Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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a. shelYstar ffi b. star over Seib¿ ffi "the captor of" e. shield/flint event Fig.7.L8 Glyphs of Warfare a. Shell/star glyph (war against a city or lineage) b. Shell/star glyph combined with Seibal emblem Slyph, tra¡slating as "war against Seibal" c. Verb glyph (chucøl) designating capture of a victim d. Axe Slyph, indicating war weaponry e. Shield/flint glyptu verbal copstruction indicating weaporìry f. Glyph specifying "the captor of.," used in a lord's title g. Glyph (bak), meaning "captive" h. Nøwa glyph, meaning "to let blood" Drawings by Linda Schele (and captions) as Fig. V.1, p. 210, in Schele and Miller, 1986, The Blood of Kings: Dynøsty and Ritual in Maya Art. 8i9.7.78
Fi5.7.1,9 Vision Serpent, and female ruler bloodletting Lintel 15, Yaxchilan, Chiapas, Mexico Late Classic, A.D.770 The Trustees of the British Museum, London Drawing by lan Graham, in lan Graham and Eric Von Euw, 1,977, Corpus of Maya Hieroglyphic Inscríptions, Volume 3 Part L, 3:39. Fi9.7.79
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Altered Body Symbolism in Mesoameri
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499 List of lllustrations followed
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2.30 2.3t 2.32 2.33 2.34 2.35 2.36
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4.24 4.25 4.26 4.27 4.28 4.29 4.30
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8.1 8.2 8.3 8.4 8.5 8.6 505 Chapter
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9.23 9.24 9.25 9.26 9.27 9.28 9.29
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71,.1L Enema devices in a ritual sc
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12.38 Xipe Totec (or impersonator:
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t4.26 Rattlesnake presenting head i
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515 Barbachano Ponce, Manuel, 1978.
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577 Breen, John F. 1974. Encycloped
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519 . L972. "Olmec Jaguars and Olme
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521 Dickey, Thomas; vance Muse, and
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523 Freidel, David, Linda Schele an
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525 Halliday, Tim, and Kruig Adler,
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7991,. A Theory of Pørody: The Te
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529 Kristeva, Iu1ia. 1986. The Krí
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531 1976. Emblem and State ín the
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533 Moriarty, ]ames Robert. 1969. R
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535 Proskouriakoff, Tatiana. 1964,
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537 Robicsek, Francis, and Donald H
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539 7974. "Observations on the Cros
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541 Steirlin, Henri. 1981. The Art
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54:t Tebbs, _Margaret. 1989. "Guate
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l5 r9 I2æ 900 óoo 300 AD BC 300 L
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CHIAPAS "iI¡:ì I UU¡\IT\I\ ^ I p
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Fig.2.2 Fig. 2.2 a and b a.Þottery
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Fig.2.4 Acrobat Tlatilco Redware, 1
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Fig.2.6 Female figurines symbolizin
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Fig.2.B Preclassic solid clay figur
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v c Fig.2.10 Ball Game artifacts a.
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.-:i 4 Fig.2.12 Fig.2.I2 Male figur
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Fig.2.14 NIale figurine Stendahl st
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Fi1.2.1,6 Figurine with laughing fa
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Figs. 11. 12. The Chalcatzingo reli
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Fig.2.20 Fig.2.20 ]aguar atop human
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Fig.2.22 Fíg.2.22 Seated youth hol
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Fig.2.24 Standing figure holding a
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Fi9.2.26 Derivation oi rain gods fr
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-t'.- :t{þr l,:'.:,:â -a'.i.,-,:
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Jrtritirirtrtt Fig.2.30 Olmec femal
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Fig.2.32 Fig.2.32 Carved vessel wit
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Fig.2.34 Th¡ee figures in jar,vs o
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a. b. Fig.2.36 Fi9.2.36 Tuxtla Stat
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Fig.2.3B Tepantitla mural, or Tlalo
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Fig.2.40 Fiç.2.40 Transitional hgu
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a. b. Fig.3.1 a. Soverign Plumed Se
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Fig.3.3 Couple named Ometecuhtli ("
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Fig.3.5 Fig.3.5 Quetzalcoatl and Mi
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,.ot4 Fig.3.7 Fig.3.7 The earth per
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Fig.3.9 ChaIchíuhtlicue Early colo
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Çnaa'm iunut4 Fig.3.11 Fig.3.11 Tl
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Fig.3.13 Mixtec tree birth scene Co
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Fig.3.15 Fig.3.15 Møyahuel, Goddes
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SIDE III Fig.3.77 Fig.3.17 The "Jau
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Fig.3.18b Fig.3.18b Goddesses known
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Fíg.3.20 Tonacatecuhtli, "god of c
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they t¡vere botn The Paddlers unde
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Quadripartitc Cod, thc rcar hcad of
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Fig.4.4 The World Tree Drawing by L
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@ t:T) ffiffi dotot house te-tuq tr
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Fig.4.8 Masonry facade with carved
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Fig.4.10 Kinh and solar motifs in t
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Fig.4.12 Moon with rabbit consort (
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Quadripartite Monster Fig.4.1.4 Qua
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a. b. fronl head cross-banded eye c
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Fig.4.18 Maue God emerging from the
Page 135 and 136: Fig.4.20 a.boddess O with inverted
Page 137 and 138: a. b. Fig. 4.22 Chac (sometimes cal
Page 139 and 140: god markingã Fí9.4.24 God K (God
Page 141 and 142: Fig.4.26 Toltec Warrior with Tlaloc
Page 143 and 144: "'mWffi *ilpwm *@ffiffi G6 ffi ",m
Page 145 and 146: a. Fig.4.30 God A as a death god a.
Page 147 and 148: 4.32 a 4.32b w@m Fig. a.32 Fig.4.32
Page 149 and 150: Fig.4.34 Dragon Nlonster, Kaminalju
Page 151 and 152: Fig.4.36 The Vision Serpent Drawing
Page 153 and 154: . Fig.4.38 a. Eccentric flint Late
Page 155 and 156: Fig.5.1 Cenote of Sacrifice Chichen
Page 157 and 158: Fig. 5.3 Aztec warrior in flayed-sk
Page 159 and 160: Fig.6.2 Old deity instructing disci
Page 161 and 162: Fig.6.4 Anthropomorphic monkeys as
Page 163 and 164: Vessel 69 Fig.6.6 Anthropomorphic s
Page 165 and 166: (ft rpos) 1.18.3.12.0 'slçy' event
Page 167 and 168: ffi öffi ffi ffi wffi ßffi ffiãf
Page 169 and 170: Fig.7.2 Cauac Sky on north side of
Page 171 and 172: Gcncration 6 Lady Kanal-Ikal Gencra
Page 173 and 174: Fig.7.6 Flanged headdress from Copa
Page 175 and 176: Eig.7.8 Female Ruler from Calakmul
Page 177 and 178: Feminine head glyph rooo f Feminine
Page 179 and 180: Fig.7.I1, Lady Wac-Chanil-Ahau, at
Page 181 and 182: Fig.7.13 Ruler with war captains an
Page 183 and 184: Fíg.7.1.5 Bird Jaguar dressing for
Page 185: @H; ffi a@d Fi9.7.17 Glyphs from te
Page 189 and 190: Ftg.7.2I à,b Stucco portrait of Ch
Page 191 and 192: Fig.7.23 Fiç.7.23 Maya noble Limes
Page 193 and 194: Fig.7.25 Fig.7.25 Jaina Warrior Cer
Page 195 and 196: The World Ti,ee Fig.8.1 Maya King a
Page 197 and 198: Fig.8.3 Head of ruler in Chac-Xib-C
Page 199 and 200: anthropornorphíc p€rson¡l¡cati
Page 201 and 202: flayed area personified blood blood
Page 203 and 204: . The God C apron from Dos pilas St
Page 205 and 206: oo @Oa Fig. 8.11 The Quadripartite
Page 207 and 208: HIEROGLYPHIC TEXT IN YUCATEC EAST S
Page 209 and 210: Fig.8.15 Maya house with thatched r
Page 211 and 212: Fig.8.17 Incense-burner as an effí
Page 213 and 214: Fig.8.19 Fig.8.19 Dual images of Go
Page 215 and 216: Fig.8.21 Fig.8.21 The Leiden Plaque
Page 217 and 218: Curl-Snout's name Mosaic Monster he
Page 219 and 220: a" Curl-Snout from the side of Stel
Page 221 and 222: Fí9.8.27 Captor wears raloc-and-ba
Page 223 and 224: Fiç.8.29 Two figures, one wearing
Page 225 and 226: a. b. lF :;, i'l Yaxchilán Seibal
Page 227 and 228: Fig.8.33 Fig. 8.33 Map 9f Glyphic C
Page 229 and 230: Fig.8.35 Fig.8.35 Ruler on Stela 31
Page 231 and 232: Fig.9.1 Number gods carrying the Ma
Page 233 and 234: Fig. 9.3 g @ & @ J',i;ll Ð'{l' /æ
Page 235 and 236: a. Cloth morifs from 'ascension'sre
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ffi ttr ffi Fig.9.7 Hand gesLure si
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ffi þ,= ) ffi Fig. 9.9 Glyphs repr
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W o ffi b ffi c æ d Fig. 9.11. Gly
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a. b. ffi@ffiw @ffiffi ffiffi ffiw
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ww @@ @@ ii mffi il@q ffi@ ffiw gh
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Fi9.9.17 Kinh, the sun-time deity,
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-- ----- ----- waffi@W@@ .i¡l aaa
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4 .rl¡ ¿ oooo + oooo ¡ .rt i,ä
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;,ffi- ;ilililffi :\t\ffi Fis.9.23
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6. Fig.9.25 Fi1.9.25 Initial series
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^w ffi ffi"æ B. P ffit ffi t4? ffi
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\ '?-r-.. . /a'" '-r€' :\ Ei Fig.
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Uttlt t¡( dcl' . tlt't (,1tc. a (
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1., o //0zo 7 :, ., . . .:.i+:,i;."
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Fig.9.35 Maya Calendar and. World v
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Fiç.9.37 Fig.9.37 The New Fire, wi
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Fig.9.39 Fig.9.39 Aztec Calendar St
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Fig.9.41 Playing of drum and rattle
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Fig.10.2 Fiç.1.0.2 Venus (as Hunah
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Fig.1.0.4 a. b. page 46 AECDEÊG IX
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Fig. 10.6 Astronomical bodies in th
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%@ Fig. 10.8 Tzítzimitl sky demon
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:: . ... -a-,4 "- Fig. 10.10 Dresde
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lnstructions and Correction Table (
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1 I I I t. È,7 'þ'.Vtal 1tølì r
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Fig.10.16 Fig. 10.16 Goddess Coatli
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Fig.10.18 Fig. 10.18 Astronomer, Ma
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[¡&¡rr¡a.U*d¡Era*.r oaac}as f (
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Fig.70.?2 Fig.1,0.22 The House of t
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Fi1.1,0.24 The House of the Governo
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Ê2* .!it ôE i rE. ru.âr, Fig. 10
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Fig. 11.1 Gods of the Underworld in
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a. b. @ Kerr 1988 Ht. 14 Dta. 14.3
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Fig. 11.5 Acrobat efhgy vessel Coli
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@ Kerr 1989 , Ht. 15.8 Dta. 12.8 Ci
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4.¡ tñ .,Ï i,, A- Æ.E'u 9.,:* t
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Fig. 11.11 Enema devices in a ribua
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Fíg. 11.13 Dancing lords in blood
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Fig. 11.15 Bonampak, Mexico Wall mu
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Fig.11.77 Fig.11.17 Bonampak Room 2
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Fig. 11.19 Headdress presented as a
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a. b. Fig.11.2L a Mixtec drum with
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Fig.11.23 Fig. t1.23 Cõt¿ bell wi
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A .i:.¿,;1¡-; !:l!l,t tr!rr / tu
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A t Fig.12.3 Ruler and wa¡rior fac
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' . j-i :rr:l::'o Fí9.12.5 Fíg.12
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Fíg.12.7 lvlaize god in sacrificia
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Fi9.72.9 Fig.12.9 The Sun God blood
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Skta D, CoFd. Pø.lr Íô; tA. ¿oo
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Fig.12.13 Bloodletting from the gen
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Fig. L2.1,5 Mat design on carved bo
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Fig.12.77 Fig.12.17 Drawing cords t
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ffiffiwffiffiffi 5 Eb 15 Mac he is
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AB I 2 3 4 5 Fig. 12.21, Lady Balam
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"a4 Fíg.12.23 Sacrificial Knife, T
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#H+o Fig.12.25 Frg.12.25 Heart sacr
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Fig.72.27 Fig.12.27 Cõdex scene of
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ti; tr F Êi :l H I ri É þ H F r
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Fig.12.31 Fig.12.31, Chacmool figur
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Fig,t2.33 Fig. 12.33 Dignitary carr
Page 357 and 358:
Fig. 12.35 a. Pottery scene with ri
Page 359 and 360:
Fig.12.37 Fig.12.37 Xipe Totec, Azt
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'?,,1 ,.1 rþ Fig.t2.39 Fig. t2.39
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a. Fig.12.41 Caplive Reliquary Jain
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Fig.13.2 Tlaloc and jaguar symbolis
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Fig. 13.4 Protagonist preparing for
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Fig. 13.6 Ballplayers in the court
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Fig.13.7b Sacrifice in ballcourt sc
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Fig. 13.9 Underworld scene of suppl
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Fig.13.11 Fig. 13.11 Thirteen Rabbi
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Fig.13.13 Fig. 13.13 Dismemberment
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Fig.13.15 Fig. 13.15 Sacrificed bal
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\ Fig.13.17 Fig. L3.17 Central Mark
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Chan-Bahlum Fig. 1.4.2 Chan-Bahlum'
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\ì \ +1 - t ! 4i I >-'./ nl-;,3 J_
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Fig.14.6 Fig. t4.6 Zoomorph B, Quir
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l0 11 Ak'bal 15 star- Sak overea¡l
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Stingray Paddler Jaguar Paddler i0@
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d lUüi¿c God dresscd by two nudo
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c. d. Fig.1,4.74 Fig. L4.1,4 Death
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Fig. t4.L6 Anthropomorphs in dancin
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Fig.14.18 Fig.14.1,8 Elongatedway f
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Lt .9 \ { tl t. ì '.( Ì'. Ç ' --
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Fig.14.22 Fig. 1.4.22 The Deletaill
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Fig.1,4.24 Temple of the Warriors,
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Fí9.1,4.26 Rattiesnake presenting
Page 409 and 410:
Fig.1,4.28 Chac, the Rain God, stan
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Fig. L4.30 Chac masks on facade of
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Fig.14.32 Altar of skulls (Tzompant
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Fig.14.34 Pillar, Temple of the War
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Fig.1.4.36 Human in feline costime,
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Fig. 14.38 Platform of the Eagies a
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Fig.14.40 Fig.1.4.40 Eagle eating a
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Fig.14.42 Fí9.14.42 Olmec Cave Mas
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Fig. 14.44 lvIônster-mouth mask do
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G' -: ._{: Fig.1,4.46 The Magician'
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Fíg.14.48 El Castillo (The Castie)
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Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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