Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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Fig.9.22 Fig.9.22 Glyphs of full figures as time periods and heads as numbers. Long Count date, on a limestone lintel from Yaxchiian Photograph by Otis Imboden (with permission of the National Museum of Anthropoiogy, lvfexico Ciby), reproduced on p. 77I ín George E. Stuart, 1,975, "The Maya Riddle of the Glyphs," in Nationøl Geographic, Vol. 148, No. 6, December lgTS.
;,ffi- ;ilililffi :\t\ffi Fis.9.23 Fig. 9.23 Interlocking rycles of the Maya calendar 260-day cycle at left (involving 20 day names on the outer wheel and 13 days on the small inner wheel) and 365-day calendar (composed of j.g months, each with 20 days numbered 1--L9 or 1.-20) at right. There are S e¡tra "unlucky" days. As the 20 day calendar rotates together with the L3 day circle, it will take 260 days for all combinations to ôccur. When the 365-day wheel rotates with the 20 day circle, it witl take 52 x 365 days (52 years, called the calendar round) for a given combination to recur. Drawing after ].E.S. Thompson, as Fig. 2I,p.4i. in Miller, 1,993, The Art of Mesoamerica from Oltnec to Aztec.
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Altered Body Symbolism in Mesoameri
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499 List of lllustrations followed
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2.30 2.3t 2.32 2.33 2.34 2.35 2.36
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4.24 4.25 4.26 4.27 4.28 4.29 4.30
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8.1 8.2 8.3 8.4 8.5 8.6 505 Chapter
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9.23 9.24 9.25 9.26 9.27 9.28 9.29
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71,.1L Enema devices in a ritual sc
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12.38 Xipe Totec (or impersonator:
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t4.26 Rattlesnake presenting head i
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515 Barbachano Ponce, Manuel, 1978.
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577 Breen, John F. 1974. Encycloped
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519 . L972. "Olmec Jaguars and Olme
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521 Dickey, Thomas; vance Muse, and
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523 Freidel, David, Linda Schele an
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525 Halliday, Tim, and Kruig Adler,
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7991,. A Theory of Pørody: The Te
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529 Kristeva, Iu1ia. 1986. The Krí
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531 1976. Emblem and State ín the
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533 Moriarty, ]ames Robert. 1969. R
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535 Proskouriakoff, Tatiana. 1964,
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537 Robicsek, Francis, and Donald H
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539 7974. "Observations on the Cros
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541 Steirlin, Henri. 1981. The Art
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54:t Tebbs, _Margaret. 1989. "Guate
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l5 r9 I2æ 900 óoo 300 AD BC 300 L
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CHIAPAS "iI¡:ì I UU¡\IT\I\ ^ I p
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Fig.2.2 Fig. 2.2 a and b a.Þottery
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Fig.2.4 Acrobat Tlatilco Redware, 1
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Fig.2.6 Female figurines symbolizin
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Fig.2.B Preclassic solid clay figur
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v c Fig.2.10 Ball Game artifacts a.
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.-:i 4 Fig.2.12 Fig.2.I2 Male figur
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Fig.2.14 NIale figurine Stendahl st
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Fi1.2.1,6 Figurine with laughing fa
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Figs. 11. 12. The Chalcatzingo reli
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Fig.2.20 Fig.2.20 ]aguar atop human
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Fig.2.22 Fíg.2.22 Seated youth hol
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Fig.2.24 Standing figure holding a
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Fi9.2.26 Derivation oi rain gods fr
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-t'.- :t{þr l,:'.:,:â -a'.i.,-,:
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Jrtritirirtrtt Fig.2.30 Olmec femal
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Fig.2.32 Fig.2.32 Carved vessel wit
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Fig.2.34 Th¡ee figures in jar,vs o
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a. b. Fig.2.36 Fi9.2.36 Tuxtla Stat
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Fig.2.3B Tepantitla mural, or Tlalo
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Fig.2.40 Fiç.2.40 Transitional hgu
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a. b. Fig.3.1 a. Soverign Plumed Se
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Fig.3.3 Couple named Ometecuhtli ("
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Fig.3.5 Fig.3.5 Quetzalcoatl and Mi
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,.ot4 Fig.3.7 Fig.3.7 The earth per
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Fig.3.9 ChaIchíuhtlicue Early colo
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Çnaa'm iunut4 Fig.3.11 Fig.3.11 Tl
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Fig.3.13 Mixtec tree birth scene Co
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Fig.3.15 Fig.3.15 Møyahuel, Goddes
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SIDE III Fig.3.77 Fig.3.17 The "Jau
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Fig.3.18b Fig.3.18b Goddesses known
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Fíg.3.20 Tonacatecuhtli, "god of c
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they t¡vere botn The Paddlers unde
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Quadripartitc Cod, thc rcar hcad of
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Fig.4.4 The World Tree Drawing by L
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@ t:T) ffiffi dotot house te-tuq tr
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Fig.4.8 Masonry facade with carved
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Fig.4.10 Kinh and solar motifs in t
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Fig.4.12 Moon with rabbit consort (
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Quadripartite Monster Fig.4.1.4 Qua
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a. b. fronl head cross-banded eye c
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Fig.4.18 Maue God emerging from the
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Fig.4.20 a.boddess O with inverted
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a. b. Fig. 4.22 Chac (sometimes cal
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god markingã Fí9.4.24 God K (God
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Fig.4.26 Toltec Warrior with Tlaloc
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"'mWffi *ilpwm *@ffiffi G6 ffi ",m
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a. Fig.4.30 God A as a death god a.
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4.32 a 4.32b w@m Fig. a.32 Fig.4.32
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Fig.4.34 Dragon Nlonster, Kaminalju
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Fig.4.36 The Vision Serpent Drawing
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. Fig.4.38 a. Eccentric flint Late
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Fig.5.1 Cenote of Sacrifice Chichen
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Fig. 5.3 Aztec warrior in flayed-sk
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Fig.6.2 Old deity instructing disci
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Fig.6.4 Anthropomorphic monkeys as
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Vessel 69 Fig.6.6 Anthropomorphic s
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(ft rpos) 1.18.3.12.0 'slçy' event
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ffi öffi ffi ffi wffi ßffi ffiãf
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Fig.7.2 Cauac Sky on north side of
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Gcncration 6 Lady Kanal-Ikal Gencra
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Fig.7.6 Flanged headdress from Copa
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Eig.7.8 Female Ruler from Calakmul
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Feminine head glyph rooo f Feminine
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Fig.7.I1, Lady Wac-Chanil-Ahau, at
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Fig.7.13 Ruler with war captains an
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Fíg.7.1.5 Bird Jaguar dressing for
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@H; ffi a@d Fi9.7.17 Glyphs from te
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Fi5.7.1,9 Vision Serpent, and femal
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Ftg.7.2I à,b Stucco portrait of Ch
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Fig.7.23 Fiç.7.23 Maya noble Limes
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Fig.7.25 Fig.7.25 Jaina Warrior Cer
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The World Ti,ee Fig.8.1 Maya King a
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Fig.8.3 Head of ruler in Chac-Xib-C
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anthropornorphíc p€rson¡l¡cati
Page 201 and 202: flayed area personified blood blood
Page 203 and 204: . The God C apron from Dos pilas St
Page 205 and 206: oo @Oa Fig. 8.11 The Quadripartite
Page 207 and 208: HIEROGLYPHIC TEXT IN YUCATEC EAST S
Page 209 and 210: Fig.8.15 Maya house with thatched r
Page 211 and 212: Fig.8.17 Incense-burner as an effí
Page 213 and 214: Fig.8.19 Fig.8.19 Dual images of Go
Page 215 and 216: Fig.8.21 Fig.8.21 The Leiden Plaque
Page 217 and 218: Curl-Snout's name Mosaic Monster he
Page 219 and 220: a" Curl-Snout from the side of Stel
Page 221 and 222: Fí9.8.27 Captor wears raloc-and-ba
Page 223 and 224: Fiç.8.29 Two figures, one wearing
Page 225 and 226: a. b. lF :;, i'l Yaxchilán Seibal
Page 227 and 228: Fig.8.33 Fig. 8.33 Map 9f Glyphic C
Page 229 and 230: Fig.8.35 Fig.8.35 Ruler on Stela 31
Page 231 and 232: Fig.9.1 Number gods carrying the Ma
Page 233 and 234: Fig. 9.3 g @ & @ J',i;ll Ð'{l' /æ
Page 235 and 236: a. Cloth morifs from 'ascension'sre
Page 237 and 238: ffi ttr ffi Fig.9.7 Hand gesLure si
Page 239 and 240: ffi þ,= ) ffi Fig. 9.9 Glyphs repr
Page 241 and 242: W o ffi b ffi c æ d Fig. 9.11. Gly
Page 243 and 244: a. b. ffi@ffiw @ffiffi ffiffi ffiw
Page 245 and 246: ww @@ @@ ii mffi il@q ffi@ ffiw gh
Page 247 and 248: Fi9.9.17 Kinh, the sun-time deity,
Page 249 and 250: -- ----- ----- waffi@W@@ .i¡l aaa
Page 251: 4 .rl¡ ¿ oooo + oooo ¡ .rt i,ä
Page 255 and 256: 6. Fig.9.25 Fi1.9.25 Initial series
Page 257 and 258: ^w ffi ffi"æ B. P ffit ffi t4? ffi
Page 259 and 260: \ '?-r-.. . /a'" '-r€' :\ Ei Fig.
Page 261 and 262: Uttlt t¡( dcl' . tlt't (,1tc. a (
Page 263 and 264: 1., o //0zo 7 :, ., . . .:.i+:,i;."
Page 265 and 266: Fig.9.35 Maya Calendar and. World v
Page 267 and 268: Fiç.9.37 Fig.9.37 The New Fire, wi
Page 269 and 270: Fig.9.39 Fig.9.39 Aztec Calendar St
Page 271 and 272: Fig.9.41 Playing of drum and rattle
Page 273 and 274: Fig.10.2 Fiç.1.0.2 Venus (as Hunah
Page 275 and 276: Fig.1.0.4 a. b. page 46 AECDEÊG IX
Page 277 and 278: Fig. 10.6 Astronomical bodies in th
Page 279 and 280: %@ Fig. 10.8 Tzítzimitl sky demon
Page 281 and 282: :: . ... -a-,4 "- Fig. 10.10 Dresde
Page 283 and 284: lnstructions and Correction Table (
Page 285 and 286: 1 I I I t. È,7 'þ'.Vtal 1tølì r
Page 287 and 288: Fig.10.16 Fig. 10.16 Goddess Coatli
Page 289 and 290: Fig.10.18 Fig. 10.18 Astronomer, Ma
Page 291 and 292: [¡&¡rr¡a.U*d¡Era*.r oaac}as f (
Page 293 and 294: Fig.70.?2 Fig.1,0.22 The House of t
Page 295 and 296: Fi1.1,0.24 The House of the Governo
Page 297 and 298: Ê2* .!it ôE i rE. ru.âr, Fig. 10
Page 299 and 300: Fig. 11.1 Gods of the Underworld in
Page 301 and 302: a. b. @ Kerr 1988 Ht. 14 Dta. 14.3
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Fig. 11.5 Acrobat efhgy vessel Coli
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@ Kerr 1989 , Ht. 15.8 Dta. 12.8 Ci
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4.¡ tñ .,Ï i,, A- Æ.E'u 9.,:* t
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Fig. 11.11 Enema devices in a ribua
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Fíg. 11.13 Dancing lords in blood
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Fig. 11.15 Bonampak, Mexico Wall mu
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Fig.11.77 Fig.11.17 Bonampak Room 2
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Fig. 11.19 Headdress presented as a
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a. b. Fig.11.2L a Mixtec drum with
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Fig.11.23 Fig. t1.23 Cõt¿ bell wi
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A .i:.¿,;1¡-; !:l!l,t tr!rr / tu
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A t Fig.12.3 Ruler and wa¡rior fac
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' . j-i :rr:l::'o Fí9.12.5 Fíg.12
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Fíg.12.7 lvlaize god in sacrificia
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Fi9.72.9 Fig.12.9 The Sun God blood
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Skta D, CoFd. Pø.lr Íô; tA. ¿oo
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Fig.12.13 Bloodletting from the gen
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Fig. L2.1,5 Mat design on carved bo
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Fig.12.77 Fig.12.17 Drawing cords t
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ffiffiwffiffiffi 5 Eb 15 Mac he is
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AB I 2 3 4 5 Fig. 12.21, Lady Balam
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"a4 Fíg.12.23 Sacrificial Knife, T
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#H+o Fig.12.25 Frg.12.25 Heart sacr
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Fig.72.27 Fig.12.27 Cõdex scene of
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ti; tr F Êi :l H I ri É þ H F r
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Fig.12.31 Fig.12.31, Chacmool figur
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Fig,t2.33 Fig. 12.33 Dignitary carr
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Fig. 12.35 a. Pottery scene with ri
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Fig.12.37 Fig.12.37 Xipe Totec, Azt
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'?,,1 ,.1 rþ Fig.t2.39 Fig. t2.39
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a. Fig.12.41 Caplive Reliquary Jain
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Fig.13.2 Tlaloc and jaguar symbolis
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Fig. 13.4 Protagonist preparing for
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Fig. 13.6 Ballplayers in the court
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Fig.13.7b Sacrifice in ballcourt sc
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Fig. 13.9 Underworld scene of suppl
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Fig.13.11 Fig. 13.11 Thirteen Rabbi
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Fig.13.13 Fig. 13.13 Dismemberment
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Fig.13.15 Fig. 13.15 Sacrificed bal
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\ Fig.13.17 Fig. L3.17 Central Mark
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Chan-Bahlum Fig. 1.4.2 Chan-Bahlum'
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\ì \ +1 - t ! 4i I >-'./ nl-;,3 J_
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Fig.14.6 Fig. t4.6 Zoomorph B, Quir
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l0 11 Ak'bal 15 star- Sak overea¡l
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Stingray Paddler Jaguar Paddler i0@
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d lUüi¿c God dresscd by two nudo
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c. d. Fig.1,4.74 Fig. L4.1,4 Death
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Fig. t4.L6 Anthropomorphs in dancin
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Fig.14.18 Fig.14.1,8 Elongatedway f
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Lt .9 \ { tl t. ì '.( Ì'. Ç ' --
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Fig.14.22 Fig. 1.4.22 The Deletaill
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Fig.1,4.24 Temple of the Warriors,
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Fí9.1,4.26 Rattiesnake presenting
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Fig.1,4.28 Chac, the Rain God, stan
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Fig. L4.30 Chac masks on facade of
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Fig.14.32 Altar of skulls (Tzompant
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Fig.14.34 Pillar, Temple of the War
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Fig.1.4.36 Human in feline costime,
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Fig. 14.38 Platform of the Eagies a
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Fig.14.40 Fig.1.4.40 Eagle eating a
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Fig.14.42 Fí9.14.42 Olmec Cave Mas
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Fig. 14.44 lvIônster-mouth mask do
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G' -: ._{: Fig.1,4.46 The Magician'
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Fíg.14.48 El Castillo (The Castie)
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Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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