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OThEr SPACE ODySSEyS:<br />

grEg Lynn, MIChAEL MALTZAn,<br />

ALESSAnDrO POLI<br />

Edited by giovanna Borasi, Mirko Zardini,<br />

and Canadian Centre for <strong>Architecture</strong><br />

<strong>Design</strong>: Integral <strong>Lars</strong> <strong>Müller</strong><br />

15 × 21 cm, 6 × 8 ¼ in, 160 pages<br />

113 illustrations, softcover<br />

<strong>2010</strong>, ISBN 978-3-03778-193-7, English<br />

<strong>2010</strong>, ISBN 978-3-03778-194-4, French<br />

EUR 25.– GBP 23.– USD / CAD 35.–<br />

nEw<br />

Today we are witnessing a renewed enthusiasm<br />

for space exploration, with scientific expeditions,<br />

satellite launches, and the emergence of space<br />

tourism pushing us to reconsider our relationship<br />

with our planet.<br />

Other Space Odysseys has nothing to do with<br />

Space <strong>Architecture</strong> or architecture in outer space.<br />

It is not a celebration of high-tech architecture<br />

and imagery or extreme physical and mental conditions.<br />

Instead, this book proposes a letting<br />

go of architecture understood as the production<br />

of material goods in favour of architecture as<br />

the production of ideas.<br />

How can thinking about space lead to fresh perspectives<br />

on earth? Greg Lynn, Michael Maltzan<br />

and Alessandro Poli present different avenues<br />

for approaching this question. Their odysseys,<br />

real and virtual, ultimately promise a rediscovery<br />

of our own world.<br />

Stephen Taylor,<br />

ryue nishizawa<br />

PErSPECTIVES DE VIE<br />

A LOnDrES ET A TOKyO<br />

Edited by<br />

giovanna Borasi, CCA<br />

15 × 21 cm, 6 × 8 ¼ in, 160 pages<br />

160 illustrations, softcover<br />

2008, ISBN 978-3-03778-150-0, Eng<br />

2008, ISBN 978-3-03778-152-4, Fr<br />

EUR 19.90 GBP 18.99<br />

USD / CAD 29.90<br />

N .O. A .H. ( New Outer Atmospheric Habitat )<br />

Greg Lynn<br />

When Jörg Tittel and Ethan Ryker were developing Divide, a science fiction<br />

film addressing some of the socio-political mores that shape our world and<br />

future, he invited me to design one of the characters: four new planets. The<br />

N.O.A.H. ( New Outer Atmospheric Habitat) structures are internally porous,<br />

city-scaled, man-made space stations housing millions. They are designed to<br />

take advan-tage of orientations unique to the absence of gravity, much like the<br />

interior organization and structures of cells or bacteria. The N.O.A.H.s are<br />

riddled with open spaces and microclimates directly transplanted from earth. It<br />

is a design concept combining architecture, technology, and terrestrial nature<br />

to create a new ideal of living space — one not bound by gravity or planar surfaces.<br />

From a distance, a N.O.A.H. resembles a single vast discrete shape, but<br />

on closer obser vation it becomes an amalga mation of mutable and modular<br />

cellular pockets. These cells create a variety of structural layers — similar to<br />

a coral reef — and read as chambers and volumes within. When intersected<br />

with the outer skin, they create crater-like openings that allow for the circulation<br />

of light and air throughout the interior spaces.<br />

N.O.A.H. ( New Outer Atmospheric Habitat ),<br />

Greg Lynn, 2004<br />

Asia, one of the “ planets” designed for the film<br />

Divide : the structure is riddled with open spaces<br />

and microclimates directly transplanted from<br />

earth’s continent of the same name.<br />

Model : 3-D printed ABS plastic<br />

Pages 26–29 : Side, front and axonometric views<br />

of the Asia planet.<br />

Rendered frames<br />

25<br />

Autoritratto con riflessa autostrada Terra-Luna<br />

( Self-portrait with reflection of Earth-moon highway<br />

), Alessandro Poli, 1973<br />

Photomontage<br />

91<br />

Zeno in his house in Riparbella, Alessandro Poli,<br />

Zeno: Research on a Self- Sufficient Culture,<br />

1 9 7 9 – 80<br />

METAhAVEn<br />

unCOrPOrATE IDEnTITy<br />

Edited by Metahaven (Daniel van der Velden<br />

and Vinca Kruk) with Marina Vishmidt<br />

Co-published by Jan van Eyck Academie<br />

<strong>Design</strong>: Metahaven<br />

17 × 24 cm, 6 ¾ × 9 ½ in, 608 pages<br />

200 illustrations, softcover<br />

<strong>2010</strong>, ISBN 978-3-03778-169-2, English<br />

EUR 45.– GBP 45.– USD / CAD 80.–<br />

Uncorporate Identity is an anthology of<br />

Metahaven projects, ideas and models. A science<br />

fiction book about design, it describes corporate<br />

identity beyond certainty, entwined with politics,<br />

speculation and information networks. Carved<br />

out from the multipolar geopolitical spaces of the<br />

early 21st century and the paradoxical leftovers<br />

and peripheries of ancient regimes and ruined<br />

ideologies, Uncorporate Identity is at once an<br />

artistic manifesto for design under globalization<br />

and a workbook of essays, narratives and<br />

truisms investigating the ambiguous state of<br />

identity and branding today.<br />

Uncorporate Identity is edited by Daniel van<br />

der Velden and Vinca Kruk (Metahaven) with<br />

Marina Vishmidt and includes contributions by<br />

Pier Vittorio Aureli, Bruno Besana, Mariana<br />

Celac, Boris Groys, David Singh Grewal, Vladimir<br />

Kolossov, Keller Easterling, Dieter Lesage,<br />

China Miéville, Mihnea Mircan, Chantal Mouffe,<br />

Florian Schneider, Regula Stämpfli, Michael<br />

Taussig, Marina Vishmidt, and others.<br />

14 <strong>Architecture</strong>/<strong>Design</strong> 15<br />

nEw

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