Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

More documents

Recommendations

Info

$il\VOLVEMENT OF RETII\OIC ACID II{ - MSpace at the University of ...$

Fi5.72.40 Fig.1,2.a0 Xipe Totec, Aztec Ceramic sculpture from Palma Cuata, Veracruz Probably from Postclassic period Photo as Image 19, p.206 in lvfarkman & lvfarkman,.l'992, The Flayed God: The Nlythology of Mesoarnerica. Sacred Texts €t Images from Pre-Columbian lvlexico €¡ Central Americn.
a. Fig.12.41 Caplive Reliquary Jaina, Campeche, Nlexico Late Classic period, A.D. 700-900. Ceramic, H. 13.6 cm. The Baltimore N{useum of Art, Gift of Alan lVurtzburger a. Front vier.v: Photograph by Justin Kerr as Plate 94, p.240 b. Back vier,v: Pholo by Justin Kerr as Plate 94a, p.228 Photographs in Schele and lvtiller, 1.986, The Blood of Kings: Dynasty ønd Rítual in Møya Art. b. Fig.12.41.
Page 1 and 2:
Altered Body Symbolism in Mesoameri
Page 3 and 4:
499 List of lllustrations followed
Page 5 and 6:
2.30 2.3t 2.32 2.33 2.34 2.35 2.36
Page 7 and 8:
4.24 4.25 4.26 4.27 4.28 4.29 4.30
Page 9 and 10:
8.1 8.2 8.3 8.4 8.5 8.6 505 Chapter
Page 11 and 12:
9.23 9.24 9.25 9.26 9.27 9.28 9.29
Page 13 and 14:
71,.1L Enema devices in a ritual sc
Page 15 and 16:
12.38 Xipe Totec (or impersonator:
Page 17 and 18:
t4.26 Rattlesnake presenting head i
Page 19 and 20:
515 Barbachano Ponce, Manuel, 1978.
Page 21 and 22:
577 Breen, John F. 1974. Encycloped
Page 23 and 24:
519 . L972. "Olmec Jaguars and Olme
Page 25 and 26:
521 Dickey, Thomas; vance Muse, and
Page 27 and 28:
523 Freidel, David, Linda Schele an
Page 29 and 30:
525 Halliday, Tim, and Kruig Adler,
Page 31 and 32:
7991,. A Theory of Pørody: The Te
Page 33 and 34:
529 Kristeva, Iu1ia. 1986. The Krí
Page 35 and 36:
531 1976. Emblem and State ín the
Page 37 and 38:
533 Moriarty, ]ames Robert. 1969. R
Page 39 and 40:
535 Proskouriakoff, Tatiana. 1964,
Page 41 and 42:
537 Robicsek, Francis, and Donald H
Page 43 and 44:
539 7974. "Observations on the Cros
Page 45 and 46:
541 Steirlin, Henri. 1981. The Art
Page 47 and 48:
54:t Tebbs, _Margaret. 1989. "Guate
Page 49 and 50:
l5 r9 I2æ 900 óoo 300 AD BC 300 L
Page 51 and 52:
CHIAPAS "iI¡:ì I UU¡\IT\I\ ^ I p
Page 53 and 54:
Fig.2.2 Fig. 2.2 a and b a.Þottery
Page 55 and 56:
Fig.2.4 Acrobat Tlatilco Redware, 1
Page 57 and 58:
Fig.2.6 Female figurines symbolizin
Page 59 and 60:
Fig.2.B Preclassic solid clay figur
Page 61 and 62:
v c Fig.2.10 Ball Game artifacts a.
Page 63 and 64:
.-:i 4 Fig.2.12 Fig.2.I2 Male figur
Page 65 and 66:
Fig.2.14 NIale figurine Stendahl st
Page 67 and 68:
Fi1.2.1,6 Figurine with laughing fa
Page 69 and 70:
Figs. 11. 12. The Chalcatzingo reli
Page 71 and 72:
Fig.2.20 Fig.2.20 ]aguar atop human
Page 73 and 74:
Fig.2.22 Fíg.2.22 Seated youth hol
Page 75 and 76:
Fig.2.24 Standing figure holding a
Page 77 and 78:
Fi9.2.26 Derivation oi rain gods fr
Page 79 and 80:
-t'.- :t{þr l,:'.:,:â -a'.i.,-,:
Page 81 and 82:
Jrtritirirtrtt Fig.2.30 Olmec femal
Page 83 and 84:
Fig.2.32 Fig.2.32 Carved vessel wit
Page 85 and 86:
Fig.2.34 Th¡ee figures in jar,vs o
Page 87 and 88:
a. b. Fig.2.36 Fi9.2.36 Tuxtla Stat
Page 89 and 90:
Fig.2.3B Tepantitla mural, or Tlalo
Page 91 and 92:
Fig.2.40 Fiç.2.40 Transitional hgu
Page 93 and 94:
a. b. Fig.3.1 a. Soverign Plumed Se
Page 95 and 96:
Fig.3.3 Couple named Ometecuhtli ("
Page 97 and 98:
Fig.3.5 Fig.3.5 Quetzalcoatl and Mi
Page 99 and 100:
,.ot4 Fig.3.7 Fig.3.7 The earth per
Page 101 and 102:
Fig.3.9 ChaIchíuhtlicue Early colo
Page 103 and 104:
Çnaa'm iunut4 Fig.3.11 Fig.3.11 Tl
Page 105 and 106:
Fig.3.13 Mixtec tree birth scene Co
Page 107 and 108:
Fig.3.15 Fig.3.15 Møyahuel, Goddes
Page 109 and 110:
SIDE III Fig.3.77 Fig.3.17 The "Jau
Page 111 and 112:
Fig.3.18b Fig.3.18b Goddesses known
Page 113 and 114:
Fíg.3.20 Tonacatecuhtli, "god of c
Page 115 and 116:
they t¡vere botn The Paddlers unde
Page 117 and 118:
Quadripartitc Cod, thc rcar hcad of
Page 119 and 120:
Fig.4.4 The World Tree Drawing by L
Page 121 and 122:
@ t:T) ffiffi dotot house te-tuq tr
Page 123 and 124:
Fig.4.8 Masonry facade with carved
Page 125 and 126:
Fig.4.10 Kinh and solar motifs in t
Page 127 and 128:
Fig.4.12 Moon with rabbit consort (
Page 129 and 130:
Quadripartite Monster Fig.4.1.4 Qua
Page 131 and 132:
a. b. fronl head cross-banded eye c
Page 133 and 134:
Fig.4.18 Maue God emerging from the
Page 135 and 136:
Fig.4.20 a.boddess O with inverted
Page 137 and 138:
a. b. Fig. 4.22 Chac (sometimes cal
Page 139 and 140:
god markingã Fí9.4.24 God K (God
Page 141 and 142:
Fig.4.26 Toltec Warrior with Tlaloc
Page 143 and 144:
"'mWffi *ilpwm *@ffiffi G6 ffi ",m
Page 145 and 146:
a. Fig.4.30 God A as a death god a.
Page 147 and 148:
4.32 a 4.32b w@m Fig. a.32 Fig.4.32
Page 149 and 150:
Fig.4.34 Dragon Nlonster, Kaminalju
Page 151 and 152:
Fig.4.36 The Vision Serpent Drawing
Page 153 and 154:
. Fig.4.38 a. Eccentric flint Late
Page 155 and 156:
Fig.5.1 Cenote of Sacrifice Chichen
Page 157 and 158:
Fig. 5.3 Aztec warrior in flayed-sk
Page 159 and 160:
Fig.6.2 Old deity instructing disci
Page 161 and 162:
Fig.6.4 Anthropomorphic monkeys as
Page 163 and 164:
Vessel 69 Fig.6.6 Anthropomorphic s
Page 165 and 166:
(ft rpos) 1.18.3.12.0 'slçy' event
Page 167 and 168:
ffi öffi ffi ffi wffi ßffi ffiãf
Page 169 and 170:
Fig.7.2 Cauac Sky on north side of
Page 171 and 172:
Gcncration 6 Lady Kanal-Ikal Gencra
Page 173 and 174:
Fig.7.6 Flanged headdress from Copa
Page 175 and 176:
Eig.7.8 Female Ruler from Calakmul
Page 177 and 178:
Feminine head glyph rooo f Feminine
Page 179 and 180:
Fig.7.I1, Lady Wac-Chanil-Ahau, at
Page 181 and 182:
Fig.7.13 Ruler with war captains an
Page 183 and 184:
Fíg.7.1.5 Bird Jaguar dressing for
Page 185 and 186:
@H; ffi a@d Fi9.7.17 Glyphs from te
Page 187 and 188:
Fi5.7.1,9 Vision Serpent, and femal
Page 189 and 190:
Ftg.7.2I à,b Stucco portrait of Ch
Page 191 and 192:
Fig.7.23 Fiç.7.23 Maya noble Limes
Page 193 and 194:
Fig.7.25 Fig.7.25 Jaina Warrior Cer
Page 195 and 196:
The World Ti,ee Fig.8.1 Maya King a
Page 197 and 198:
Fig.8.3 Head of ruler in Chac-Xib-C
Page 199 and 200:
anthropornorphíc p€rson¡l¡cati
Page 201 and 202:
flayed area personified blood blood
Page 203 and 204:
. The God C apron from Dos pilas St
Page 205 and 206:
oo @Oa Fig. 8.11 The Quadripartite
Page 207 and 208:
HIEROGLYPHIC TEXT IN YUCATEC EAST S
Page 209 and 210:
Fig.8.15 Maya house with thatched r
Page 211 and 212:
Fig.8.17 Incense-burner as an effí
Page 213 and 214:
Fig.8.19 Fig.8.19 Dual images of Go
Page 215 and 216:
Fig.8.21 Fig.8.21 The Leiden Plaque
Page 217 and 218:
Curl-Snout's name Mosaic Monster he
Page 219 and 220:
a" Curl-Snout from the side of Stel
Page 221 and 222:
Fí9.8.27 Captor wears raloc-and-ba
Page 223 and 224:
Fiç.8.29 Two figures, one wearing
Page 225 and 226:
a. b. lF :;, i'l Yaxchilán Seibal
Page 227 and 228:
Fig.8.33 Fig. 8.33 Map 9f Glyphic C
Page 229 and 230:
Fig.8.35 Fig.8.35 Ruler on Stela 31
Page 231 and 232:
Fig.9.1 Number gods carrying the Ma
Page 233 and 234:
Fig. 9.3 g @ & @ J',i;ll Ð'{l' /æ
Page 235 and 236:
a. Cloth morifs from 'ascension'sre
Page 237 and 238:
ffi ttr ffi Fig.9.7 Hand gesLure si
Page 239 and 240:
ffi þ,= ) ffi Fig. 9.9 Glyphs repr
Page 241 and 242:
W o ffi b ffi c æ d Fig. 9.11. Gly
Page 243 and 244:
a. b. ffi@ffiw @ffiffi ffiffi ffiw
Page 245 and 246:
ww @@ @@ ii mffi il@q ffi@ ffiw gh
Page 247 and 248:
Fi9.9.17 Kinh, the sun-time deity,
Page 249 and 250:
-- ----- ----- waffi@W@@ .i¡l aaa
Page 251 and 252:
4 .rl¡ ¿ oooo + oooo ¡ .rt i,ä
Page 253 and 254:
;,ffi- ;ilililffi :\t\ffi Fis.9.23
Page 255 and 256:
6. Fig.9.25 Fi1.9.25 Initial series
Page 257 and 258:
^w ffi ffi"æ B. P ffit ffi t4? ffi
Page 259 and 260:
\ '?-r-.. . /a'" '-r€' :\ Ei Fig.
Page 261 and 262:
Uttlt t¡( dcl' . tlt't (,1tc. a (
Page 263 and 264:
1., o //0zo 7 :, ., . . .:.i+:,i;."
Page 265 and 266:
Fig.9.35 Maya Calendar and. World v
Page 267 and 268:
Fiç.9.37 Fig.9.37 The New Fire, wi
Page 269 and 270:
Fig.9.39 Fig.9.39 Aztec Calendar St
Page 271 and 272:
Fig.9.41 Playing of drum and rattle
Page 273 and 274:
Fig.10.2 Fiç.1.0.2 Venus (as Hunah
Page 275 and 276:
Fig.1.0.4 a. b. page 46 AECDEÊG IX
Page 277 and 278:
Fig. 10.6 Astronomical bodies in th
Page 279 and 280:
%@ Fig. 10.8 Tzítzimitl sky demon
Page 281 and 282:
:: . ... -a-,4 "- Fig. 10.10 Dresde
Page 283 and 284:
lnstructions and Correction Table (
Page 285 and 286:
1 I I I t. È,7 'þ'.Vtal 1tølì r
Page 287 and 288:
Fig.10.16 Fig. 10.16 Goddess Coatli
Page 289 and 290:
Fig.10.18 Fig. 10.18 Astronomer, Ma
Page 291 and 292:
[¡&¡rr¡a.U*d¡Era*.r oaac}as f (
Page 293 and 294:
Fig.70.?2 Fig.1,0.22 The House of t
Page 295 and 296:
Fi1.1,0.24 The House of the Governo
Page 297 and 298:
Ê2* .!it ôE i rE. ru.âr, Fig. 10
Page 299 and 300:
Fig. 11.1 Gods of the Underworld in
Page 301 and 302:
a. b. @ Kerr 1988 Ht. 14 Dta. 14.3
Page 303 and 304:
Fig. 11.5 Acrobat efhgy vessel Coli
Page 305 and 306:
@ Kerr 1989 , Ht. 15.8 Dta. 12.8 Ci
Page 307 and 308:
4.¡ tñ .,Ï i,, A- Æ.E'u 9.,:* t
Page 309 and 310:
Fig. 11.11 Enema devices in a ribua
Page 311 and 312: Fíg. 11.13 Dancing lords in blood
Page 313 and 314: Fig. 11.15 Bonampak, Mexico Wall mu
Page 315 and 316: Fig.11.77 Fig.11.17 Bonampak Room 2
Page 317 and 318: Fig. 11.19 Headdress presented as a
Page 319 and 320: a. b. Fig.11.2L a Mixtec drum with
Page 321 and 322: Fig.11.23 Fig. t1.23 Cõt¿ bell wi
Page 323 and 324: A .i:.¿,;1¡-; !:l!l,t tr!rr / tu
Page 325 and 326: A t Fig.12.3 Ruler and wa¡rior fac
Page 327 and 328: ' . j-i :rr:l::'o Fí9.12.5 Fíg.12
Page 329 and 330: Fíg.12.7 lvlaize god in sacrificia
Page 331 and 332: Fi9.72.9 Fig.12.9 The Sun God blood
Page 333 and 334: Skta D, CoFd. Pø.lr Íô; tA. ¿oo
Page 335 and 336: Fig.12.13 Bloodletting from the gen
Page 337 and 338: Fig. L2.1,5 Mat design on carved bo
Page 339 and 340: Fig.12.77 Fig.12.17 Drawing cords t
Page 341 and 342: ffiffiwffiffiffi 5 Eb 15 Mac he is
Page 343 and 344: AB I 2 3 4 5 Fig. 12.21, Lady Balam
Page 345 and 346: "a4 Fíg.12.23 Sacrificial Knife, T
Page 347 and 348: #H+o Fig.12.25 Frg.12.25 Heart sacr
Page 349 and 350: Fig.72.27 Fig.12.27 Cõdex scene of
Page 351 and 352: ti; tr F Êi :l H I ri É þ H F r
Page 353 and 354: Fig.12.31 Fig.12.31, Chacmool figur
Page 355 and 356: Fig,t2.33 Fig. 12.33 Dignitary carr
Page 357 and 358: Fig. 12.35 a. Pottery scene with ri
Page 359 and 360: Fig.12.37 Fig.12.37 Xipe Totec, Azt
Page 361: '?,,1 ,.1 rþ Fig.t2.39 Fig. t2.39
Page 365 and 366: Fig.13.2 Tlaloc and jaguar symbolis
Page 367 and 368: Fig. 13.4 Protagonist preparing for
Page 369 and 370: Fig. 13.6 Ballplayers in the court
Page 371 and 372: Fig.13.7b Sacrifice in ballcourt sc
Page 373 and 374: Fig. 13.9 Underworld scene of suppl
Page 375 and 376: Fig.13.11 Fig. 13.11 Thirteen Rabbi
Page 377 and 378: Fig.13.13 Fig. 13.13 Dismemberment
Page 379 and 380: Fig.13.15 Fig. 13.15 Sacrificed bal
Page 381 and 382: \ Fig.13.17 Fig. L3.17 Central Mark
Page 383 and 384: Chan-Bahlum Fig. 1.4.2 Chan-Bahlum'
Page 385 and 386: \ì \ +1 - t ! 4i I >-'./ nl-;,3 J_
Page 387 and 388: Fig.14.6 Fig. t4.6 Zoomorph B, Quir
Page 389 and 390: l0 11 Ak'bal 15 star- Sak overea¡l
Page 391 and 392: Stingray Paddler Jaguar Paddler i0@
Page 393 and 394: d lUüi¿c God dresscd by two nudo
Page 395 and 396: c. d. Fig.1,4.74 Fig. L4.1,4 Death
Page 397 and 398: Fig. t4.L6 Anthropomorphs in dancin
Page 399 and 400: Fig.14.18 Fig.14.1,8 Elongatedway f
Page 401 and 402: Lt .9 \ { tl t. ì '.( Ì'. Ç ' --
Page 403 and 404: Fig.14.22 Fig. 1.4.22 The Deletaill
Page 405 and 406: Fig.1,4.24 Temple of the Warriors,
Page 407 and 408: Fí9.1,4.26 Rattiesnake presenting
Page 409 and 410: Fig.1,4.28 Chac, the Rain God, stan
Page 411 and 412: Fig. L4.30 Chac masks on facade of
Page 413 and 414:
Fig.14.32 Altar of skulls (Tzompant
Page 415 and 416:
Fig.14.34 Pillar, Temple of the War
Page 417 and 418:
Fig.1.4.36 Human in feline costime,
Page 419 and 420:
Fig. 14.38 Platform of the Eagies a
Page 421 and 422:
Fig.14.40 Fig.1.4.40 Eagle eating a
Page 423 and 424:
Fig.14.42 Fí9.14.42 Olmec Cave Mas
Page 425 and 426:
Fig. 14.44 lvIônster-mouth mask do
Page 427 and 428:
G' -: ._{: Fig.1,4.46 The Magician'
Page 429:
Fíg.14.48 El Castillo (The Castie)
show all

Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

Create successful ePaper yourself

Delete template?

Save as template?