Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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m æt l¡¡s¡:r-o¡o-J O@ ffi +- æ M Fig.9.6 Timekeeping: Maya abstract numbers connected to finger and toe counting Stelae 12 and 13, Monte AlbarU Oaxaca. Source: P. Drucker, "Ceramic Sequences from Ttes zapotes veracruz Mexico," Bureau of American Ethnology Bulletin 140, 1941, and I. Marcus 'ogsrlrs of Mesoamerican writing," AnnuøI Review of Anthropotogy s, 1976, figs. 3 and 4. @ 1976 by Annual Reviews, Inc. Drawings as Fig. 6.1,p.I92 n Anthony Aveni, IgBg, Empires of Time: Calendars, Clocks, and Cultures. Fig.9.6
ffi ttr ffi Fig.9.7 Hand gesLure signs in ancient Maya writing, and modern hand gestures. From left to right "the moon is going down; the young moon ii rising; the moon retains water (the dry season); the moon lets water escape (tÉe rainy season)." Drawings by P. Dunham (after H. Neuenswander, Summer Institute of Linguistics, Guatemala City, Guatemala), as Fig. 6.2 n Aveni, 'l'989, Empíres of Time: calendars, clocks, and cultures, 1gg. Fig.9.7
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Altered Body Symbolism in Mesoameri
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499 List of lllustrations followed
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2.30 2.3t 2.32 2.33 2.34 2.35 2.36
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4.24 4.25 4.26 4.27 4.28 4.29 4.30
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8.1 8.2 8.3 8.4 8.5 8.6 505 Chapter
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9.23 9.24 9.25 9.26 9.27 9.28 9.29
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71,.1L Enema devices in a ritual sc
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12.38 Xipe Totec (or impersonator:
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t4.26 Rattlesnake presenting head i
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515 Barbachano Ponce, Manuel, 1978.
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577 Breen, John F. 1974. Encycloped
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519 . L972. "Olmec Jaguars and Olme
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521 Dickey, Thomas; vance Muse, and
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523 Freidel, David, Linda Schele an
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525 Halliday, Tim, and Kruig Adler,
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7991,. A Theory of Pørody: The Te
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529 Kristeva, Iu1ia. 1986. The Krí
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531 1976. Emblem and State ín the
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533 Moriarty, ]ames Robert. 1969. R
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535 Proskouriakoff, Tatiana. 1964,
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537 Robicsek, Francis, and Donald H
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539 7974. "Observations on the Cros
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541 Steirlin, Henri. 1981. The Art
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54:t Tebbs, _Margaret. 1989. "Guate
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l5 r9 I2æ 900 óoo 300 AD BC 300 L
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CHIAPAS "iI¡:ì I UU¡\IT\I\ ^ I p
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Fig.2.2 Fig. 2.2 a and b a.Þottery
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Fig.2.4 Acrobat Tlatilco Redware, 1
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Fig.2.6 Female figurines symbolizin
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Fig.2.B Preclassic solid clay figur
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v c Fig.2.10 Ball Game artifacts a.
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.-:i 4 Fig.2.12 Fig.2.I2 Male figur
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Fig.2.14 NIale figurine Stendahl st
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Fi1.2.1,6 Figurine with laughing fa
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Figs. 11. 12. The Chalcatzingo reli
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Fig.2.20 Fig.2.20 ]aguar atop human
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Fig.2.22 Fíg.2.22 Seated youth hol
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Fig.2.24 Standing figure holding a
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Fi9.2.26 Derivation oi rain gods fr
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-t'.- :t{þr l,:'.:,:â -a'.i.,-,:
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Jrtritirirtrtt Fig.2.30 Olmec femal
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Fig.2.32 Fig.2.32 Carved vessel wit
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Fig.2.34 Th¡ee figures in jar,vs o
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a. b. Fig.2.36 Fi9.2.36 Tuxtla Stat
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Fig.2.3B Tepantitla mural, or Tlalo
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Fig.2.40 Fiç.2.40 Transitional hgu
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a. b. Fig.3.1 a. Soverign Plumed Se
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Fig.3.3 Couple named Ometecuhtli ("
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Fig.3.5 Fig.3.5 Quetzalcoatl and Mi
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,.ot4 Fig.3.7 Fig.3.7 The earth per
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Fig.3.9 ChaIchíuhtlicue Early colo
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Çnaa'm iunut4 Fig.3.11 Fig.3.11 Tl
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Fig.3.13 Mixtec tree birth scene Co
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Fig.3.15 Fig.3.15 Møyahuel, Goddes
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SIDE III Fig.3.77 Fig.3.17 The "Jau
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Fig.3.18b Fig.3.18b Goddesses known
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Fíg.3.20 Tonacatecuhtli, "god of c
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they t¡vere botn The Paddlers unde
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Quadripartitc Cod, thc rcar hcad of
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Fig.4.4 The World Tree Drawing by L
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@ t:T) ffiffi dotot house te-tuq tr
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Fig.4.8 Masonry facade with carved
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Fig.4.10 Kinh and solar motifs in t
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Fig.4.12 Moon with rabbit consort (
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Quadripartite Monster Fig.4.1.4 Qua
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a. b. fronl head cross-banded eye c
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Fig.4.18 Maue God emerging from the
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Fig.4.20 a.boddess O with inverted
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a. b. Fig. 4.22 Chac (sometimes cal
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god markingã Fí9.4.24 God K (God
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Fig.4.26 Toltec Warrior with Tlaloc
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"'mWffi *ilpwm *@ffiffi G6 ffi ",m
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a. Fig.4.30 God A as a death god a.
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4.32 a 4.32b w@m Fig. a.32 Fig.4.32
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Fig.4.34 Dragon Nlonster, Kaminalju
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Fig.4.36 The Vision Serpent Drawing
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. Fig.4.38 a. Eccentric flint Late
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Fig.5.1 Cenote of Sacrifice Chichen
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Fig. 5.3 Aztec warrior in flayed-sk
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Fig.6.2 Old deity instructing disci
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Fig.6.4 Anthropomorphic monkeys as
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Vessel 69 Fig.6.6 Anthropomorphic s
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(ft rpos) 1.18.3.12.0 'slçy' event
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ffi öffi ffi ffi wffi ßffi ffiãf
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Fig.7.2 Cauac Sky on north side of
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Gcncration 6 Lady Kanal-Ikal Gencra
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Fig.7.6 Flanged headdress from Copa
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Eig.7.8 Female Ruler from Calakmul
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Feminine head glyph rooo f Feminine
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Fig.7.I1, Lady Wac-Chanil-Ahau, at
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Fig.7.13 Ruler with war captains an
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Fíg.7.1.5 Bird Jaguar dressing for
Page 185 and 186: @H; ffi a@d Fi9.7.17 Glyphs from te
Page 187 and 188: Fi5.7.1,9 Vision Serpent, and femal
Page 189 and 190: Ftg.7.2I à,b Stucco portrait of Ch
Page 191 and 192: Fig.7.23 Fiç.7.23 Maya noble Limes
Page 193 and 194: Fig.7.25 Fig.7.25 Jaina Warrior Cer
Page 195 and 196: The World Ti,ee Fig.8.1 Maya King a
Page 197 and 198: Fig.8.3 Head of ruler in Chac-Xib-C
Page 199 and 200: anthropornorphíc p€rson¡l¡cati
Page 201 and 202: flayed area personified blood blood
Page 203 and 204: . The God C apron from Dos pilas St
Page 205 and 206: oo @Oa Fig. 8.11 The Quadripartite
Page 207 and 208: HIEROGLYPHIC TEXT IN YUCATEC EAST S
Page 209 and 210: Fig.8.15 Maya house with thatched r
Page 211 and 212: Fig.8.17 Incense-burner as an effí
Page 213 and 214: Fig.8.19 Fig.8.19 Dual images of Go
Page 215 and 216: Fig.8.21 Fig.8.21 The Leiden Plaque
Page 217 and 218: Curl-Snout's name Mosaic Monster he
Page 219 and 220: a" Curl-Snout from the side of Stel
Page 221 and 222: Fí9.8.27 Captor wears raloc-and-ba
Page 223 and 224: Fiç.8.29 Two figures, one wearing
Page 225 and 226: a. b. lF :;, i'l Yaxchilán Seibal
Page 227 and 228: Fig.8.33 Fig. 8.33 Map 9f Glyphic C
Page 229 and 230: Fig.8.35 Fig.8.35 Ruler on Stela 31
Page 231 and 232: Fig.9.1 Number gods carrying the Ma
Page 233 and 234: Fig. 9.3 g @ & @ J',i;ll Ð'{l' /æ
Page 235: a. Cloth morifs from 'ascension'sre
Page 239 and 240: ffi þ,= ) ffi Fig. 9.9 Glyphs repr
Page 241 and 242: W o ffi b ffi c æ d Fig. 9.11. Gly
Page 243 and 244: a. b. ffi@ffiw @ffiffi ffiffi ffiw
Page 245 and 246: ww @@ @@ ii mffi il@q ffi@ ffiw gh
Page 247 and 248: Fi9.9.17 Kinh, the sun-time deity,
Page 249 and 250: -- ----- ----- waffi@W@@ .i¡l aaa
Page 251 and 252: 4 .rl¡ ¿ oooo + oooo ¡ .rt i,ä
Page 253 and 254: ;,ffi- ;ilililffi :\t\ffi Fis.9.23
Page 255 and 256: 6. Fig.9.25 Fi1.9.25 Initial series
Page 257 and 258: ^w ffi ffi"æ B. P ffit ffi t4? ffi
Page 259 and 260: \ '?-r-.. . /a'" '-r€' :\ Ei Fig.
Page 261 and 262: Uttlt t¡( dcl' . tlt't (,1tc. a (
Page 263 and 264: 1., o //0zo 7 :, ., . . .:.i+:,i;."
Page 265 and 266: Fig.9.35 Maya Calendar and. World v
Page 267 and 268: Fiç.9.37 Fig.9.37 The New Fire, wi
Page 269 and 270: Fig.9.39 Fig.9.39 Aztec Calendar St
Page 271 and 272: Fig.9.41 Playing of drum and rattle
Page 273 and 274: Fig.10.2 Fiç.1.0.2 Venus (as Hunah
Page 275 and 276: Fig.1.0.4 a. b. page 46 AECDEÊG IX
Page 277 and 278: Fig. 10.6 Astronomical bodies in th
Page 279 and 280: %@ Fig. 10.8 Tzítzimitl sky demon
Page 281 and 282: :: . ... -a-,4 "- Fig. 10.10 Dresde
Page 283 and 284: lnstructions and Correction Table (
Page 285 and 286: 1 I I I t. È,7 'þ'.Vtal 1tølì r
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Fig.10.16 Fig. 10.16 Goddess Coatli
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Fig.10.18 Fig. 10.18 Astronomer, Ma
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[¡&¡rr¡a.U*d¡Era*.r oaac}as f (
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Fig.70.?2 Fig.1,0.22 The House of t
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Fi1.1,0.24 The House of the Governo
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Ê2* .!it ôE i rE. ru.âr, Fig. 10
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Fig. 11.1 Gods of the Underworld in
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a. b. @ Kerr 1988 Ht. 14 Dta. 14.3
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Fig. 11.5 Acrobat efhgy vessel Coli
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@ Kerr 1989 , Ht. 15.8 Dta. 12.8 Ci
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4.¡ tñ .,Ï i,, A- Æ.E'u 9.,:* t
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Fig. 11.11 Enema devices in a ribua
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Fíg. 11.13 Dancing lords in blood
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Fig. 11.15 Bonampak, Mexico Wall mu
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Fig.11.77 Fig.11.17 Bonampak Room 2
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Fig. 11.19 Headdress presented as a
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a. b. Fig.11.2L a Mixtec drum with
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Fig.11.23 Fig. t1.23 Cõt¿ bell wi
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A .i:.¿,;1¡-; !:l!l,t tr!rr / tu
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A t Fig.12.3 Ruler and wa¡rior fac
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' . j-i :rr:l::'o Fí9.12.5 Fíg.12
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Fíg.12.7 lvlaize god in sacrificia
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Fi9.72.9 Fig.12.9 The Sun God blood
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Skta D, CoFd. Pø.lr Íô; tA. ¿oo
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Fig.12.13 Bloodletting from the gen
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Fig. L2.1,5 Mat design on carved bo
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Fig.12.77 Fig.12.17 Drawing cords t
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ffiffiwffiffiffi 5 Eb 15 Mac he is
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AB I 2 3 4 5 Fig. 12.21, Lady Balam
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"a4 Fíg.12.23 Sacrificial Knife, T
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#H+o Fig.12.25 Frg.12.25 Heart sacr
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Fig.72.27 Fig.12.27 Cõdex scene of
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ti; tr F Êi :l H I ri É þ H F r
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Fig.12.31 Fig.12.31, Chacmool figur
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Fig,t2.33 Fig. 12.33 Dignitary carr
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Fig. 12.35 a. Pottery scene with ri
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Fig.12.37 Fig.12.37 Xipe Totec, Azt
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'?,,1 ,.1 rþ Fig.t2.39 Fig. t2.39
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a. Fig.12.41 Caplive Reliquary Jain
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Fig.13.2 Tlaloc and jaguar symbolis
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Fig. 13.4 Protagonist preparing for
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Fig. 13.6 Ballplayers in the court
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Fig.13.7b Sacrifice in ballcourt sc
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Fig. 13.9 Underworld scene of suppl
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Fig.13.11 Fig. 13.11 Thirteen Rabbi
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Fig.13.13 Fig. 13.13 Dismemberment
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Fig.13.15 Fig. 13.15 Sacrificed bal
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\ Fig.13.17 Fig. L3.17 Central Mark
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Chan-Bahlum Fig. 1.4.2 Chan-Bahlum'
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\ì \ +1 - t ! 4i I >-'./ nl-;,3 J_
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Fig.14.6 Fig. t4.6 Zoomorph B, Quir
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l0 11 Ak'bal 15 star- Sak overea¡l
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Stingray Paddler Jaguar Paddler i0@
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d lUüi¿c God dresscd by two nudo
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c. d. Fig.1,4.74 Fig. L4.1,4 Death
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Fig. t4.L6 Anthropomorphs in dancin
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Fig.14.18 Fig.14.1,8 Elongatedway f
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Lt .9 \ { tl t. ì '.( Ì'. Ç ' --
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Fig.14.22 Fig. 1.4.22 The Deletaill
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Fig.1,4.24 Temple of the Warriors,
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Fí9.1,4.26 Rattiesnake presenting
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Fig.1,4.28 Chac, the Rain God, stan
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Fig. L4.30 Chac masks on facade of
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Fig.14.32 Altar of skulls (Tzompant
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Fig.14.34 Pillar, Temple of the War
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Fig.1.4.36 Human in feline costime,
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Fig. 14.38 Platform of the Eagies a
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Fig.14.40 Fig.1.4.40 Eagle eating a
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Fig.14.42 Fí9.14.42 Olmec Cave Mas
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Fig. 14.44 lvIônster-mouth mask do
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G' -: ._{: Fig.1,4.46 The Magician'
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Fíg.14.48 El Castillo (The Castie)
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