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hans richter nEw LIVIng Design: Integral Lars Müller 16.5 × 24 cm, 6 ½ × 9 ½ in 128 pages, 500 illustrations hardcover 2001, ISBN 978-3-907078-22-8 English EUR 44.– GBP 35.– USD / CAD 28.– gEfESSELTEr BLICK 25 profiles and articles on designers in advertising Reprint, original 1930 15.5 × 21 cm, 6 × 8 ¾ in, 112 pages 140 illustrations, hardcover 1996, ISBN 978-3-907044-02-5 German EUR 45.– GBP 40.– USD/CAD 60.– Annemarie Bucher SPIrALE Eine Künstler zeit schrift 1953–1964 Design: Lars Müller 22 × 30 cm, 8 ½ × 12 in, 224 pages 450 illustrations, softcover 2001, ISBN 978-3-906700-21-2 German EUR 58.– GBP 52.– USD/CAD 65.– hans Arp and El Lissitzky ThE ISMS Of ArT 1914–1924 Reprint, original 1925 24.5 × 26.5 cm, 5 ¾ × 10 ½ in 60 pages, 75 illustrations hardcover 1990, ISBN 978-3-906700-28-1 English/French/German EUR 15.– GBP 15.– USD / CAD 30.– Edited by Andres Janser and Arthur rüegg This publication includes detailed sequences from the New Living film, as well as numerous documents that illustrate the new style of architecural modernism. Edited by heinz and Bodo rasch Gefesselter Blick, the captivated gaze, is one of the most important publications on the state of commercial art in the late 1920s. The Rasch brothers invited 25 designers to write brief “monographs and contributions.” Their publication launches a radical reversal of classic advertising design. The most revolutionary artists of the time are represented. Spirale was an international artists’ magazine for young art and is now one of the most important records of how art developed in the 50s. It marks the change of generations in post-war art and documents the development of abstract and constructive/concrete art in Europe. The Spirale was edited by Marcel Wyss, Dieter Roth, and Eugen Gomringer and appeared from 1953 to 1964. This surprising collection of “isms” ranks among the most important publications on avant-garde art in the 1920s. Hans Arp and El Lissitzky took a refreshing, frankly opinionated inventory of artistic attitudes and movements from 1914 to 1924. Lissitzky’s exuberant design of the book epitomizes the style of the times. gerlinde Schuller DESIgnIng unIVErSAL KnOwLEDgE The world as flatland – report 1 Design: Information Design Studio / gerlinde Schuller 16.5 × 24 cm, 6 ½ × 9 ½ in, 304 pages 650 illustrations, hardcover 2009, ISBN 978-3-03778-149-4 English EUR 35.– GBP 35.– USD / CAD 50.– Pierre Bernard My wOrK IS nOT My wOrK Design for the public domain Design: reynoud homan 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages 270 illustrations, softcover 2008, ISBN 978-3-03778-087-9 English 2007, ISBN 978-3-03778-086-2 French 2007, ISBN 978-3-03778-104-3 Dutch EUR 40.– GBP 40.– USD / CAD 50.– SIgnAgE DESIgn MAnuAL Edo Smitshuijzen Design: Edo Smitshuijzen 16 × 26 cm, 6 ¼ × 10 ¼ in, 456 pages 800 illustrations, hardcover 2007, ISBN 978-3-03778-096-1 English EUR 45.– GBP 40.– USD/CAD 60.– The development of modern communication and information technologies like the Internet and globalization have not only changed access and spread of the available knowledge but also the speed of collecting. The author examines collections of knowledge such as archives, encyclopedias, data collections, and libraries that make knowledge accessible worldwide. Who is collecting the world’s knowledge? How is it structured and designed? Who determines the access of knowledge? The French designer Pierre Bernard focuses in his work—a comprehensive survey of which is offered here for the first time—on the public domain, on communication between governments and citizens, on notification and orientation in the public realm. A striking example is his concept for the Louvre’s corporate identity in Paris. Bernard is omnipresent in France with his design for the distinctive seal of the French National Parks. Since 1991 Pierre Bernard leads the Atelier de Création Graphique in Paris. In an entertaining and straightforward way, Edo Smitshuijzen’s Signage Design Manual leads the reader step by step through the individual phases of signal design. More than nine hundred illustrations guides through this demanding process. The combination of wide coverage and precise, detailed information makes this book accessible to a broad spectrum of readers, from information and graphic designers to architects and professionals. With the publication of Signage Design Manual, the canon of signaletics finally has its own textbook. 56 Design 57
Jean-Pascal Imsand PhOTOgrAPhEr Design: Integral Lars Müller 24 × 30 cm, 9 × 11 ¾ in, 184 pages 138 photographs in b/w, hardcover 2004, ISBN 978-3-03778-037-4 English 2004, ISBN 978-3-03778-041-1 French 2004, ISBN 978-3-03778-040-4 German EUR 25.– GBP 25.– USD / CAD 38.– Lukas felzmann wATErS In BETwEEn With marginalia by Angelus Silesius and John Berger Design: Integral Lars Müller 19 × 27 cm, 7 ½ × 10 ¾ in, 320 pages 161 photographs, hardcover 2009, ISBN 978-3-03778-138-8 English EUR 50.– GBP 45.– USD / CAD 65.– Lukas felzmann LAnDfALL Essay by Peter Pfrunder 13 × 18 cm, 5 × 7 in, 144 pages 70 photographs, hardcover 2004, ISBN 978-3-907078-92-1 English/German EUR 28.– GBP 25.– USD / CAD 35.– With essays by Dieter Bachmann, Jean-Christophe Blaser, Martin Gasser, Sylvie Henguely, Fabio Pusterla Jean-Pascal Imsand’s work eludes any attempt at classification, and contains an apparent paradox. While his photo-montages are much admired for their aesthetic and narrative qualities, yet are often political in nature, the precision of content demon strated in his socio-documentary reportages does not exclude mythical interpretation. Felzmann discovers with his camera the hidden charms of the Sacramento Valley, that seeming nonplace. The photographs show the diversity of the plane: the original landscape, the large swaths put to agricultural use, the modern provincial towns, and the transitional areas in between. Photographs of water in all its facets run through the book, just as water runs through the valley. Lukas Felzmann’s Landfall is far more than just a compilation of strong single images. Roads that peter out in the middle of nowhere, buildings that no long make sense, flotsam and jetsam that defy oblivion: Felzmann’s scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Broad landscapes and deep horizons become expanses on to which all kinds of visions can be projected. SCIEnCE SuISSE An Initiative of Srg SSr idée suisse Christian Eggenberger and Lars Müller (Eds.) Design: Integral Lars Müller 16.5 × 24 cm, 6 ½ × 9 ½ in 472 pages, 250 illustrations hardcover, with DVD 2009, ISBN 978-3-03778-145-6 Ger/Fr/It/Eng (PAL) 2009, ISBN 978-3-03778-156-2 Ger/Fr/It/Eng (NTSC) EUR 30.– GBP 25.– USD / CAD 45.– nadja Athanasiou, Michael Bühler, Peter Lüem ThE DOLDEr grAnD Design: Peter Zimmermann 25 × 27 cm, 9 ¾ × 10 ¾ in 640 pages, 400 photographs hardcover 2009, ISBN 978-3-03778-166-1 English EUR 119.– GBP 108.– USD / CAD 179.– SALIBA Mazza – aus der feinen Küche Syriens Edited by Elias hanna Saliba With photographs by Hans Hansen Design: Pierre Mendell 15.4 × 21.6 cm, 6 × 8 ½ in, 176 pages 49 illustrations, hardcover 1999, ISBN 978-3-907078-98-3 Ger/Arab EUR 24.– CHF 38.– USD/CAD 40.– With texts by the Nobel Prize laureate Rolf Zinkernagel, Bertrand Piccard and photographs by Andri Pol Following the success of PHOTOsuisse, SCIENCEsuisse deals with science in Switzerland, with twenty-five textual portraits of selected researchers, depicting their development, career milestones, and outstanding research projects from the vantage point of distinguished science journalists. Two essays seek to situate Switzerland as a research venue. Thirteen critical theses deal with research and its general conditions in Switzerland. With contributions by Judith Wyder and Cees Nooteboom In 2009, the Dolder Grand celebrated its first birthday since reopening, following a four-year remodelling carried out according to plans by Foster+Partners. The photographers Nadja Athanasiou, Michael Bühler, and Peter Lüem, documented the entire project throughout every stage of the refurbishment, charting in detail the scope of the hotel’s metamorphosis. The resulting photographic narrative is a rich and complex tapestry in which text and image are interwoven with a lyricism that brings the architecture to life. Hanna Saliba ranks among the most innovative restaurateurs in Germany. His restaurant Saliba in Hamburg, which serves Syrian cuisine, is renowned far beyond the city’s borders for its magical culinary experiences. Some of the restaurant’s guests — Hans Hansen from Hamburg, the Munich designer Pierre Mendell, and the publisher of this volume — developed the concept for this book together with Saliba as an expression of their enthusiasm for Arab cuisine, particularly for the diversity and sophistication of its incomparable hors d’oeuvres called Mazza. “Eating with the eyes” is to be taken literally. Arabic calligraphy complements the feast for the eyes and makes the book much more than a collection of recipes for amateur cooks and professional chefs. 58 Photography 59
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Page 7 and 8: TOuCh ME The Mystery of the Surface
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