.B Preclassic solid clay figur
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v c Fig.2.10 Ball Game artifacts a.
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.-:i 4 Fig.2.12 Fig.2.I2 Male figur
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Fig.2.14 NIale figurine Stendahl st
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Fi1.2.1,6 Figurine with laughing fa
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Figs. 11. 12. The Chalcatzingo reli
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Fig.2.20 Fig.2.20 ]aguar atop human
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Fig.2.22 Fíg.2.22 Seated youth hol
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Fig.2.24 Standing figure holding a
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Fi9.2.26 Derivation oi rain gods fr
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-t'.- :t{þr l,:'.:,:â -a'.i.,-,:
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Jrtritirirtrtt Fig.2.30 Olmec femal
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Fig.2.32 Fig.2.32 Carved vessel wit
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Fig.2.34 Th¡ee figures in jar,vs o
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a. b. Fig.2.36 Fi9.2.36 Tuxtla Stat
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Fig.2.3B Tepantitla mural, or Tlalo
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Fig.2.40 Fiç.2.40 Transitional hgu
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a. b. Fig.3.1 a. Soverign Plumed Se
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Fig.3.3 Couple named Ometecuhtli ("
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Fig.3.5 Fig.3.5 Quetzalcoatl and Mi
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,.ot4 Fig.3.7 Fig.3.7 The earth per
Page 101 and 102: Fig.3.9 ChaIchíuhtlicue Early colo
Page 103 and 104: Çnaa'm iunut4 Fig.3.11 Fig.3.11 Tl
Page 105 and 106: Fig.3.13 Mixtec tree birth scene Co
Page 107 and 108: Fig.3.15 Fig.3.15 Møyahuel, Goddes
Page 109 and 110: SIDE III Fig.3.77 Fig.3.17 The "Jau
Page 111 and 112: Fig.3.18b Fig.3.18b Goddesses known
Page 113 and 114: Fíg.3.20 Tonacatecuhtli, "god of c
Page 115 and 116: they t¡vere botn The Paddlers unde
Page 117 and 118: Quadripartitc Cod, thc rcar hcad of
Page 119 and 120: Fig.4.4 The World Tree Drawing by L
Page 121 and 122: @ t:T) ffiffi dotot house te-tuq tr
Page 123 and 124: Fig.4.8 Masonry facade with carved
Page 125 and 126: Fig.4.10 Kinh and solar motifs in t
Page 127 and 128: Fig.4.12 Moon with rabbit consort (
Page 129 and 130: Quadripartite Monster Fig.4.1.4 Qua
Page 131 and 132: a. b. fronl head cross-banded eye c
Page 133 and 134: Fig.4.18 Maue God emerging from the
Page 135 and 136: Fig.4.20 a.boddess O with inverted
Page 137 and 138: a. b. Fig. 4.22 Chac (sometimes cal
Page 139 and 140: god markingã Fí9.4.24 God K (God
Page 141 and 142: Fig.4.26 Toltec Warrior with Tlaloc
Page 143 and 144: "'mWffi *ilpwm *@ffiffi G6 ffi ",m
Page 145 and 146: a. Fig.4.30 God A as a death god a.
Page 147 and 148: 4.32 a 4.32b w@m Fig. a.32 Fig.4.32
Page 149 and 150: Fig.4.34 Dragon Nlonster, Kaminalju
Page 151: Fig.4.36 The Vision Serpent Drawing
Page 155 and 156: Fig.5.1 Cenote of Sacrifice Chichen
Page 157 and 158: Fig. 5.3 Aztec warrior in flayed-sk
Page 159 and 160: Fig.6.2 Old deity instructing disci
Page 161 and 162: Fig.6.4 Anthropomorphic monkeys as
Page 163 and 164: Vessel 69 Fig.6.6 Anthropomorphic s
Page 165 and 166: (ft rpos) 1.18.3.12.0 'slçy' event
Page 167 and 168: ffi öffi ffi ffi wffi ßffi ffiãf
Page 169 and 170: Fig.7.2 Cauac Sky on north side of
Page 171 and 172: Gcncration 6 Lady Kanal-Ikal Gencra
Page 173 and 174: Fig.7.6 Flanged headdress from Copa
Page 175 and 176: Eig.7.8 Female Ruler from Calakmul
Page 177 and 178: Feminine head glyph rooo f Feminine
Page 179 and 180: Fig.7.I1, Lady Wac-Chanil-Ahau, at
Page 181 and 182: Fig.7.13 Ruler with war captains an
Page 183 and 184: Fíg.7.1.5 Bird Jaguar dressing for
Page 185 and 186: @H; ffi a@d Fi9.7.17 Glyphs from te
Page 187 and 188: Fi5.7.1,9 Vision Serpent, and femal
Page 189 and 190: Ftg.7.2I à,b Stucco portrait of Ch
Page 191 and 192: Fig.7.23 Fiç.7.23 Maya noble Limes
Page 193 and 194: Fig.7.25 Fig.7.25 Jaina Warrior Cer
Page 195 and 196: The World Ti,ee Fig.8.1 Maya King a
Page 197 and 198: Fig.8.3 Head of ruler in Chac-Xib-C
Page 199 and 200: anthropornorphíc p€rson¡l¡cati
Page 201 and 202: flayed area personified blood blood
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. The God C apron from Dos pilas St
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oo @Oa Fig. 8.11 The Quadripartite
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HIEROGLYPHIC TEXT IN YUCATEC EAST S
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Fig.8.15 Maya house with thatched r
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Fig.8.17 Incense-burner as an effí
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Fig.8.19 Fig.8.19 Dual images of Go
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Fig.8.21 Fig.8.21 The Leiden Plaque
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Curl-Snout's name Mosaic Monster he
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a" Curl-Snout from the side of Stel
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Fí9.8.27 Captor wears raloc-and-ba
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Fiç.8.29 Two figures, one wearing
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a. b. lF :;, i'l Yaxchilán Seibal
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Fig.8.33 Fig. 8.33 Map 9f Glyphic C
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Fig.8.35 Fig.8.35 Ruler on Stela 31
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Fig.9.1 Number gods carrying the Ma
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Fig. 9.3 g @ & @ J',i;ll Ð'{l' /æ
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a. Cloth morifs from 'ascension'sre
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ffi ttr ffi Fig.9.7 Hand gesLure si
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ffi þ,= ) ffi Fig. 9.9 Glyphs repr
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W o ffi b ffi c æ d Fig. 9.11. Gly
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a. b. ffi@ffiw @ffiffi ffiffi ffiw
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ww @@ @@ ii mffi il@q ffi@ ffiw gh
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Fi9.9.17 Kinh, the sun-time deity,
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-- ----- ----- waffi@W@@ .i¡l aaa
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4 .rl¡ ¿ oooo + oooo ¡ .rt i,ä
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;,ffi- ;ilililffi :\t\ffi Fis.9.23
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6. Fig.9.25 Fi1.9.25 Initial series
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^w ffi ffi"æ B. P ffit ffi t4? ffi
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\ '?-r-.. . /a'" '-r€' :\ Ei Fig.
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Uttlt t¡( dcl' . tlt't (,1tc. a (
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1., o //0zo 7 :, ., . . .:.i+:,i;."
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Fig.9.35 Maya Calendar and. World v
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Fiç.9.37 Fig.9.37 The New Fire, wi
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Fig.9.39 Fig.9.39 Aztec Calendar St
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Fig.9.41 Playing of drum and rattle
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Fig.10.2 Fiç.1.0.2 Venus (as Hunah
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Fig.1.0.4 a. b. page 46 AECDEÊG IX
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Fig. 10.6 Astronomical bodies in th
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%@ Fig. 10.8 Tzítzimitl sky demon
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:: . ... -a-,4 "- Fig. 10.10 Dresde
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lnstructions and Correction Table (
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1 I I I t. È,7 'þ'.Vtal 1tølì r
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Fig.10.16 Fig. 10.16 Goddess Coatli
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Fig.10.18 Fig. 10.18 Astronomer, Ma
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[¡&¡rr¡a.U*d¡Era*.r oaac}as f (
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Fig.70.?2 Fig.1,0.22 The House of t
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Fi1.1,0.24 The House of the Governo
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Ê2* .!it ôE i rE. ru.âr, Fig. 10
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Fig. 11.1 Gods of the Underworld in
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a. b. @ Kerr 1988 Ht. 14 Dta. 14.3
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Fig. 11.5 Acrobat efhgy vessel Coli
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@ Kerr 1989 , Ht. 15.8 Dta. 12.8 Ci
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4.¡ tñ .,Ï i,, A- Æ.E'u 9.,:* t
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Fig. 11.11 Enema devices in a ribua
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Fíg. 11.13 Dancing lords in blood
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Fig. 11.15 Bonampak, Mexico Wall mu
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Fig.11.77 Fig.11.17 Bonampak Room 2
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Fig. 11.19 Headdress presented as a
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a. b. Fig.11.2L a Mixtec drum with
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Fig.11.23 Fig. t1.23 Cõt¿ bell wi
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A .i:.¿,;1¡-; !:l!l,t tr!rr / tu
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A t Fig.12.3 Ruler and wa¡rior fac
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' . j-i :rr:l::'o Fí9.12.5 Fíg.12
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Fíg.12.7 lvlaize god in sacrificia
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Fi9.72.9 Fig.12.9 The Sun God blood
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Skta D, CoFd. Pø.lr Íô; tA. ¿oo
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Fig.12.13 Bloodletting from the gen
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Fig. L2.1,5 Mat design on carved bo
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Fig.12.77 Fig.12.17 Drawing cords t
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ffiffiwffiffiffi 5 Eb 15 Mac he is
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AB I 2 3 4 5 Fig. 12.21, Lady Balam
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"a4 Fíg.12.23 Sacrificial Knife, T
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#H+o Fig.12.25 Frg.12.25 Heart sacr
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Fig.72.27 Fig.12.27 Cõdex scene of
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ti; tr F Êi :l H I ri É þ H F r
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Fig.12.31 Fig.12.31, Chacmool figur
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Fig,t2.33 Fig. 12.33 Dignitary carr
Page 357 and 358:
Fig. 12.35 a. Pottery scene with ri
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Fig.12.37 Fig.12.37 Xipe Totec, Azt
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'?,,1 ,.1 rþ Fig.t2.39 Fig. t2.39
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a. Fig.12.41 Caplive Reliquary Jain
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Fig.13.2 Tlaloc and jaguar symbolis
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Fig. 13.4 Protagonist preparing for
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Fig. 13.6 Ballplayers in the court
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Fig.13.7b Sacrifice in ballcourt sc
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Fig. 13.9 Underworld scene of suppl
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Fig.13.11 Fig. 13.11 Thirteen Rabbi
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Fig.13.13 Fig. 13.13 Dismemberment
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Fig.13.15 Fig. 13.15 Sacrificed bal
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\ Fig.13.17 Fig. L3.17 Central Mark
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Chan-Bahlum Fig. 1.4.2 Chan-Bahlum'
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\ì \ +1 - t ! 4i I >-'./ nl-;,3 J_
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Fig.14.6 Fig. t4.6 Zoomorph B, Quir
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l0 11 Ak'bal 15 star- Sak overea¡l
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Stingray Paddler Jaguar Paddler i0@
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d lUüi¿c God dresscd by two nudo
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c. d. Fig.1,4.74 Fig. L4.1,4 Death
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Fig. t4.L6 Anthropomorphs in dancin
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Fig.14.18 Fig.14.1,8 Elongatedway f
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Lt .9 \ { tl t. ì '.( Ì'. Ç ' --
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Fig.14.22 Fig. 1.4.22 The Deletaill
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Fig.1,4.24 Temple of the Warriors,
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Fí9.1,4.26 Rattiesnake presenting
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Fig.1,4.28 Chac, the Rain God, stan
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Fig. L4.30 Chac masks on facade of
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Fig.14.32 Altar of skulls (Tzompant
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Fig.14.34 Pillar, Temple of the War
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Fig.1.4.36 Human in feline costime,
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Fig. 14.38 Platform of the Eagies a
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Fig.14.40 Fig.1.4.40 Eagle eating a
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Fig.14.42 Fí9.14.42 Olmec Cave Mas
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Fig. 14.44 lvIônster-mouth mask do
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G' -: ._{: Fig.1,4.46 The Magician'
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Fíg.14.48 El Castillo (The Castie)
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Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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