Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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a. b. Fi9.2.23 Seated youth holding a jaguar-featured human infant (details) Stone figurine, Las Limas, Veracruz. a. Drawing showing motifs on body, as Fig. 28,p.51 in Wicke, 1971., Olmec: An Early Art Style of Precolumbian Mexico. b. God-faces on the seated figure Drawings as Fig. 3, p. 5 in Coe, 1972, "Olmec Jaguars and Olmec Kings," in The Cult of the Feline: A Conference in Pre-Colurnbian lconography October 31,st and Noaember 1st, '1970, ed. Elizabeth P. Benson. Fig.2.23
Fig.2.24 Standing figure holding a were-jaguar. Jade,3s7r "high Photo from The Brooklyn VIuseumL47.6, as fig. 4, p. 12 in Coe, 1965,The laguør's Chíldren: Pre-Classic Central Mexico. Fig.2.24
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Altered Body Symbolism in Mesoameri
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499 List of lllustrations followed
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2.30 2.3t 2.32 2.33 2.34 2.35 2.36
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4.24 4.25 4.26 4.27 4.28 4.29 4.30
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8.1 8.2 8.3 8.4 8.5 8.6 505 Chapter
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9.23 9.24 9.25 9.26 9.27 9.28 9.29
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71,.1L Enema devices in a ritual sc
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12.38 Xipe Totec (or impersonator:
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t4.26 Rattlesnake presenting head i
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515 Barbachano Ponce, Manuel, 1978.
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577 Breen, John F. 1974. Encycloped
Page 23 and 24: 519 . L972. "Olmec Jaguars and Olme
Page 25 and 26: 521 Dickey, Thomas; vance Muse, and
Page 27 and 28: 523 Freidel, David, Linda Schele an
Page 29 and 30: 525 Halliday, Tim, and Kruig Adler,
Page 31 and 32: 7991,. A Theory of Pørody: The Te
Page 33 and 34: 529 Kristeva, Iu1ia. 1986. The Krí
Page 35 and 36: 531 1976. Emblem and State ín the
Page 37 and 38: 533 Moriarty, ]ames Robert. 1969. R
Page 39 and 40: 535 Proskouriakoff, Tatiana. 1964,
Page 41 and 42: 537 Robicsek, Francis, and Donald H
Page 43 and 44: 539 7974. "Observations on the Cros
Page 45 and 46: 541 Steirlin, Henri. 1981. The Art
Page 47 and 48: 54:t Tebbs, _Margaret. 1989. "Guate
Page 49 and 50: l5 r9 I2æ 900 óoo 300 AD BC 300 L
Page 51 and 52: CHIAPAS "iI¡:ì I UU¡\IT\I\ ^ I p
Page 53 and 54: Fig.2.2 Fig. 2.2 a and b a.Þottery
Page 55 and 56: Fig.2.4 Acrobat Tlatilco Redware, 1
Page 57 and 58: Fig.2.6 Female figurines symbolizin
Page 59 and 60: Fig.2.B Preclassic solid clay figur
Page 61 and 62: v c Fig.2.10 Ball Game artifacts a.
Page 63 and 64: .-:i 4 Fig.2.12 Fig.2.I2 Male figur
Page 65 and 66: Fig.2.14 NIale figurine Stendahl st
Page 67 and 68: Fi1.2.1,6 Figurine with laughing fa
Page 69 and 70: Figs. 11. 12. The Chalcatzingo reli
Page 71 and 72: Fig.2.20 Fig.2.20 ]aguar atop human
Page 73: Fig.2.22 Fíg.2.22 Seated youth hol
Page 77 and 78: Fi9.2.26 Derivation oi rain gods fr
Page 79 and 80: -t'.- :t{þr l,:'.:,:â -a'.i.,-,:
Page 81 and 82: Jrtritirirtrtt Fig.2.30 Olmec femal
Page 83 and 84: Fig.2.32 Fig.2.32 Carved vessel wit
Page 85 and 86: Fig.2.34 Th¡ee figures in jar,vs o
Page 87 and 88: a. b. Fig.2.36 Fi9.2.36 Tuxtla Stat
Page 89 and 90: Fig.2.3B Tepantitla mural, or Tlalo
Page 91 and 92: Fig.2.40 Fiç.2.40 Transitional hgu
Page 93 and 94: a. b. Fig.3.1 a. Soverign Plumed Se
Page 95 and 96: Fig.3.3 Couple named Ometecuhtli ("
Page 97 and 98: Fig.3.5 Fig.3.5 Quetzalcoatl and Mi
Page 99 and 100: ,.ot4 Fig.3.7 Fig.3.7 The earth per
Page 101 and 102: Fig.3.9 ChaIchíuhtlicue Early colo
Page 103 and 104: Çnaa'm iunut4 Fig.3.11 Fig.3.11 Tl
Page 105 and 106: Fig.3.13 Mixtec tree birth scene Co
Page 107 and 108: Fig.3.15 Fig.3.15 Møyahuel, Goddes
Page 109 and 110: SIDE III Fig.3.77 Fig.3.17 The "Jau
Page 111 and 112: Fig.3.18b Fig.3.18b Goddesses known
Page 113 and 114: Fíg.3.20 Tonacatecuhtli, "god of c
Page 115 and 116: they t¡vere botn The Paddlers unde
Page 117 and 118: Quadripartitc Cod, thc rcar hcad of
Page 119 and 120: Fig.4.4 The World Tree Drawing by L
Page 121 and 122: @ t:T) ffiffi dotot house te-tuq tr
Page 123 and 124: Fig.4.8 Masonry facade with carved
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Fig.4.10 Kinh and solar motifs in t
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Fig.4.12 Moon with rabbit consort (
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Quadripartite Monster Fig.4.1.4 Qua
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a. b. fronl head cross-banded eye c
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Fig.4.18 Maue God emerging from the
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Fig.4.20 a.boddess O with inverted
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a. b. Fig. 4.22 Chac (sometimes cal
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god markingã Fí9.4.24 God K (God
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Fig.4.26 Toltec Warrior with Tlaloc
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"'mWffi *ilpwm *@ffiffi G6 ffi ",m
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a. Fig.4.30 God A as a death god a.
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4.32 a 4.32b w@m Fig. a.32 Fig.4.32
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Fig.4.34 Dragon Nlonster, Kaminalju
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Fig.4.36 The Vision Serpent Drawing
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. Fig.4.38 a. Eccentric flint Late
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Fig.5.1 Cenote of Sacrifice Chichen
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Fig. 5.3 Aztec warrior in flayed-sk
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Fig.6.2 Old deity instructing disci
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Fig.6.4 Anthropomorphic monkeys as
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Vessel 69 Fig.6.6 Anthropomorphic s
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(ft rpos) 1.18.3.12.0 'slçy' event
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ffi öffi ffi ffi wffi ßffi ffiãf
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Fig.7.2 Cauac Sky on north side of
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Gcncration 6 Lady Kanal-Ikal Gencra
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Fig.7.6 Flanged headdress from Copa
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Eig.7.8 Female Ruler from Calakmul
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Feminine head glyph rooo f Feminine
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Fig.7.I1, Lady Wac-Chanil-Ahau, at
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Fig.7.13 Ruler with war captains an
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Fíg.7.1.5 Bird Jaguar dressing for
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@H; ffi a@d Fi9.7.17 Glyphs from te
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Fi5.7.1,9 Vision Serpent, and femal
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Ftg.7.2I à,b Stucco portrait of Ch
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Fig.7.23 Fiç.7.23 Maya noble Limes
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Fig.7.25 Fig.7.25 Jaina Warrior Cer
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The World Ti,ee Fig.8.1 Maya King a
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Fig.8.3 Head of ruler in Chac-Xib-C
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anthropornorphíc p€rson¡l¡cati
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flayed area personified blood blood
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. The God C apron from Dos pilas St
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oo @Oa Fig. 8.11 The Quadripartite
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HIEROGLYPHIC TEXT IN YUCATEC EAST S
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Fig.8.15 Maya house with thatched r
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Fig.8.17 Incense-burner as an effí
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Fig.8.19 Fig.8.19 Dual images of Go
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Fig.8.21 Fig.8.21 The Leiden Plaque
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Curl-Snout's name Mosaic Monster he
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a" Curl-Snout from the side of Stel
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Fí9.8.27 Captor wears raloc-and-ba
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Fiç.8.29 Two figures, one wearing
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a. b. lF :;, i'l Yaxchilán Seibal
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Fig.8.33 Fig. 8.33 Map 9f Glyphic C
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Fig.8.35 Fig.8.35 Ruler on Stela 31
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Fig.9.1 Number gods carrying the Ma
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Fig. 9.3 g @ & @ J',i;ll Ð'{l' /æ
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a. Cloth morifs from 'ascension'sre
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ffi ttr ffi Fig.9.7 Hand gesLure si
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ffi þ,= ) ffi Fig. 9.9 Glyphs repr
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W o ffi b ffi c æ d Fig. 9.11. Gly
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a. b. ffi@ffiw @ffiffi ffiffi ffiw
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ww @@ @@ ii mffi il@q ffi@ ffiw gh
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Fi9.9.17 Kinh, the sun-time deity,
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-- ----- ----- waffi@W@@ .i¡l aaa
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4 .rl¡ ¿ oooo + oooo ¡ .rt i,ä
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;,ffi- ;ilililffi :\t\ffi Fis.9.23
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6. Fig.9.25 Fi1.9.25 Initial series
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^w ffi ffi"æ B. P ffit ffi t4? ffi
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\ '?-r-.. . /a'" '-r€' :\ Ei Fig.
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Uttlt t¡( dcl' . tlt't (,1tc. a (
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1., o //0zo 7 :, ., . . .:.i+:,i;."
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Fig.9.35 Maya Calendar and. World v
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Fiç.9.37 Fig.9.37 The New Fire, wi
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Fig.9.39 Fig.9.39 Aztec Calendar St
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Fig.9.41 Playing of drum and rattle
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Fig.10.2 Fiç.1.0.2 Venus (as Hunah
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Fig.1.0.4 a. b. page 46 AECDEÊG IX
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Fig. 10.6 Astronomical bodies in th
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%@ Fig. 10.8 Tzítzimitl sky demon
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:: . ... -a-,4 "- Fig. 10.10 Dresde
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lnstructions and Correction Table (
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1 I I I t. È,7 'þ'.Vtal 1tølì r
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Fig.10.16 Fig. 10.16 Goddess Coatli
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Fig.10.18 Fig. 10.18 Astronomer, Ma
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[¡&¡rr¡a.U*d¡Era*.r oaac}as f (
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Fig.70.?2 Fig.1,0.22 The House of t
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Fi1.1,0.24 The House of the Governo
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Ê2* .!it ôE i rE. ru.âr, Fig. 10
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Fig. 11.1 Gods of the Underworld in
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a. b. @ Kerr 1988 Ht. 14 Dta. 14.3
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Fig. 11.5 Acrobat efhgy vessel Coli
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@ Kerr 1989 , Ht. 15.8 Dta. 12.8 Ci
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4.¡ tñ .,Ï i,, A- Æ.E'u 9.,:* t
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Fig. 11.11 Enema devices in a ribua
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Fíg. 11.13 Dancing lords in blood
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Fig. 11.15 Bonampak, Mexico Wall mu
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Fig.11.77 Fig.11.17 Bonampak Room 2
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Fig. 11.19 Headdress presented as a
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a. b. Fig.11.2L a Mixtec drum with
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Fig.11.23 Fig. t1.23 Cõt¿ bell wi
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A .i:.¿,;1¡-; !:l!l,t tr!rr / tu
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A t Fig.12.3 Ruler and wa¡rior fac
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' . j-i :rr:l::'o Fí9.12.5 Fíg.12
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Fíg.12.7 lvlaize god in sacrificia
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Fi9.72.9 Fig.12.9 The Sun God blood
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Skta D, CoFd. Pø.lr Íô; tA. ¿oo
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Fig.12.13 Bloodletting from the gen
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Fig. L2.1,5 Mat design on carved bo
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Fig.12.77 Fig.12.17 Drawing cords t
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ffiffiwffiffiffi 5 Eb 15 Mac he is
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AB I 2 3 4 5 Fig. 12.21, Lady Balam
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"a4 Fíg.12.23 Sacrificial Knife, T
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#H+o Fig.12.25 Frg.12.25 Heart sacr
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Fig.72.27 Fig.12.27 Cõdex scene of
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ti; tr F Êi :l H I ri É þ H F r
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Fig.12.31 Fig.12.31, Chacmool figur
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Fig,t2.33 Fig. 12.33 Dignitary carr
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Fig. 12.35 a. Pottery scene with ri
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Fig.12.37 Fig.12.37 Xipe Totec, Azt
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'?,,1 ,.1 rþ Fig.t2.39 Fig. t2.39
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a. Fig.12.41 Caplive Reliquary Jain
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Fig.13.2 Tlaloc and jaguar symbolis
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Fig. 13.4 Protagonist preparing for
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Fig. 13.6 Ballplayers in the court
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Fig.13.7b Sacrifice in ballcourt sc
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Fig. 13.9 Underworld scene of suppl
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Fig.13.11 Fig. 13.11 Thirteen Rabbi
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Fig.13.13 Fig. 13.13 Dismemberment
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Fig.13.15 Fig. 13.15 Sacrificed bal
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\ Fig.13.17 Fig. L3.17 Central Mark
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Chan-Bahlum Fig. 1.4.2 Chan-Bahlum'
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\ì \ +1 - t ! 4i I >-'./ nl-;,3 J_
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Fig.14.6 Fig. t4.6 Zoomorph B, Quir
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l0 11 Ak'bal 15 star- Sak overea¡l
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Stingray Paddler Jaguar Paddler i0@
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d lUüi¿c God dresscd by two nudo
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c. d. Fig.1,4.74 Fig. L4.1,4 Death
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Fig. t4.L6 Anthropomorphs in dancin
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Fig.14.18 Fig.14.1,8 Elongatedway f
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Lt .9 \ { tl t. ì '.( Ì'. Ç ' --
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Fig.14.22 Fig. 1.4.22 The Deletaill
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Fig.1,4.24 Temple of the Warriors,
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Fí9.1,4.26 Rattiesnake presenting
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Fig.1,4.28 Chac, the Rain God, stan
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Fig. L4.30 Chac masks on facade of
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Fig.14.32 Altar of skulls (Tzompant
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Fig.14.34 Pillar, Temple of the War
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Fig.1.4.36 Human in feline costime,
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Fig. 14.38 Platform of the Eagies a
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Fig.14.40 Fig.1.4.40 Eagle eating a
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Fig.14.42 Fí9.14.42 Olmec Cave Mas
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Fig. 14.44 lvIônster-mouth mask do
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G' -: ._{: Fig.1,4.46 The Magician'
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Fíg.14.48 El Castillo (The Castie)
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Altered Body Symbolism in Mesoamerica Charlotte AIiryn Werner ...

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